- •The Medieval Tailor's Assistant
- •Making common garments 1200 -1500
- •The Medieval Tailor's Assistant
- •Ruth Bean Publishers
- •Victoria Farmhouse, Carlton, Bedford mk43 7lp
- •7373 Pyramid Place, Hollywood, ca 90046
- •Isbn 0 903585 32 4
- •Modern version of the chaperon, mid 15th century
- •Contents
- •Introduction 9
- •Interlining (interfacing) 50
- •Interlining flat pieces 50
- •Part 2 The garments
- •Acknowledgements
- •Photograph credits
- •Introduction
- •How to use the book
- •Preparation
- •Body linens
- •Main garments - cotes or tunics
- •3. Main garments - kirtles
- •4. Main garments - doublets
- •Outer garments - surcotes
- •Outer garments - early gowns for men and woman
- •Outer garments - men's gowns
- •11. Outer garments - working dress
- •19.Accessories
- •The personal pattern Block
- •Measurements for men
- •Measurements for women
- •Measurements for tight sleeves
- •4. Modelling a toile for a man
- •7 7. Side seams and main vertical darts
- •Waist darts
- •Armholes, toile removal
- •10 10. Modelling a toile for a woman
- •Side seams and main vertical darts
- •13 13. Front - shoulders and bust shaping
- •Armholes, toile removal
- •From toile to Block
- •Young man's Block
- •Mature man's Block - an example
- •Young woman's Block
- •Larger woman's Block - an example
- •Drafting the sleeve
- •Table 1 When X-y is up to 5 cm Table 2
- •Finished sleeve draft
- •Sleeve for larger armhole
- •24. Small child's Block
- •Enlarging the Block for outer garments
- •Adapting the Block to add length, width or fullness
- •Adapting the Block for long skirts
- •Piecing patterns
- •Oversewing (top-sewing, seaming)
- •Hemming (felling)
- •Running stitch, stab stitch, and backstitch
- •Lapping a seam
- •Triple-run seams
- •Making up, Figs 7-15
- •Sleeves with gussets - making up and setting in by hand
- •Sleeves with gussets - making up and setting in by machine
- •Binding
- •10 10. Finishes for slit openings
- •Interlining
- •13. Interlining, lining and joining flat pieces
- •Making up collars
- •Stomacher
- •Working eyelets
- •Methods of lacing
- •Latchet fastening and garters
- •Ball buttons of cloth
- •Flat buttons of cloth
- •Buttonholes
- •Simple stitch decoration
- •Band and border patterns
- •Dagging
- •Finger-looped cords
- •Plaiting
- •28. Patching
- •27. Making a tassel
- •29. Mending hose
- •Weave structures
- •1.C.1250, French
- •1. 1430-40, French
- •3. Pattern for Fig 2
- •Long-legged braies, 1200-1400
- •Patterns for Fig 4
- •Planning a quarter garment
- •4. Tapered sleeve
- •Neck styles
- •4. Pattern layout for Fig 3
- •6. Layout for Fig 5
- •Neck styles
- •Improving shoulder and armhole fit
- •'Transitional' sleeve, from 1300
- •Bodice for Fig 2
- •Full pattern and layout for Fig 2
- •5 5. Sleeve with mitten cuff for Fig 2 (Pls 2, 3)
- •6. Short sleeve for Fig 2
- •8. Bodice for Fig 7
- •9 9. Skirt pattern and layout for Fig 7
- •Doublets
- •1. 1430-40, French
- •C.1400, English
- •Pattern for Fig 4
- •Pattern for Fig 6
- •Puff sleeve for Fig 6
- •9. Making up the puff sleeve (Pls 7, 8)
- •Late 13th century, English
- •C.1465, Flemish 2
- •3. Late 15th century, French
- •Modelling separate hose
- •Pattern for Fig 4a
- •Foot styles for Figs 4b&c
- •8. Joined hose, 15th century
- •9. Modelling joined hose
- •Pattern for Fig 8
- •Codpiece and gusset 11
- •Making up Fig 8
- •Surcotes
- •Early 14th century, English. Woman going to market
- •C.1340, English. Man removing surcote
- •Simple sleeved surcote, 13th and early 14th century
- •5A 5. Woman's fashionable sleeved surcote, mid
- •14Th century
- •Peaked sleeves for surcotes, first half of 14th century
- •Simple sleeveless surcote, 13th to mid 14th century, Pl 10
- •8A 8. Sleeveless surcotes, 13th to mid 14th century
- •Pattern and layout
- •9. Women's open surcotes, mid 14th century on
- •11. Full pattern and layout for Fig 9
- •Cotehardies
- •C.1340, English. Drummer
- •C.1350, English
- •3. C.1360-80, English. Iseult
- •4. Men's cotehardies, mid 14th century
- •Sleeves for Fig 4 6a
- •Woman's cotehardie, later 14th century
- •9. Full pattern and layout for Fig 7
- •1400, English
- •2. 1395-1400, French
- •3. C. 1410, English
- •16. 1460-65, French
- •17. 1490, English
- •22.1460-65, French
- •23. 1485, 1490, English
- •4. Early buttoned gown, late 14th/early 15th century
- •Bodice and collars for Fig 4
- •Bodice with round-necked collar
- •7. Sleeve for Fig 4
- •9. Upper bodice and collar for Fig 8
- •Full pattern and layout for Fig 8
- •Bag sleeve, late 14th to mid 15th century
- •Fashionable gown, end 14th/early 15th century
- •Full pattern and layout for Fig 12
- •15.Open sleeve for Figs 12 & 8 left
- •Pleated gowns, middle 15th century
- •Bodices for Fig 18
- •Full pattern and layout for Fig 18
- •Sleeve for Fig 18
- •Flared gown, early to late 15th century
- •Bodice and collar for Fig 24
- •Full pattern and layout for Fig 24
