
- •Chapter two theoretical framework for the study of cohesion
- •2.0 Introduction
- •2.1 The notion ‘text’
- •2.2 Halliday and Hasan’s approach to text
- •2.2.1 Text context of situation
- •2.2.2 Text context of culture
- •2.3 Beaugrande and Dressler’s approach to text
- •2.3.1 Cohesion
- •2.3.2 Coherence
- •2.3.3 Intentionality
- •2.3.4 Acceptability
- •2.3.5 Situationality
- •2.3.6 Intertextuality
- •2.3.7 Informativity
- •2.4 The notion ‘cohesion’
- •2.5 Models of cohesion
- •2.5.1 Enkvist’s model
- •2.5.2 Gutwinski’s model
- •II) Lexical cohesion:
- •2.5.3 Beaugrande and Dressler’s model
- •2.6 Conclusion
2.2.1 Text context of situation
According to Halliday and Hasan (1985: 12), texts cannot be approached without reference to the situation as the context “in which texts unfold and in which they are to be interpreted”. They distinguish three situational parameters that help communicants make predictions about the kinds of meaning that are being exchanged. These are: field, tenor and mode of discourse.
1. Field of discourse
Field of discourse refers to “what is happening, to the nature of the social action that is taking place: what is it that the participants are engaged in, in which the language figures as some essential component?”
Field of discourse plays a vital role in the context of text. It is one of the three basic elements in the textual internal world and external world. Fields of discourse can be non-technical, as is the case with the general topics that we deal with in the course of our daily life. Or they can be technical or specialist as in linguistics, law, engineering, physics, computer science and many other fields.
In specialist fields lexical mutuality of text, specific structures and certain grammatical patterns belonging to the field of discourse are employed in an appropriate way, for example, terms like plasmodium, anthelmintics, antimalarials and prophylactics in medicine; terms like hydrogen, neutron and molecule in physics; terms like generic, diachronic, phylogentetic and archiphoneme in linguistics.
2. Tenor of discourse
According to Halliday and Hasan, tenor of discourse refers to “who is taking part, to the nature of the participants, their statuses and roles: what kinds of role relationship obtain among the participants, including permanent and temporary relationships of one kind or another, both the types of speech role that they are taking on in the dialogue and the whole cluster of socially significant relationships in which they are involved?” (Halliday and Hasan, 1985: 12).
Tenor of discourse indicates the relationship between discourse participants (e.g. speaker/writer and hearer/reader) as manifested in language use.
Participants’ relationship varies from one group to another. It may be that of a patient and a doctor, a mother and her child, a teacher and a student, etc.
As far as addresser and addressee are different in terms of categories, one would always expect the language used between them to vary from one set or group to another. Language which is used between husband and wife is usually expected to be informal whatever the subject matter, whereas the language which is employed by a politician making a speech in a conference is nearly formal.
3. Mode of discourse
Mode of discourse is a term that refers to “what part the language is playing, what it is that the participants are expecting the language to do for them in that situation: the symbolic organisation of the text, the status that it has, and its function in the context, including the channel (is it spoken or written or some combination of the two?) and also the rhetorical mode, what is being achieved by the text in terms of such categories as persuasive, expository, didactic, and the like” (Halliday and Hasan, 1985: 12).
Mode of discourse is the third basic strand of register. It is the formal strand in which language is used, or to put it in Halliday’s terms, it refers to what part the language is playing.
Mode can take spoken as well as written forms, each of which divides into different sub-divisions. Speaking can be non-spontaneous, as in acting or reciting, or spontaneous, as in conversing.
As far as writing is concerned, there are various categories such as material written to be read aloud as in political speeches, material written to be spoken (e.g. in acting), and material written to be read which covers a wide range of writings includes newspapers, books of various sorts, journals, magazines, etc.