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In the middle ages 159
Art, in all of its forms, shows the unfailing bonds
between religion and beauty.
The religious spirit that penetrated everything
was bound t^ be felt also in the domain of sci^ce,
and notably philosophy . We shall see this ques-
tion — so complicated and so badly understood —
under new aspects, in seeking to understand the
precise relations of scholastic philosophy and the
Catholic religion. In what does the bond between
philosophy and the religious medium consist? How
can one reconcile it with that doctrinal indepen-
dence which philosophers so fiercely claim?
IV
It is easy to make the reconciliation for a certain
group of ties, which I shall call external, and which
therefore cannot really affect philosophical doctrine.
They are not less suggestive of the mentality of
the time, and they show the perfect harmony ex-
isting between scholastic philosophy and mediaeval
civilization. One can, it seems to me, reduce these
extra-doctrinal relations to three classes, which we
must examine briefly.
The first class results from the social superiority
of the theologians; and this indicates that philos-
ophy is for the most part a preparation for theo-
logical studies. That theology holds the place of
honor in the complete cycle of studies, and that it
is the topmost in the pyramid of knowledge ought
not to surprise us; for all study whatever was sub-
160 PHILOSOPHY AND CIVILIZATION
servient to the clerical estate. The thirteenth cen-
tury in this only continued the traditions of the
earlier Middle Ages. The University of Paris, is-
suing from the schools at Notre Dame, counted
only clerics among its professors, and these profes-
sors had the closest relations with the Chancellor
of Notre Dame and with the Papacy. Many were
themselves canons, either of Paris or of the prov-
inces or from abroad. Not to mention the Fran-
ciscans or Dominicans, who were the most brilliant
masters in the University, the translation of Greek
and Arabic works — so momentous for the West-
was due to clerks of Toledo or monks of Greece
and Sicily. In short, all the co-workers in the great
awakening of the thirteenth century are ecclesi-
astics.
It is natural that the masters in the Faculty of
Theology (sacrae paginae) took precedence of all
other masters, and notably of philosophers. In
this, University discipline was only the reflection
of social life. The intensity of Catholic life makes
intelligible why so many of these "artists," or phi-
losophers, desired to undertake the study of theol-
ogy, after taking their degrees in the lower faculty.
So much was this the case that the mastership of
arts was a direct preparation for the grades of the
Theological Faculty. The documents make this
clear: "Non est consenescendum in artibus sed a
liminihus mmt salutandae "^'^'''^ — One does not grow
old in philosophy; one must take leave of it finally