- •Sleeve for Fig 24
- •31. Sleeve for Fig 28
- •Bodice and collar for Fig 28
- •Full pattern and layout for Fig 28
- •C.1440, Flemish, Pl 16
- •1423, French
- •1465, French/Burgundian
- •2. Overkirtle, 15th century
- •Bodice and sleeve for Fig 2
- •4. Full pattern and layout for Fig 2
- •Cloaks and mantles
- •1. 1370-80, English
- •2. 1455, English
- •4A 4. Cloak necklines and fastenings
- •Children
- •1. 1404, English
- •2. C.1475, Flemish
- •3 3. Overkirtle for pregnancy, 15th century
- •4. Baby's shirt - pattern
- •Baby's 'bed'
- •Clothes for larger babies and infants
- •7 7. Boy's gown, 15th century
- •8. Bodice and sleeve for Fig 7
- •9. Full pattern and layout for Fig 7
- •10 10. Girls' kirtle and gown, 15th century
- •Bodice and stomacher for Fig 10
- •4. Straw hats
- •1/4 Head size
- •Basic hood, 13th and 14th century
- •Pattern for Fig 1 2
- •1/2 Slip on measurement
- •3. Hood with front opening - pattern 3
- •6A b 6. Chaperon, mid 15th century, Pls 12, 19
- •Cutting and making up Fig 6
- •Wrapped kerchief, 1200 onwards
- •2A 2. Knotted kerchief, 14th century on (Pls 6,10)
- •Fillet in place.
- •Kerchief with basic wimple, 1200 onwards
- •Kerchief with shaped and pinched wimple, 15th century
- •Cloth veil, 1200 onwards
- •Open hoods, mid 14th century onwards
- •Black head-dresses, late 15th century
- •Plaits, 14th and early 15th century
- •Hair net with veil and narrow fillet over it.
- •Caul, late 14th to early 15th century
- •Pattern for Fig 6
- •Lattice work for Fig 6
- •Templers, early 15th century
- •9B. Fashionably wide bucket style templers,
- •9B left templer
- •Century on
- •Large horns, mid 15th century
- •Padded roll, early to later 15th century
- •Hennins and wired veil, second half of 15th century
- •Butterfly head-dress, later 15th century
- •This pattern is made up into a cone section:
- •Men's belts, purses and pouches
- •Women's belts and purses
- •Mittens
- •Men's aprons
- •Women's aprons
- •Jewellery
- •Hand luggage
- •Coffers for valuables.
Piecing patterns
These examples show the proper use of piecing. The Straight Grain of the piecing must be the same as in the main pattern and seam allowances must be added to both edges.
For the hose pattern only one of the three piecings should be used at a time.
'Wheel piece' for skirts on narrow cloth.
Left Cut the 'missing' triangle as shown, and reverse it to complete the skirt.
Right 'Wheel piece' in position, shown on the wrong side.
28
Waist
To plan a cutting layout always start with the biggest or most awkward pieces. For the medieval tailor the fabric was by far the most expensive part of the exercise, so material was saved by 'piecing' - adding a small bit to the edge of a pattern piece to allow it to be cut economically. Careful piecing can save a surprising amount of material.
Piecing should be discreet as well as careful. Remember that both edges will need a small seam allowance, and that the piece added must be on the same grain. Sew on the piece before starting to make up the garment.
HOSE
WHEEL
PIECE
SP
Foot
43
Methods
The working methods you choose will depend on the degree of authenticity you want in your clothing. The basic tools - scissors, needles and thread, pins - are unchanged since the Middle Ages but the modern sewer has many new aids, from iron-on interfacing to overlockers (sergers). Some of these are useful time-savers, but other tasks can still only be done by hand. This chapter concentrates on hand methods which are not covered in detail in modern sewing manuals.
Hand or machine stitching?
Hand stitching and garment construction have evolved over thousands of years, with the sewing sometimes worked from the right side. The sewing machine has altered the way garments are put together, with more of the work being done from the wrong side.
Sewing
stitches
1
Oversewing (top-sewing, seaming)
For joining selvedges or folded edges on all kinds of material. If worked neatly and near the edge it will open out flat without the need for pressing.
For each stitch, push the needle through only one or two threads away from the edge. Keep the stitches close together. When the seam is complete, flatten the stitches with your thumb or index finger nail.
Oversewing should not be confused with overcasting, which is worked wide and loose over a raw edge to prevent it fraying.
You should consider how much hand sewing you will use as it will affect the construction of your garment. For instance, a hand-sewn shirt (Fig
7) would be made with two-stage seams and the sleeves set in after the side seams are sewn, with felled hems (Fig 2) round the neck, sleeve ends and lower edge. A machine-sewn shirt (Fig 8) would be more efficiently made with overlocked seams, the sleeves sewn on flat, and the side seams and sleeve seams sewn in one, with the folded edges of the neck, sleeve ends and lower edge held down by a row of straight machine stitching.
2b
