- •The Medieval Tailor's Assistant
- •Making common garments 1200 -1500
- •The Medieval Tailor's Assistant
- •Ruth Bean Publishers
- •Victoria Farmhouse, Carlton, Bedford mk43 7lp
- •7373 Pyramid Place, Hollywood, ca 90046
- •Isbn 0 903585 32 4
- •Modern version of the chaperon, mid 15th century
- •Contents
- •Introduction 9
- •Interlining (interfacing) 50
- •Interlining flat pieces 50
- •Part 2 The garments
- •Acknowledgements
- •Photograph credits
- •Introduction
- •How to use the book
- •Preparation
- •Body linens
- •Main garments - cotes or tunics
- •3. Main garments - kirtles
- •4. Main garments - doublets
- •Outer garments - surcotes
- •Outer garments - early gowns for men and woman
- •Outer garments - men's gowns
- •11. Outer garments - working dress
- •19.Accessories
- •The personal pattern Block
- •Measurements for men
- •Measurements for women
- •Measurements for tight sleeves
- •4. Modelling a toile for a man
- •7 7. Side seams and main vertical darts
- •Waist darts
- •Armholes, toile removal
- •10 10. Modelling a toile for a woman
- •Side seams and main vertical darts
- •13 13. Front - shoulders and bust shaping
- •Armholes, toile removal
- •From toile to Block
- •Young man's Block
- •Mature man's Block - an example
- •Young woman's Block
- •Larger woman's Block - an example
- •Drafting the sleeve
- •Table 1 When X-y is up to 5 cm Table 2
- •Finished sleeve draft
- •Sleeve for larger armhole
- •24. Small child's Block
- •Enlarging the Block for outer garments
- •Adapting the Block to add length, width or fullness
- •Adapting the Block for long skirts
- •Piecing patterns
- •Oversewing (top-sewing, seaming)
- •Hemming (felling)
- •Running stitch, stab stitch, and backstitch
- •Lapping a seam
- •Triple-run seams
- •Making up, Figs 7-15
- •Sleeves with gussets - making up and setting in by hand
- •Sleeves with gussets - making up and setting in by machine
- •Binding
- •10 10. Finishes for slit openings
- •Interlining
- •13. Interlining, lining and joining flat pieces
- •Making up collars
- •Stomacher
- •Working eyelets
- •Methods of lacing
- •Latchet fastening and garters
- •Ball buttons of cloth
- •Flat buttons of cloth
- •Buttonholes
- •Simple stitch decoration
- •Band and border patterns
- •Dagging
- •Finger-looped cords
- •Plaiting
- •28. Patching
- •27. Making a tassel
- •29. Mending hose
- •Weave structures
- •1.C.1250, French
- •1. 1430-40, French
- •3. Pattern for Fig 2
- •Long-legged braies, 1200-1400
- •Patterns for Fig 4
- •Planning a quarter garment
- •4. Tapered sleeve
- •Neck styles
- •4. Pattern layout for Fig 3
- •6. Layout for Fig 5
- •Neck styles
- •Improving shoulder and armhole fit
- •'Transitional' sleeve, from 1300
- •Bodice for Fig 2
- •Full pattern and layout for Fig 2
- •5 5. Sleeve with mitten cuff for Fig 2 (Pls 2, 3)
- •6. Short sleeve for Fig 2
- •8. Bodice for Fig 7
- •9 9. Skirt pattern and layout for Fig 7
- •Doublets
- •1. 1430-40, French
- •C.1400, English
- •Pattern for Fig 4
- •Pattern for Fig 6
- •Puff sleeve for Fig 6
- •9. Making up the puff sleeve (Pls 7, 8)
- •Late 13th century, English
- •C.1465, Flemish 2
- •3. Late 15th century, French
- •Modelling separate hose
- •Pattern for Fig 4a
- •Foot styles for Figs 4b&c
- •8. Joined hose, 15th century
- •9. Modelling joined hose
- •Pattern for Fig 8
- •Codpiece and gusset 11
- •Making up Fig 8
- •Surcotes
- •Early 14th century, English. Woman going to market
- •C.1340, English. Man removing surcote
