
- •Предисловие
- •A Guide for complex stylistic analysis
- •Murray Bail
- •The Silence
- •Understanding the story
- •Style and language
- •Further discussion
- •Muriel Spark
- •You Should Have Seen the Mess
- •Understanding the story
- •Style and language
- •Further discussion
- •Doris Lessing
- •Through the tunnel
- •Understanding the story
- •Style and language
- •Further discussion
- •John Wain
- •Manhood
- •Understanding the story
- •Style and language
- •Further discussion
- •James Joyce
- •Counterparts
- •Understanding the story
- •Style and language
- •Further discussion
- •E. M. Forster
- •Other Side of the Hedge
- •Understanding the story
- •Style and language
- •Further discussion
- •James Thurber
- •Secret Life of Walter Mitty
- •Understanding the story
- •Style and language
- •Further discussion
- •John Steinbeck
- •The Murder
- •Understanding the story
- •Style and language
- •Further discussion
- •Alan Sillitoe
- •On Saturday Afternoon
- •Understanding the story
- •Style and language
- •Further discussion
- •Elizabeth Bowen
- •The Demon Lover
- •Understanding the story
- •Style and language
- •Further discussion
- •Katherine Mansfield
- •Feuille d`Album1
- •Understanding the story
- •Style and language
- •Points for discussion
- •Ernest Hemingway
- •Indian Camp
- •Understanding the story
- •Style and language
- •Further discussion
- •Michelene Wandor
- •Sweet Sixteen1
- •Understanding the story
- •Style and language
- •Points for discussion
- •Jonathan Carroll
- •Waiting to Wave
- •Understanding the story
- •Style and language
- •Points for discussion
- •Graham Greene
- •The Case for the Defence1
- •Understanding the story
- •Style and language
- •Points for discussion
- •Virginia Woolf
- •Uncle Vanya
- •Understanding the story
- •Discussion and comment
- •Summary and composition
- •Comparing stories
- •"Saki" (Hector Hugh Munro)
- •The Open Window
- •Understanding the story
- •Discussion and comment
- •Summary and composition
- •Comparing stories
- •Jean Rhys
- •Mannequin1
- •Understanding the story
- •Discussion and comment
- •Summary and composition
- •Comparing stories
- •Mei Chi Chan
- •Snowdrop1
- •Understanding the story
- •Style and language
- •Discussion and comment
- •10. Give a full stylistic analysis of the text. Summary and composition
- •Comparing stories
- •Оглавление
- •1 42611, Московская область, г. Орехово-Зуево, ул. Зеленая, д.22.
Understanding the story
1. Briefly describe the location of the story, the situation and the girl's family background in your own words.
2. What do you think the decision which the girl has taken is?
3. Why will it be difficult for her to tell her parents of her decision? Does she have a bad conscience?
4. How does the author express the conflict within the girl's mind?
5. What finally convinces her that she has taken the right decision?
6. Do the parents try to influence her decision?
7. In what way has the relationship between the girl and her parents changed by the end of the story?
Style and language
1. What role do the senses (smell, hearing, sight, touch) play in this story?
Give examples from the text.
2. In what ways does the author's description of the kitchen help us to understand the girl's conflict?
3. Pick out as many words as you can find in the text that express violence or brutality.
Discussion and comment
1. In what ways do you think the characters of the girl and her parents differ? In which passages of the text does the author show these differences?
2. Perhaps you come from a family which lives "above the shop (or office, or restaurant, or doctor's surgery etc.)". If you do, describe what it is like. If you don't, say what you think it is like. What are the advantages and disadvantages?
3. Compare the two images which the author has of her parents, as a child and at the end of the story. How do the images differ?
4. The image of the snowdrop is compared to the idea of hope. Why is the girl thankful that she did not know the word "hope" at the time?
5. Is there a conflict of the generations in this story? Have you ever been in a similar situation? Talk about it.
6. All three characters in this story are victims. Victims of what? Would you describe any of them as a victor? Why?
7. Would you say that the ending of the story is optimistic or pessimistic?
8. "Only the weapons remain unharmed: wood and metal gleaming as though smiling. The victory belongs to them." What do you think the author means by this?
9. The three characters in this story belong to the Chinese ethnic minority in Britain. Discuss the positions of ethnic minorities in your own country.
10. Give a full stylistic analysis of the text. Summary and composition
1. Summarize the story briefly in your own words - orally or in writing (120 words).
2. Ten-minute "essay": Put yourself in the girl's position. How would you feel if your parents expected you to help in the family business or train for a particular job when you had other plans for your future? How would you convince them? Write a dialogue between yourself and one or both of your parents justifying your decision.
Comparing stories
In what ways does the life of this modern-day young woman differ from that of other women in the stories you have read in this collection (particularly Lorna in "You Should Have Seen the Mess", Naomi in "Sweet Sixteen" or Anna in "Mannequin"). Your teacher may ask you to do this task as homework and discuss your comparisons in one of the next lessons.