- •In the middle ages
- •In the middle ages 9
- •In the middle ages 11
- •In the middle ages 13
- •In the middle ages 15
- •In the middle ages 17
- •In the middle ages 21
- •In the middle ages 23
- •In the middle ages 25
- •In the middle ages 27
- •In the middle ages 29
- •In the middle ages 31
- •In the middle ages 33
- •In the middle ages 35
- •In the middle ages 37
- •In the middle ages 41
- •In the middle ages 43
- •In the middle ages 45
- •In the middle ages 47
- •In the middle ages 49
- •In the middle ages 51
- •In the middle ages 53
- •In the middle ages 55
- •In the middle ages 57
- •In the middle ages 59
- •In the middle ages 61
- •In the middle ages 63
- •In the middle ages 65
- •In the middle ages 67
- •In the middle ages 69
- •In the middle ages 71
- •In the middle ages 73
- •In the middle ages
- •In the middle ages 77
- •In the middle ages 79
- •In the middle ages
- •In the middle ages 83
- •In the middle ages
- •In the middle ages 87
- •In the middle ages 89
- •In the middle ages 91
- •In the middle ages 93
- •In the middle ages 95
- •In the middle ages 97
- •In the middle ages 101
- •In the middle ages 103
- •In the middle ages 105
- •In the middle ages 107
- •In the middle ages 109
- •In the middle ages 111
- •In the middle ages 113
- •In the middle ages 115
- •In the middle ages 117
- •In the middle ages 119
- •In the middle ages 121
- •In the middle ages 123
- •In the middle ages 125
- •In the middle ages 127
- •In the middle ages 129
- •In the middle ages 131
- •In the middle ages 133
- •In the middle ages 137
- •In the middle ages 139
- •In the middle ages 141
- •In the middle ages 143
- •In the middle ages 145
- •In the middle ages 147
- •In the middle ages 151
- •In the middle ages 153
- •In the middle ages 155
- •In the middle ages 157
- •In the middle ages 159
- •In the middle ages 161
- •In the middle ages 163
- •In the middle ages 165
- •In the middle ages 167
- •In the middle ages 169
- •In the middle ages 171
- •In the middle ages 173
- •In the middle ages 175
- •In the middle ages 177
- •In the middle ages 181
- •In the middle ages 183
- •In the middle ages 185
- •In the middle ages 187
- •In the middle ages 189
- •In the middle ages 191
- •In the middle ages 193
- •In the middle ages 195
- •In the middle ages 197
- •In the middle ages 199
- •In the middle ages 201
- •In the middle ages 203
- •In the middle ages 205
- •In the middle ages 207
- •In the middle ages 209
- •In the middle ages 211
- •In the middle ages 213
- •In the middle ages 215
- •In the middle ages 217
- •In the middle ages
- •In the middle ages 221
- •In the middle ages 223
- •In the middle ages 225
- •In the middle ages 227
- •In the middle ages 229
- •In the middle ages 231
- •In the middle ages 233
- •In the middle ages 235
- •In the middle ages 237
- •In the middle ages 239
- •In the middle ages 241
- •In the middle ages 243
- •In the middle ages 245
- •In the middle ages 247
- •In the middle ages 249
- •In the middle ages 251
- •In the middle ages 253
- •In the middle ages 255
- •In the middle ages 257
- •In the middle ages 259
- •In the middle ages 261
- •In the middle ages 263
- •In the middle ages 267
- •In the middle ages 269
- •In the middle ages 271
- •In the middle ages 273
- •In the middle ages 275
- •In the middle ages 277
- •In the middle ages 279
- •In the middle ages 281
- •In the middle ages 283
- •In the middle ages 285
- •In the middle ages 287
- •In the middle ages 289
- •In the middle ages 291
- •In the middle ages 293
- •In the middle ages 295
- •In the middle ages 297
- •In the middle ages 299
In the middle ages 9
tion of beauty in all its attractiveness, was im-
pressed on my soul."^
The discredit in which mediaeval art was held
has now definitely yielded to a more just estimate.
Romanesque and Gothic architecture are now uni-
versally acknowledged to be things of beauty in
and for themselves; certainly, in any case, without
reference to the architecture of the twentieth cen-
tury. Again, we acknowledge the merit of Giotto's
frescoes, of the translucent stained glass of Char-
tres, without estimating them by modern standards
of painting.
Similarly, no one today would commit himself
to the prejudice, also not so old, that before Rous-
seau nature was not understood and that the thir-
teenth century was ignorant of its beauty. All of
those who are familiar with the sculpture of the
cathedrals and with illuminated manuscripts, or
who have read the Divine Comedy of Dante and
the poems of St. Francis, know how unjust that re-*
proach is; and they never compare the thirteenth
century interpretation of nature with that of our
modern writers.
This marked contrast, between our appreciation
of mediaeval art and the condemnation of it in the
sixteenth and seventeenth centuries, indicates the
canons to which we should adhere in reaching a just
judgment of the past. Plainly, in order to under-
stand the value of things mediaeval, we must have
s Goethe, Dichtuny vnd Wahrheit, Buch IX, Teil 2.
10 PHILOSOPHY AND CIVILIZATION
recourse to a standard other than that set by the
conditions of our own time. For, what is true of
art is also true of all other factors in a civilization.
If, then, we are to estimate aright the civilization
of the thirteenth century, we must refer it to a
fixed norm: the dignity and the worth of human
nature. This will be readily granted by all who be-
lieve that human nature remains essentially the
same, in spite of historical changes; and of course
this was the common mediaeval doctrine.* By this
standard a civilization stands high when it achieves
its own intense and coordinated expression of the
essential aspirations of the individual and the col-
lective life ; when it realizes, in addition, an adequate
degree of material welfare; when it rests also on a
rational organization of the family, the state, and
other groups; when it allows, further, for full de-
velopment in philosophy, science and art; and
when its morality and its religion foster their ideals
on a basis of noble sentiments and refined emotions.
In this sense the civilization of the thirteenth cen-
tury must be counted among those that have suc-
ceeded in attaining to a high degree of perfection ;
for, certain unique functions and aspirations of
humanity are therein revealed, and indeed in rare
and striking form. Hence it furnishes us with
documents of the first importance for our under-
standing of humanity; and for this reason it may
instruct our present generation as it surely can all
*Sec ch. XII, i.
