- •Теоретическая фонетика английского языка (на английском языке)
- •Contents
- •Введение
- •I. Phonetics as a Branch of Linguistics Outline
- •1.1. Phonetics Among Other Parts of Language
- •1.2. Vocal Mechanism
- •1.3. Branches of Phonetics
- •Sphere of Application of Phonetics
- •1.4. Aspects of Speech Sounds. Units of Phonetics
- •1.5. Methods of Investigation Used in Phonetics
- •Questions
- •II. Phoneme as a unit of language Outline
- •2.1. The Phoneme Theory in Russia and other countries
- •2.2. Definition of the phoneme and its functions
- •2.3. Types of allophones and the main features of the phoneme
- •2.4. Methods of the phonemic analysis
- •2.5. Main phonological schools
- •Questions
- •III. Regional and stylistic varieties of English pronunciation Outline
- •3.1. Pronunciation Standard of British English
- •3.2. Styles of Pronunciation
- •3.3. Classification of pronunciation variants in English. British English
- •3.1. Pronunciation Standard of British English
- •3.2. Styles of Pronunciation
- •3.3. Classification of pronunciation variants in English. British English
- •British English
- •Scotland
- •Ireland
- •Questions
- •IV. The English Articulation Bases Outline
- •4.1. Differences in the articulation bases of English and Russian vowels
- •4.2. Differences in the articulation bases of English and Russian consonants
- •4.1. Differences in the articulation bases of English and Russian vowels
- •4.2. Differences in the articulation bases of English and Russian consonants
- •Questions
- •V. American-Based Pronunciation Standards of English. American English Outline
- •5.1. The Problem of the American Pronunciation Standard
- •5.2. The Principal Features of the American Pronunciation Standard
- •5.1. The Problem of the American Pronunciation Standard
- •5.2. The Principal Features of the American Pronunciation Standard
- •Questions
- •VI. The English Vowels Outline
- •6.1. General Principals of vowel formation
- •6.2. The English Vowel System
- •6.3. The Diphthong theory
- •6.1. General Principals of vowel formation
- •6.2. The English Vowel System
- •6.3. The Diphthong theory
- •Questions
- •VII. The English Consonants Outline
- •7.1. General Principles of Consonant Formation
- •7.2. The English Consonant System
- •7.3. The problem of affricates
- •7.1. General Principles of Consonant Formation
- •7.2. The English Consonant System
- •7.3. The problem of affricates
- •Questions
- •VIII. Modifications of Phonemes in Connected Speech Outline
- •8.1. The Phenomenon of Adaptation.
- •8.2. English Vowels in Connected Speech.
- •8.3. English Consonants in Connected Speech.
- •8.1. The Phenomenon of Adaptation
- •8.2. English Vowels in Connected Speech
- •8.3. English Consonants in Connected Speech
- •Questions
- •IX. Alternations of speech sounds in English Outline
- •9.1. The notion of alternation and its types
- •9.2. Contextual alternations in English
- •9.1. The notion of alternation and its types
- •1) Vowel Alternations
- •2) Consonant Alternations
- •9.2. Contextual alternations in English
- •Questions
- •X. The syllabic structure in English Outline
- •10.1. Principal theories on syllable formation and division
- •10.2. The structure and functions of syllables in English
- •10.1. Theories on syllable formation and division
- •10.2. The structure and functions of syllables in English
- •Questions
- •XI. Rhythmical and Syntactic Structure of Connected speech Outline
- •11.1. Different theories of Rhythmical and Syntactic Structure of Connected speech
- •11.2. The functions of syntagm
- •11.3. Syntactic content of syntagm
- •11.1. Different theories of Rhythmical and Syntactic Structure of Connected speech
- •11.2. The functions of syntagm
- •11.3. Syntactic content of syntagms
- •Questions
- •XII. Word stress in English Outline
- •12.1. Nature of word stress and its functions
- •12.2. Place of word stress in English. Degrees of stress
- •12.1. Nature of word stress and its functions
- •12.2. Place of word stress in English. Degrees of stress
- •Questions
- •XIII. Sentence Stress Outline
- •13.1. Notion of sentence stress. Degrees of sentence stress
- •13.2. Functions of sentence stress
- •13.1. Notion of sentence stress. Degrees of sentence stress
- •13.2. Function of sentence stress
- •Questions
- •XIV. Intonation in English Outline
- •14.1. Intonation: definition, approaches, functions
- •14.2. Components of intonation and the structure of English tone-group
- •14.1. Intonation: approaches, definitions, functions
- •14.2. Components of intonation and the structure of English intonation group
- •Questions
- •Список использованной литературы
- •Учебное издание теоретическая фонетика английского языка (на английском языке)
13.2. Function of sentence stress
Stresses in an utterance fulfill the same three functions as other components of prosody: constitutive, distinctive and identificatory.
