2. Use the required passive tense-aspect forms in the following sentences:

a) 1. The house (to lock) up when they set off.

2. He wished to know if his instructions (to carry) out.

3. Talking of Susan, Milly (to remind) of something she once (to tell).

4. The officials usually make careful inquiries into the applicant's character. Then he ( to give) a trial, discreetly (to watch), and if the impression is unfavourable politely (to thank) and (to tell) that his services no longer (to need).

5. Wherever I went I found that the camp (to leave) in a disgraceful condition.

6. From where I stood the house (to hide) by lime trees.

7. Everything (to prepare) for the ball. The front lawn (to floor) and (to tent); palms and azaleas (to place) round it.

8. Dan had a car waiting and open country easily (to reach) in those days.

9. Looking over his shoulder I saw that the note (to write) in pencil and on a whole sheet of paper.

10. We went to the back of the house and he tried another door. "Everything (to shut) up," he said.

b) It was now a charming room. The walls (to paint) light blue. The curtains (to draw) and the fire (to light). All the furniture (to dust). The piano (to move) out but a wireless set (to add). On the chest of drawers there was a collections of small presents which (to bring) to the old woman at various times by her children.

No one there could understand a word he said, but an interpreter (to send) for, his papers (to examine) and he (to tell) that he (to fly) back by the first plane.

The reception was all that (to expect). When we arrived we (to show) into some kind of hall where we (to detain) with the rest of the actors. Apparently we (not to allow) yet to mingle with the other crowd. As the guests assembled in the room, it was plain to me that they (to choose) carefully. Looking around, I recognized Anthony Blanche. He (to point) out to me often in the streets. I (to interrupt) in my observation by a woman reporter whom the manager had led up to me. I (to warn) against the dangers of being interviewed by strangers. As we (to introduce I made up my mind to avoid it at any cost.

It was Saturday night and Pete sat watching TV. People (to kill) by the hour on the screen. Policemen (to shoot) in the line of duty, gangsters (to throw) off roofs, and an elderly lady slowly (to poison) for her pearls, and her murderer (to bring) to justice by a cigarette company after long discussions which (to hold) in the office of a private detective. Villains holding guns (to leap) at by brave, unarmed actors, and ingenues (to save) from death by the quick-thinking young men.

The Connolly children (to find) lurking under the seats of a carriage when the train (to empty). They (to drag) out and (to stand) on the platform. Since they could not (to leave) there, they (to include) in the party that (to send) by bus to the village. From that moment their destiny forever (to involve) with that of the village. Nothing ever (to discover) about the children's parents.

Bridgehampton. Friday. A disastrous fire broke out on the top floor of the Grand Hotel, Washington Road, in the small hours of the morning.

The alarm (to give) by the night porter. His attention (to draw) to smoke issuing from one of the top floor windows by a group of young people who were returning late from a dance. Within five minutes the town Fire Brigade was on the spot. The work of fighting the fire and evacuating the guests seriously (to hamper) by the non- operation of the lifts. It (to believe) that the fire (to cause) by a short circuit in the lift machinery and had extended to the whole floor before it (to observe). The flames (to bring) under control in two hours. Two of the guests staying at the hotel lost their lives. They (to trap) in their rooms and evidently (to overcome) by fumes before the rescuers could reach them. A third guest (to take) to hospital with multiple burns. His conditions (to report) as being serious.