- •Home-reading guide the moon and sixpence Unit 1: Chapters I — VI
- •Vocabulary Notes
- •Unit 2: Chapters VIII—XI
- •Vocabulary Notes
- •III. Find the following allusions in the text and say what you know about them:
- •IV. Answer the following questions:
- •V. Give a summary of the chapters under study. Unit3: Chapters XII—XVI
- •Vocabulary Notes
- •III. Learn by heart and reproduce with a partner the talk between Mrs Strickland and the narrator (Ch. XV).
- •IV. Answer the following questions:
- •V. Give Ch. Strickland's character-sketch. Do you justify his motives for abandoning everything for the sake of painting?
- •VI. Fill in the character-sketch pages.
- •VII. Give a summary of the chapters under study. Unit 4: Chapters XVII—XXVI
- •Vocabulary Notes
- •V. What do you consider is the most typical feature of:
- •VI. Points for discussion:
- •VII. A) Sum up what you've learned about Dirk Stroeve. Give his charac-
- •VIII. Give a summary of the chapters under study. Unit 5: Chapters XXVII—XXXII
- •Vocabulary Notes
- •V. Suggest words or word combinations from the vocabulary list:
- •VI. Paraphrase the underlined word-groups, supply their Russian equivalents and use them in sentences of your own:
- •I. Use the words and phrases from the vocabulary list in situations of your own.
- •II. Comment on what the author or the character says or thinks:
- •III. Answer the following questions:
- •IV. Discuss the chapters you've read along the following lines:
- •V. Fill in the character-sketch pages.
- •VI. Give a summary of the chapters under discussion. Unit 6: Chapters XXXIV—XXXIX
- •Vocabulary Notes
- •VII. Reproduce the situations in which the words from the word list occur.
- •I. In the chapters you've read find reference to the following places and names and say what you know about them:
- •II. Paraphrase the following sentences:
- •III. Bear out or refute the following statements. Prove your point of view:
- •IV. Answer the following questions:
- •V. Discuss the following:
- •VI. Fill in the character-sketch pages.
- •VII. Give a summary of the chapters under study. Unit 7: Chapters xl—xliv
- •Vocabulary Notes
- •IV. Look up some material about the famous schools and trends in painting touched upon in the novel and prepare a talk about:
- •V. Fill in the character-sketch pages.
- •VI. Give a summary of the chapters under study. Unit 8: Chapters xlv—li
- •Vocabulary Notes
- •VI. Give the context in which the following words and word combinations occur:
- •VII. Learn the following idioms with do used both as a noun and as a verb:
- •VIII. Translate the following sentences into Russian. Make up a few sentences of your own using the given idioms:
- •I. Explain what is meant by the following sentences and comment on them:
- •III. Pick out a passage describing nature in Tahiti and prepare It for recital in class.
- •IV. Answer the following questions:
- •V. Points for discussion:
- •VI. Fill in the character-sketch pages.
- •VII. Give a summary of the chapters under study. Unit 9: Chapters liii—lv
- •Vocabulary Notes
- •IV. Paraphrase the italicized parts of the sentences:
- •I. Compose sentences of your own with the following words and phrases:
- •II. Explain the use of the idiom a square peg in a round hole in the text; give its Russian equivalent and illustrate its meaning with a situation or story.
- •III. Comment on the following statements:
- •IV. What do you know about the life of Paul Gauguin in Tahiti? Compare his life and the circumstances of his death there with those of Strickland's.
- •V. Could you name other men of art equally possessed by the desire to create so that they were "deaf and blind to everything else in the world" like Strickland?
- •VI. Answer the following questions:
- •VII. Points for discussion:
- •VIII. Fill in the character-sketch pages.
- •IX. Give a summary of the chapters under study. Unit 10: Chapters lvi—lviii
- •Vocabulary Notes
- •I. Find in the text sentences containing the following words and phrases and translate them into Russian:
- •II. Give synonyms for:
- •III. Paraphrase the following sentences and explain them:
- •VI. Answer the following questions:
- •VIII. Fill in the character-sketch pages.
- •IX. Give a summary of the chapters under study.
- •Reference List
III. Find the following allusions in the text and say what you know about them:
Jermyn Street; Hampstead; Victoria Street; Stock Ex-, change.
IV. Answer the following questions:
1. What piece of news did Rose Waterford break to the author and why was he shocked at it?
2. Under what circumstances did Mrs Strickland discover that her husband had left her?
3. In what state did the narrator find Mrs Strickland when in early autumn he visited her in London?
4. What was the conversation between the narrator and Colonel MacAndrew about?
5. What did the narrator and Mrs Strickland speak about when he called on her? How did the narrator look upon his errand?
