- •Module I. Styles of speech and their prosodic characteristics
- •Explanation
- •2. Informal:
- •Practice activities
- •1.1. Teacher to students in a classroom
- •1.2. Teacher to teacher at school
- •2.1. Teacher to head-master at school
- •2.2. Mother to daughter at home
- •3.1. Mr. Higgins to Head of the committee in an office
- •3.2. Mr. Higgins to his colleague in an office
- •1.1. Two friends about the exams
- •1.2. Two friends about the theatre
- •2.1. Two friends about the studies
- •2.2. Two friends talking in a cafe
- •1. Teacher at school introducing new material in a geometry class
- •2. A lecture to college students
2.2. Two friends talking in a cafe
– I ˈwouldn’t ˙mind a‘nother cup of \tea. It’s ↘so ‘comfortable ‚here.
– ‘Yes, it’s a ‘nice ‚cafe. But I’m a‘fraid we shall ↘have to \leave.
– ¯Oh, \Kate, ¯just a \few minutes ‚more ...
– ¯All ‚right. But ˈdon’t be ˙late for the ˇtrain.
c) sphere of communication varied, subject-matter and social status unchanged;
1. Teacher at school introducing new material in a geometry class
If you have a ˈstereo˙metrical ‚figure – we’ll ˌcall it \F – and we ˈwant to \move it from its o‘riginal po‚sition in \space, which we’ll ˈcall ˈS/1 into a ‘different poˌsition which we ˌcall ˈS\/2,│ >then ¦ we can ˈsee that there are ‘two ˌways in which we can \do this. There are ˈtwo \cases.
The ‘first case ‚is that ¦ you can ˈmake this ‘movement ¦ from ˈS/1 to ˈS/2 ˈby ˙means of a “motion│ which we’ll ˌcall a ˙transˆlation,│ ¯trans\lation ¦ ˌmeans a \motion and it ˌmeans a ‚motion which is “parallel to itself.
‚Or ¯it can be ‚made ˙by ˌro‘tation,│ ‚or ¯it can be ‚made ˙by а ˈheli‘coidal ˌmotion│–ˈheli‚coidal ˙motion is a ˈcombi\nation of a ˌtrans‚lation│ and ¦ ¯a ro\tation. ˌAnd ¦ ˈin ¦ po\sitions ˈS/1 and ˈS/2│ the figure reˈmains “congruent with itˌself. You ‘know what ‘\congruent’ with itself ˌmeans, \don’t you?
2. A lecture to college students
If a ˈstereo‘metrical ‘figure ‚F│ be ˈbrought from its o“riginal poˇsition in ˈspace ˙S/1│ˌinto ¦ a ‘different ро‚sition ˈS/2,│ ˈtwo ‚cases will be dis\tinguished. The ‘first ‚case is ¯that ¦ the ¯tran‘sition from ˈS/1 to ˈS/2│¯can be ‚made ˈby ¦ ˈmeans of a ‘motion│ ‘that ‚is, by a ˙trans‘lation,│ a ˈshift ˇparallel to itself,│ by ˈroˇtation or ‚by ¦ a ˈheli‚coidal ‘motion, ˈthis ˌbeing a ˈcombination of the two ‘former. In the poˇsitions ˈS/1 and ˈS/2│the ↘figure ↘thus re‚mains ˇcongruent with it\self. ˈLet us supˇpose that this disˈtinction ˙seems ‘simple eˌnough│ but it ˈcarries ˇconsequences ˈvery “far from \simple.
POETRY
The Arrow and the Song ♫
I ˈshot an ‘arrow ˌinto the \air,
It ˈfell to \earth, I ˌknow ˈnot ‘where;
For, so ‘swiftly it ‘flew, the ˈsight│
ˌCould not ‘follow it│in its \flight.
I ˈbreathed a ‘song ˌinto the \air,
It ˈfell to \earth, I ˈknew ˈnot \where;
For ˈwho│has \sight so ˈkeen and ‘strong
That it can ˈfollow the ˈflights of \song.
ˈLong, ˙long ‘afterward, in an ‘oak
I ‘found the ‘arrow, ˈstill un\broken;
And the ˈsong, from beˈginning to ‘end,
I ˈfound a’gain│in the ˈheart of a \friend.
H. W. Longfellow (1807-1882)