- •Simple sleeved surcote, 13th and early 14th century
- •5A 5. Woman's fashionable sleeved surcote, mid
- •14Th century
- •Peaked sleeves for surcotes, first half of 14th century
- •Simple sleeveless surcote, 13th to mid 14th century, Pl 10
- •8A 8. Sleeveless surcotes, 13th to mid 14th century
- •Pattern and layout
- •9. Women's open surcotes, mid 14th century on
- •11. Full pattern and layout for Fig 9
- •Cotehardies
- •C.1340, English. Drummer
- •C.1350, English
- •3. C.1360-80, English. Iseult
- •4. Men's cotehardies, mid 14th century
- •Sleeves for Fig 4 6a
- •Woman's cotehardie, later 14th century
- •9. Full pattern and layout for Fig 7
- •1400, English
- •2. 1395-1400, French
- •3. C. 1410, English
- •16. 1460-65, French
- •17. 1490, English
- •22.1460-65, French
- •23. 1485, 1490, English
- •4. Early buttoned gown, late 14th/early 15th century
- •Bodice and collars for Fig 4
- •Bodice with round-necked collar
- •7. Sleeve for Fig 4
- •9. Upper bodice and collar for Fig 8
- •Full pattern and layout for Fig 8
- •Bag sleeve, late 14th to mid 15th century
- •Fashionable gown, end 14th/early 15th century
- •Full pattern and layout for Fig 12
- •15.Open sleeve for Figs 12 & 8 left
- •Pleated gowns, middle 15th century
- •Bodices for Fig 18
- •Full pattern and layout for Fig 18
- •Sleeve for Fig 18
- •Flared gown, early to late 15th century
- •Bodice and collar for Fig 24
- •Full pattern and layout for Fig 24
- •Sleeve for Fig 24
- •31. Sleeve for Fig 28
- •Bodice and collar for Fig 28
- •Full pattern and layout for Fig 28
- •C.1440, Flemish, Pl 16
- •1423, French
- •1465, French/Burgundian
- •2. Overkirtle, 15th century
- •Bodice and sleeve for Fig 2
- •4. Full pattern and layout for Fig 2
- •Cloaks and mantles
- •1. 1370-80, English
- •2. 1455, English
- •4A 4. Cloak necklines and fastenings
- •Children
- •1. 1404, English
- •2. C.1475, Flemish
- •3 3. Overkirtle for pregnancy, 15th century
- •4. Baby's shirt - pattern
- •Baby's 'bed'
- •Clothes for larger babies and infants
- •7 7. Boy's gown, 15th century
- •8. Bodice and sleeve for Fig 7
- •9. Full pattern and layout for Fig 7
- •10 10. Girls' kirtle and gown, 15th century
- •Bodice and stomacher for Fig 10
- •4. Straw hats
- •1/4 Head size
- •Basic hood, 13th and 14th century
- •Pattern for Fig 1 2
- •1/2 Slip on measurement
- •3. Hood with front opening - pattern 3
- •6A b 6. Chaperon, mid 15th century, Pls 12, 19
- •Cutting and making up Fig 6
- •Wrapped kerchief, 1200 onwards
- •2A 2. Knotted kerchief, 14th century on (Pls 6,10)
- •Fillet in place.
- •Kerchief with basic wimple, 1200 onwards
- •Kerchief with shaped and pinched wimple, 15th century
- •Cloth veil, 1200 onwards
- •Open hoods, mid 14th century onwards
- •Black head-dresses, late 15th century
- •Plaits, 14th and early 15th century
- •Hair net with veil and narrow fillet over it.
- •Caul, late 14th to early 15th century
- •Pattern for Fig 6
- •Lattice work for Fig 6
- •Templers, early 15th century
- •9B. Fashionably wide bucket style templers,
- •9B left templer
- •Century on
- •Large horns, mid 15th century
- •Padded roll, early to later 15th century
- •Hennins and wired veil, second half of 15th century
- •Butterfly head-dress, later 15th century
- •This pattern is made up into a cone section:
- •Men's belts, purses and pouches
- •Women's belts and purses
- •Mittens
- •Men's aprons
- •Women's aprons
- •Jewellery
- •Hand luggage
- •Coffers for valuables.