In their constitutive function stresses form the utterance by integrating words. They form the accentual structure of the utterance, which is the basis of its rhythm and part of its prosodic structure. While integrating words into utterances, stresses of different hierarchy segment the speech into rhythmic units, intonation groups and delimit them one from another thus carrying out the segmentative functions. According to this function three types of sentence stress are distinguished: normal stress (unemphatic stress, sentence stress proper), logical stress, emphatic stress.
Normal stress is used to break up the connected speech into syntagms and to indicate the important words in syntagms.
Logical stress is used to bring into prominence a word or words which are important from the point of view of meaning or the speaker’s attitude to the subject discussed.
Emphatic stress is used to express emotions or to suggest to the listener some idea or some shade of meaning which is not expressed in words
The distinctive function of stresses manifests itself in differentiating utterances as to their meaning, which is conditioned by the position and type of stress. E.g. 'Don’t you 'find it /difficult? and 'Don’t /you find it difficult?
Intonation patterns differ primarily in respect to the position of the nucleus of the communicative center. The opposition of the intonation patterns is capable of fulfilling:
→ the syntactically distinctive function - the number of communicative centers indicates the number of intonation groups. In this case the opposition of intonation (accentuation) patterns fulfills this function.
(Do you know his schoolmate, | Harry?)
→ the semantically distinctive function – is realized in the opposition of different accentuation patterns:
You forget your"self (You neglect yourself).
You for"get yourself (Ты забываешься).
→ the attitudinally distinctive function – may be demonstrated by changing the accentuation pattern of the sentence.
What shall I do?
(If ‘shall’ is unaccented, it is an auxiliary verb – Что же делать? ; if it is the nucleus of the communicative center, it functions as a modal verb and here the meaning is changed (insistent).
→ together with pitch accent (SS) also fulfills the function of dividing a sentence into theme and rheme.
In its identificatory function sentence stress provides a basis for the hearer’s identification of the important parts of the utterance and for his understanding of the content.
These functions of sentence stress are accomplished in the English language by means of two main principles – dynamic and musical – as well as by two subsidiary principles – qualitative and quantitative.
Sentence stress makes use of the dynamic principle and the emphatic degree of stress which may be expressed partly by pitch variations and partly by the following methods:
glottal stop, e.g. It was ''utterly im'possible!
Modifications of stress, e.g. ''No! ''Absolutely 'nothing. ''Im''possible!
Specially distinct articulation of words, syllable by syllable, e.g. Absolutely! ['b-so-''lu:-tli]
The activity of the musical principle is expressed:
the variations of pitch among the stressed elements within the same syntagm.
The quantitative principle concerns mostly the consonants, e.g. Mmmarvellous [`m:a:vls].
In tone-groups stress may undergo alternations under the influence of rhythm, but there are some rules concerning words that are usually stressed or unstressed in an utterance.
Given below is the list of words that are usually stressed:
Nouns. Adjectives. Numerals. Interjections. Demonstrative pronouns. Emphatic pronouns. Possessive pronouns (absolute form). Interrogative pronouns. Indefinite pronouns: somebody, someone, something, anybody, anyone, anything (used as subject). Indefinite negative pronouns: no, none, no one, nobody, nothing. Indefinite pronouns some, any (expressing quality). Indefinite pronouns: all, each, every, other, either, both. Indefinite quantitative pronouns: much, many, a little, a few. Notional verbs. Auxiliary verbs (negative contracted forms). Two-word prepositions. Two-word conjunctions. Particles: only, also, too, even, just.
The words that are usually unstressed:
Personal pronouns. Reflexive pronouns. Reciprocal pronouns. Relative pronouns. Possessive pronouns (conjoint form). Indefinite pronouns: somebody, someone, something, anybody, anyone, anything (used as object). Indefinite pronouns some, any (when expressing quantity). Auxiliary verbs (affirmative form). One-word prepositions and conjunctions. Articles. Particles: there, to. Modal verbs (contracted forms and general questions are exceptions).
The meaning of the verbs may, should, must changes depending on whether they are stressed or unstressed, e. g. You 'may go — possibility. You may 'go — permission.
