- •The Medieval Tailor's Assistant
- •Making common garments 1200 -1500
- •The Medieval Tailor's Assistant
- •Ruth Bean Publishers
- •Victoria Farmhouse, Carlton, Bedford mk43 7lp
- •7373 Pyramid Place, Hollywood, ca 90046
- •Isbn 0 903585 32 4
- •Modern version of the chaperon, mid 15th century
- •Contents
- •Introduction 9
- •Interlining (interfacing) 50
- •Interlining flat pieces 50
- •Part 2 The garments
- •Acknowledgements
- •Photograph credits
- •Introduction
- •How to use the book
- •Preparation
- •Body linens
- •Main garments - cotes or tunics
- •3. Main garments - kirtles
- •4. Main garments - doublets
- •Outer garments - surcotes
- •Outer garments - early gowns for men and woman
- •Outer garments - men's gowns
- •11. Outer garments - working dress
- •19.Accessories
- •The personal pattern Block
- •Measurements for men
- •Measurements for women
- •Measurements for tight sleeves
- •4. Modelling a toile for a man
- •7 7. Side seams and main vertical darts
- •Waist darts
- •Armholes, toile removal
- •10 10. Modelling a toile for a woman
- •Side seams and main vertical darts
- •13 13. Front - shoulders and bust shaping
- •Armholes, toile removal
- •From toile to Block
- •Young man's Block
- •Mature man's Block - an example
- •Young woman's Block
- •Larger woman's Block - an example
- •Drafting the sleeve
- •Table 1 When X-y is up to 5 cm Table 2
- •Finished sleeve draft
- •Sleeve for larger armhole
- •24. Small child's Block
- •Enlarging the Block for outer garments
- •Adapting the Block to add length, width or fullness
- •Adapting the Block for long skirts
- •Piecing patterns
- •Oversewing (top-sewing, seaming)
- •Hemming (felling)
- •Running stitch, stab stitch, and backstitch
- •Lapping a seam
- •Triple-run seams
- •Making up, Figs 7-15
- •Sleeves with gussets - making up and setting in by hand
- •Sleeves with gussets - making up and setting in by machine
- •Binding
- •10 10. Finishes for slit openings
- •Interlining
- •13. Interlining, lining and joining flat pieces
- •Making up collars
- •Stomacher
- •Working eyelets
- •Methods of lacing
- •Latchet fastening and garters
- •Ball buttons of cloth
- •Flat buttons of cloth
- •Buttonholes
- •Simple stitch decoration
- •Band and border patterns
- •Dagging
- •Finger-looped cords
- •Plaiting
- •28. Patching
- •27. Making a tassel
- •29. Mending hose
- •Weave structures
- •1.C.1250, French
- •1. 1430-40, French
- •3. Pattern for Fig 2
- •Long-legged braies, 1200-1400
- •Patterns for Fig 4
- •Planning a quarter garment
- •4. Tapered sleeve
- •Neck styles
- •4. Pattern layout for Fig 3
- •6. Layout for Fig 5
- •Neck styles
- •Improving shoulder and armhole fit
- •'Transitional' sleeve, from 1300
- •Bodice for Fig 2
- •Full pattern and layout for Fig 2
- •5 5. Sleeve with mitten cuff for Fig 2 (Pls 2, 3)
- •6. Short sleeve for Fig 2
- •8. Bodice for Fig 7
- •9 9. Skirt pattern and layout for Fig 7
- •Doublets
- •1. 1430-40, French
- •C.1400, English
- •Pattern for Fig 4
- •Pattern for Fig 6
- •Puff sleeve for Fig 6
- •9. Making up the puff sleeve (Pls 7, 8)
- •Late 13th century, English
- •C.1465, Flemish 2
- •3. Late 15th century, French
- •Modelling separate hose
- •Pattern for Fig 4a
- •Foot styles for Figs 4b&c
- •8. Joined hose, 15th century
- •9. Modelling joined hose
- •Pattern for Fig 8
- •Codpiece and gusset 11
- •Making up Fig 8
- •Surcotes
- •Early 14th century, English. Woman going to market
- •C.1340, English. Man removing surcote
- •Simple sleeved surcote, 13th and early 14th century
- •5A 5. Woman's fashionable sleeved surcote, mid
- •14Th century
- •Peaked sleeves for surcotes, first half of 14th century
- •Simple sleeveless surcote, 13th to mid 14th century, Pl 10
- •8A 8. Sleeveless surcotes, 13th to mid 14th century
- •Pattern and layout
- •9. Women's open surcotes, mid 14th century on
- •11. Full pattern and layout for Fig 9
- •Cotehardies
- •C.1340, English. Drummer
- •C.1350, English
- •3. C.1360-80, English. Iseult
- •4. Men's cotehardies, mid 14th century
- •Sleeves for Fig 4 6a
- •Woman's cotehardie, later 14th century
- •9. Full pattern and layout for Fig 7
- •1400, English
- •2. 1395-1400, French
- •3. C. 1410, English
- •16. 1460-65, French
- •17. 1490, English
- •22.1460-65, French
- •23. 1485, 1490, English
- •4. Early buttoned gown, late 14th/early 15th century
- •Bodice and collars for Fig 4
- •Bodice with round-necked collar
- •7. Sleeve for Fig 4
- •9. Upper bodice and collar for Fig 8
- •Full pattern and layout for Fig 8
- •Bag sleeve, late 14th to mid 15th century
- •Fashionable gown, end 14th/early 15th century
- •Full pattern and layout for Fig 12
- •15.Open sleeve for Figs 12 & 8 left
- •Pleated gowns, middle 15th century