11. Outer garments - working dress
In the 15th century women wore a second, fuller Men wore an outer garment either loose and belted, kirtle over the first. The skirts were usually tucked up or closer-fitting and buttoned. Patterns for these are revealing the kirtle beneath. not included as the cut is based on the gown or
cotehardie.
Overkirtle, 15th century Belted frock and buttoned cote, 15th century
Cloaks
Cloaks were worn throughout the period but are not essential for your outfit.
12. Cloaks
Cloaks were circular in shape with different shoulder
styles and fastenings. Cloak necklines and fastenings
Children's wear
Children's clothes would normally reflect the status of their family unless supplied by an employer.
13. Children's wear
Cote Boy's gown, 15th century Girls' kirtle and
V-fronted
gown
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Head-wear
Men wore a hood or a hat, or sometimes both. Most women just wore a kerchief, sometimes with a veil or hood over it, but head-dresses for the wealthy became increasingly complex from the mid 14th century.
Head-wear-
men's
hats
and
caps a b
A selection from the 14th and 15th centuries.
a. Felt hat
Fur hat
Knitted cap
Straw
hat e
e. Coif
d
Head-wear - men's hoods
a.
Basic hood,
13th and 14th
century
Hood worn as a hat, mid 14th to mid 15th century
Chaperon, mid 15th century (Pl 19)
Head-wear - women's linen head-dresses
a. Wrapped kerchief, 1200 onwards
b. Knotted kerchief, 15th century
c. Kerchief with shaped and pinched wimple, 15th century
Head-wear - women's cloth head-dresses and hoods
a.
Open hood, mid
14th century onwards a b
b. Black head-dress, late 15th century
20
Head-wear - women's fashionable head-dresses
A
selection from
the elaborate
head-dresses
and a b c
their components worn by women of status.
a. Plaits, 14th and early 15th century
b. Hair nets, mid 13th to mid 15th century
c. Barbette and fillet, 13th and early 14th century
d. Frilled veil, second half of 14th century
e. Templers, early 15th century
Separate horns, mid 15th century
Padded roll, early to later 15th century
9
Accessories
A belt and a pair of shoes are vital for every outfit. Notes on shoes are included under Hose, but making them is not covered in this book. Belts, purses and other items such as aprons and mittens indicate status and will enhance your finished outfit.
19.Accessories
a. Man's belt with purse and knife
b. Woman's drawstring purse
c. Split mitten
d. Woman's apron
e. Basket
c e
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Wearing your outfit
Get used to putting on your outfit layer by layer. Practise pinning the kerchief and draping the hood, as well as movements like lifting objects and climbing steps. Women need to know just where to hitch up the skirts for free movement, and 'ladies' need to practise walking without hitching them up. Try the following exercise: with arms loose at your sides grab the outer skirt in each hand and lift it forward until the front is clear of your feet. Kick forward as you walk to keep the bulk moving, but remember not to stride - ladies don't have to hurry!
Your clothes only become fully 'yours' by using them. Learning how to move in them and how to keep your head-dress in place will enhance your confidence and enjoyment. For each historic role you will need to assume a different comportment to match the clothes, for example a consciousness of rank which makes you deferential, or superior, in a way that is unknown today.
Care and storage
Re-enactors and frequent users should repair any damage promptly and as neatly as possible. You can renovate old garments, or cut them down for children, as would have been customary.
Wash all body linens regularly. If you are a purist you will use pure soap or ecological detergent, without modern synthetic fragrances. If you can, air-dry linens on a line so they don't need ironing.
Your other clothing should rarely need washing or cleaning if it is well dried and aired.
Brush off dried mud, and clean off grease. Wear an apron for cooking or dirty work.
Store heavy garments laid flat, or folded: if left on a coat hanger they may droop out of shape. If they aren't used regularly put them in a plastic bag, or wrap them in an old sheet or muslin, to keep out moths. Medieval pest controls such as rue, lavender or rosemary smell better than camphor mothballs, but are less effective. You should take clothes out regularly to give them a shake and check for moth grubs.
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