
- •Introduction
- •Buying a Harmonium/keyboard
- •Harmonium Lesson 3: The Saptaka The Saptaka
- •To summarize:
- •Harmonium Lesson 5: More Scales & Finger Numbers
- •Harmonium Lesson 5b:More scales for left-handed
- •Harmonium Lesson 6: Scales continued...
- •Harmonium Lesson 6b:Scales continued (lh)...
- •Harmonium Lesson 7: The First Song
- •Harmonium Lesson 8: More songs
- •Harmonium Lesson 9: Aarti: Part I
- •Harmonium Lessons - Chords: Part I
- •Harmonium Lessons - Chords: Part II: Major Chords
- •Please note:
- •Harmonium Lessons - Chords: Part III: Minor chords
- •Please note:
- •Harmonium Lessons: Learning chords for songs
- •Voice Lesson 1: The Beginner's Guide
- •1.0 History
- •2.0 Concepts
- •2.1 Naada, shruti, swara [Musical sound or tone, microtone, note]
Harmonium Lesson 8: More songs
As mentioned in earlier lessons, we have assumed the first white key to be the Sa (S), for convenience and convention, simplicity and uniformity.
Given below are the notations of the FIRST LINES of two recent movie songs, and the famous dhun "raghupati raghava raja rama".
1. Movie: Kabhi Khushi Kavhi Gham
Music: Jatin-Lalit
Lyrics: Sameer
Singer: Lata mangeshkar
naa ju daa hon ge hum
S R 'n R R R
ka bhi khu shi ka bhi gham
R g m R g R S
2. Movie: Koi Mere Dil Se Poochhe
Music: Rajesh Roshan
Lyrics: Vinay Shukl
Singer: Udit narayan
Ko i me re dil se poo chhe
P P P DPm mPD P m m G R
R R R RPG GR G RS S (Same words)
3. Dhun "raghupati raghav raja rama"
ra ghu pa ti raa gha va raa jaa raa m
S S S S S 'n 'D 'n R R m G m
pa ti ta paa va na see taa raa m
R g R S 'n 'D 'n R S ....
Harmonium Lesson 9: Aarti: Part I
| 1 2 3 4 5 6 7 8 | 1 2 3 4 5 6 7 8 |
| | S . |
| OM . |
| S S S S S S 'N S | R . . . . . R G |
| ja ya ja ga di . sha ha | re . . . . . swa mi |
| m P P P D P m G | m R . . . . . . |
| ja ya ja ga di . sha ha | re . . . . . . . |
| R G R G m . m G | RG R S S R G R G |
| bha . kta ja no . ke . | san . ka ta da . sa ja |
| m . m G RG R S S | 'N S R . G R S 'N |
| no . ke . san . ka ta | kshana me . doo . ra ka |
| S 'D . . . . R . | R R R R G R S 'N |
| re . . . . . OM . | ja ya ja ga di . sh ha |
| S . . . . . Repeat |
| re . . . . . Repeat ||
Notes: (1) For singers -- the repeat portion will follow in chorus.
(2) This same notation will be good for aarti-s of other deities.
Harmonium Lessons - Chords: Part I
Indian music is melodic. In melody we sing one note at a time. In case of Indian movie (film) songs, the melody still has a role to play. But singing only one note at a time does not satisfy the needs of the film industry, which requires the film songs to sound "modern". This translates into adding 'hot', loud beat and heavy orchestration to accompany the melodic line. This has made our film music a kind of hybrid. Much of the current Indian film music tends to sound like dance music. Melody, the queen of the past days, is now relegated to a much less important position.
To achieve this added punch to the 'dry' melodic line, harmonizing Western music style is extensively employed. Chords and chord progressions accompany the melodic lines, so that the music sounds fuller. This makes it necessary that we learn the rudiments of chords as employed in Indian film music. What, you may ask, is a chord?
A chord is a combination of three (or more) notes played at the same time. All chords are formed by playing simultaneously three or more notes, according to definite rules.
Chords are played, mostly by your lrft hand, and mostly in the left-most keyboard (harmonium) area. Since you are learning harmonium, and NOT the electronic keyboard, your left hand is already occupied with the task of pumping the bellows to force air onto the reeds of the harmonium. So, how do you play the chords? Well, you simply CANNOT -- unless you do something about this problem. I will not take up this issue here. I would only say that, in spite of this problem, you should have a rudimentary information about chords. And, you should be able to play the chords we will use to accompany our songs, in a simple way. In the next article, we will deal with the chords that we need to use more commonly.