- •Bodices for Fig 18
- •Full pattern and layout for Fig 18
- •Sleeve for Fig 18
- •Flared gown, early to late 15th century
- •Bodice and collar for Fig 24
- •Full pattern and layout for Fig 24
- •Sleeve for Fig 24
- •31. Sleeve for Fig 28
- •Bodice and collar for Fig 28
- •Full pattern and layout for Fig 28
- •C.1440, Flemish, Pl 16
- •1423, French
- •1465, French/Burgundian
- •2. Overkirtle, 15th century
- •Bodice and sleeve for Fig 2
- •4. Full pattern and layout for Fig 2
- •Cloaks and mantles
- •1. 1370-80, English
- •2. 1455, English
- •4A 4. Cloak necklines and fastenings
- •Children
- •1. 1404, English
- •2. C.1475, Flemish
- •3 3. Overkirtle for pregnancy, 15th century
- •4. Baby's shirt - pattern
- •Baby's 'bed'
- •Clothes for larger babies and infants
- •7 7. Boy's gown, 15th century
- •8. Bodice and sleeve for Fig 7
- •9. Full pattern and layout for Fig 7
- •10 10. Girls' kirtle and gown, 15th century
- •Bodice and stomacher for Fig 10
- •4. Straw hats
- •1/4 Head size
- •Basic hood, 13th and 14th century
- •Pattern for Fig 1 2
- •1/2 Slip on measurement
- •3. Hood with front opening - pattern 3
- •6A b 6. Chaperon, mid 15th century, Pls 12, 19
- •Cutting and making up Fig 6
- •Wrapped kerchief, 1200 onwards
- •2A 2. Knotted kerchief, 14th century on (Pls 6,10)
- •Fillet in place.
- •Kerchief with basic wimple, 1200 onwards
- •Kerchief with shaped and pinched wimple, 15th century
- •Cloth veil, 1200 onwards
- •Open hoods, mid 14th century onwards
- •Black head-dresses, late 15th century
- •Plaits, 14th and early 15th century
- •Hair net with veil and narrow fillet over it.
- •Caul, late 14th to early 15th century
- •Pattern for Fig 6
- •Lattice work for Fig 6
- •Templers, early 15th century
- •9B. Fashionably wide bucket style templers,
- •9B left templer
- •Century on
- •Large horns, mid 15th century
- •Padded roll, early to later 15th century
- •Hennins and wired veil, second half of 15th century
- •Butterfly head-dress, later 15th century
- •This pattern is made up into a cone section:
- •Men's belts, purses and pouches
- •Women's belts and purses
- •Mittens
- •Men's aprons
- •Women's aprons
- •Jewellery
- •Hand luggage
- •Coffers for valuables.
Simple sleeved surcote, 13th and early 14th century
A loose, square garment with plain elbow-length sleeves.
Calf-length man's version with gores and front slit. It could be lengthened for a woman (Fig 1).
b. Cutting layout for a, shown on 2.5 m of single layer cloth, 150 cm wide, with seam allowances included. Garment width is 75 cm - a generous fit on modern size 42 (Chest 105 cm). The side gores reach to the base of the separate sleeve gussets, D. The centre gores, at front and back, are quite short and cut in one. The front gore is slit for most of its length as shown.
b
150cm
CB
continued from page 117
Making up
Cut and finish the neck opening. Sew the gores to the body, with the side gores straight edge to straight edge. Insert pairs of gores in slashes on the Centre Front and Back. Either set the sleeves on flat and sew the underarm and side seams in one, with the gussets if used; or, finish the side seams then set in the completed sleeves (Methods, Figs 7, 8).
Sew by hand with lapped seams or run-and- fell (Methods, Figs 3, 6), or machine stitch with open seams. Finish unlined surcotes by overcasting the seams if the cloth seems likely to fray. Finish neck and sleeve ends with hems or narrow facings of linen or silk.
For
lined
surcotes
cut
and
make
up
the
lining
as
the
outer
fabric. Insert it
and
finish
the
neck,
hem,
and
armholes
or
sleeve ends
(Pl
1),
perhaps
with
a
fancy stitch
in
a contrasting
thread
(Methods,
Fig
22).
Fastenings
Most surcotes simply pull on over the head (Fig 2); a few have a front neck opening with a couple of buttons (Methods, Figs 19, 21). Fitted examples may be laced at the back or side (Methods, Figs 16, 17).
20 cm
119
5A 5. Woman's fashionable sleeved surcote, mid
14Th century
Style. The body has shaped shoulder seams and armholes, and long side gores (modern size 12-14, Bust 90 cm). The slightly peaked sleeves and the fitchets (slits for access to the purse) are typical of the period.
b
b.
Cutting
diagram for a.
Shaping is
shown by
fine lines.
When the Back
and Front
are shaped
at
the shoulders they
can be cut
separately, as
shown here.
The long side
gores can
be used as
they
are, or
shaped at
the top for a
closer fit.
The sleeves
are flared
at the end, and
shaped at
the top (Fig
6b). Alternatively
a 'transitional' sleeve
(Cotes, Fig
9) could
be used.
The fitchets are not shown on the plan; it is best to complete the garment and fix their position on the wearer (Methods, Fig 10; Pl 1).
20 cm
120