6. Where did Ch. Strickland live in Paris? Describe the hotel and the room in which he was living.
What was the impression he produced on the narrator? What did they discuss in Ch. Strickland's room and in the cafe?
V. Give a summary of the chapters under study. Unit3: Chapters XII—XVI
Vocabulary Notes
Match the words and phrases with their definitions
1. for a change — 2. make no bones about (doing) sth — 3. economic — 4. tacit — 5. chuck — 6. feign — 7. ingenuous — 8. set sth in order — 9. maxim — 10. be keen on sth — 11. potter (about) — 12. incongruous — 13. rout sb out (of) — 14. squalid_— 15. whim — 16. unscrupulous — 17. strike home— 18. far-fetched — 19. shrewd — 20. cover up one's tracks —
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adj unspoken n widely accepted rule of conduct or general truth briefly expressed, eg "Waste not, want not." adj not in harmony or agreement; out of place n sudden desire or idea, often sth unusual or unreasonable adj not occurring naturally; forced for the sake of variety; to be different from one's routine (learn the saying: "A change is as good as a rest") vt pretend; invent interested in, fond of, eager to/for adj dirty, mean, uncared for not hesitate about it adj frank; open; innocent; natural get or fetch sb up, out of bed, etc 1. get to the point, hit the mark; 2. (of words) tell powerfully to produce a strong impression; make sb realize sth conceal one's movements or activities adj connected with commerce and industry arrange, organize (one's papers, affairs, etc) properly adj not guided by conscience vt throw; give up chuck it (si) — stop doing it adj 1. having, showing, sound judgement and common sense; 2. astute; discriminating vt vi work with little energy; move about from one little job to another |
A. Training Exercises
I. Pick out a short passage to be translated into Russian in class.
II. Give English equivalents for the following words and phrases:
хитрый; притворяться; неловкий; изумлять; мазня; насмешливый; из-за; попасть в точку; проницательный; так или иначе; не раздумывая; рисковать; глубоко укоренившиеся; необычные; отвернуться; прихоть; убогий; молчаливый.
III. Give synonyms for:
apparent; to start; cunning; to pretend; wonder; to abandon; scrubby; violent; clumsy; aversion; to be satisfied with; to cause; extraordinary; frank; to despise; to hide; prudent; wicked; sagacious.
IV. Give antonyms to:
tacit; to wind up; first-rate; vehement; out of the ordinary; to encourage; appropriate; to be tongue-tied; expensive; to accept; agreement; to loathe; majority; scrupulous.
V. Explain the meanings of the prefix un-, as eg in the words unshaved, uncouth, unmitigated. Give examples of other words with un-. Use them in sentences of your own.
VI. Explain in English the meaning of:
to cut the ground from under one's feet; strained circumstances; to be lost on sb; not to make head or tail; to be the worse for sth; to be a match for sb; to take for granted.
VII. Suggest words or word combinations for the following:
understood without being put into words
general truth briefly expressed
not closely related to the subject
acute in perception and sound in judgement
not suitable or appropriate
open to view; observable
without moral principles
to throw away; discard
do sth without scruple.
VIII. Make up sentences of your own with:
to have sth on one's mind; to provide for; hackneyed phrases; to obsess; the appeal to conscience; to get stale; to get over sth; remorse; to lie doggo; to be as mad as a hatter; catastrophe.
IX. Reproduce the situations in which the words and phrases from the list occur.
X. Compose sentences of your own after the model:
1. How on earth did you find out the hotel?
2. I did my best not to show my disappointment.
3. Everyone will think you a perfect swine.
4. Do you think it's likely that a man will do any good when he starts at your age?
5. It was natural that I should take chance.
6. It requires the female temperament to repeat the same thing with unabated zest.
XI. Explain the meaning of the phraseological units a spider's web and to cast a spell over sb and say in what connection they are used in the text.
B. Speech Exercises
I. Give a summary of the preceding events.
II. Comment on the following statements, using the following openings:
/ (don't) see eye to eye with...; At any rate...; In fact...; I wouldn't say so; It's a doubtful statement; That's where I agree (disagree) with the author; Just the other way round; Гт in two minds about it; To cut a long story short; On second thoughts, etc.
1. You are a most unmitigated cad.
2. Strickland was not a fluent talker. Strickland remained placid.
3. ...I devised an explanation which I acknowledged to be far-fetched.
4. Strickland had the directness of the fanatic and the ferocity of the apostle.
5. When people say they do not care what others think of them, for the most part they deceive themselves.
6. Act so that every one of your actions is capable of being made into a universal rule.
7. Men are queer creatures, and one has to know how to manage them.
8. Men are so weak, and women are so unscrupulous.
9. I did not realize how motley are the qualities that go to make up a human being. Now I am well aware that pettiness and grandeur, malice and charity, hatred and love, can find place side by side in the same human heart.
