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B. For help

Would you come and help me buy a new hat? — I’m afraid I haven’t got

time just now.

Could you spare me a few minutes? — I’m sorry, but I’m really very busy

just now.

Would you do me a favour? — Well, that depends what it is (half-

humorously).

I wonder if you could help me move this table? — Oh, d’you think we can

manage it? It looks rather heavy.

C. For permission

Do you mind if I smoke? — No, of course not.

Would you mind if I closed the window? — No, please do.

May I come a little later? — Yes, that will be quite all right.

I’m taking the car today, if you don’t mind. — No, that’s all right.

D For information

Excuse me, but could you tell me the way to the station? — Yes, it’s not far

from here. Go

Straight down here, and take the first turning to your left (Note the use of the

imperative)

(To someone you know well) How do I get to the airport from here? - I should take a

Greenline bus — a number three, I think.

Could you tell me the time, please? Let me see I make it about ten to eight

I wonder if you could tell me what time the shops close here? — I’m sorry,

but I’m a stranger here myself.

How does this bottle-opener work? — Just press that little lever down.

That’s right.

How does one unlock this door? — Try turning the key the other way.

Ex. III Read and translate the conversation.

Mr Surabhai is having breakfast at his boarding house Mr Lewis enters.

Lewis: Good morning. Do you mind if I sit here?

Surabhai: No, please ‘do.

Lewis: Nice morning, isn’t it? Er, would you pass me the sugar please?

Surabhai: Yes. Here you are.

Lewis: Thank you. Going sight-seeing today?

Surahbhai: As a matter of fact, I have to go for an interview. I wonder if you

could tell me how to get there? The address is 23 Ridgeway

Avenue.

Lewis: Oh, yes, that’s not very far from here. You can take a number 12

bus and ask the conductor to put you at Ridgeway Cemetery It’s

ten minutes’ ride I should say.

Surabhai: Thank you very much

Lewis: It’s a pleasure

Mr Surabhai gets off the bus and asks a woman standing nearby:

Surabhai: Excuse me, but could you tell me how to get to Ridgeway Avenue?

Woman: Let me see — um —go straight down here, and take the second

turning to your right, then keep straight on as far as the traffic lights

and you’ll be on Ridgeway Avenue. It’s about five minutes’ walk

from here.

Surabhai: Thank you very much.

Woman: That’s all right.

Ex. IV Make requests by completing the following.

  1. I wonder if...

  2. Would you mind...

  3. Excuse me, but...

  4. Could I...

  5. Do you mind…

  6. I’d like...

  7. May I...

(h) Would you...

Ex. V One student reads the requests in this chapter, another answers them.

Ex. VI Make requests of each kind (a, b, c, d) and give replies.

Ex. VII Make requests using the polite imperative.

Ex. VIII Act out the following situation.

One student asks the way to some familiar place (e.g. the Post Office). Another student explains the way.

Remember to use the imperative when explaining: Go down this street... turn right...

Other phrases:

Cross the road at the traffic lights.

Take a number 4 tram. Get off at the next stop but one.

It’s on the opposite side of the road.

Ex. IX Read the dialogue. Give another variant of the dialogue changing the

place you want to go to (performance, theatre, cinema, film, etc.).

Alice. I would like to go to the concert to-night

Barbara. I’d like to get tickets to this concert too. I’d try to get them by all

means.

A. I wonder if Alec could help us. He plays in the orchestra there.

  1. I am afraid he can’t do that. A lot of people want to listen to

  2. Stravinsky’s symphony.

Ex. X Read the dialogue with your fellow-student. Compose a dialogue

changing the situation: Your friend will help you with pleasure and

you go together.

Helen. I want you to get me an invitation to the exhibition of impressionists.

Irene. I am sorry I can’t help you. I wish I were there myself now.

H. Still I’ll try to get to the museum without an invitation at any price.

Will you try the same?

I. Certainly not. It’s out of the question.

Ex. XI Read the dialogue with your fellow-student. Compose a dialogue

changing the situation. Object to your friend’s opinion using as many

formulas of disagree­ment, as you can.

Cora. Have you been to the ‘new performance this week?

Ann. Yes, I’ve been.

C. Have you enjoyed it?

A. Not at all. It’s dull.

С You are right. I fully agree with you.

Ex. XII Reproduce the following dialogues with your fellow-students. Ask

the same in another way.

1.

A. Is there any chance of borrowing the music of the first concerto by

Tchaikovsky from you?

B. How long for?

A. Until the end of the week.

B. Yes, I think, it is possible. I don’t play that concerto from music, I play it by

heart.

2

Student: Would your mind if we play these variations and fugue on a theme by

Mozart at the concert?

Professor: When exactly?

S.: In a month.

Prof.: Let me think it over, and I’ll tell you later.

S.: I wish we played it.

Ex. XIII Compose dialogues of your own taking the dialogues given about as

models.

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