Добавил:
Upload Опубликованный материал нарушает ваши авторские права? Сообщите нам.
Вуз: Предмет: Файл:
HISTORIA_LITERATURY_ANGIELSKIEJ_SKRYPT_2010.doc
Скачиваний:
0
Добавлен:
01.04.2025
Размер:
203.78 Кб
Скачать

Victorian epoque

Press:

  • development of the press

  • number of newspapers- more than 100 titles (most of society were illiterate; now when most of people are literate, small amount of titles exists)

  • debates in the press (political, theory of evolution, etc)

  • film/books reviews- were serious discussions, long (even 30-40 pages long)

  • discussions about everything

  • everyone could become a writer to the newspaper (they wanted people to express their opinion)

Thomas Babington Macavlay

  • model Victorian man believes in industry, middle class, development, “power of England was always made by middle class”, government, queen should not interfere; optimistic, liberal

  • writes a book as a polemic with Robert’s Southey book in which Southey claimed that Romantic England was better than the Victorian one

  • clear, simple style of writing

Thomas Carlyle (opposite to T. B. Macavlay)

  • orthodox, pessimistic, believes that what people want is sex& nothing more, if they are left alone they do not manage

  • very critical of the Victorian England, ideas, “happiness makes people lazy and stupid”

  • philosopher & historian (study of French revolution)

  • very critical of democracy; if the masses are to rule, their decisions are wrong; people need special strong person to lead them (e.g. Olivier Cromwell)

  • influenced by German- difficult to read

  • some of his essays are purely rhetorical

  • “Sartor Resartus”- one of his essays, metaphor of the state of England (all need reclothing, replacing)

younger generation:

John Ruskin

  • Historian, Oxford professor, study of Renaissance

  • “Modern Painters”

  • works on gothic cathedral

  • extremely critical of Victorian era

  • mechanical repeating of the same architecture motifs cause ugliness (& people do this for money)

  • writes about society, organization of society- is very critical

William Morris

  • student of John Ruskin

  • student of the history of art, painter, influenced by Ruskin

  • novel “News from Nowhere”, ‘nowhere’- a marker of utopia, communist utopia (England- village without industrial revolution)

  • interested in design: furniture, wallpapers, cutlery, book cover design, etc

Matthew Arnold

  • poet, literary critic

  • by profession school inspector

  • didn’t believe in God; read the Bible as piece of literature (liked it)

  • poetry can change the world (the Bible is an example)

  • reading literature gives basics for educations; literature offers you a lot of things, kind of knowledge that changes people

  • critical of Victorian times

WYKŁAD 9

Victorian novel

  • great time for the novel- dominating genre

  • preference for fiction & novel social explanation:

  • 19th century – century of middle class (more rights, privileges)

novel- a mirror of middle class

  • connecting novel with the trends in philosophy (John Locke- a philosopher, pragmatism)

  • realistic novel (no fantastic!)

  • women’s writing becomes treated more seriously

Requirements of the Victorian novel:

  • moralistic

  • entertaining

  • reflective of the image of a given class

  • realism

  • novels were for everybody as each person could understand it

- explosion of all kinds of writing

- at the end of Victorian Age, novel is almost dead

- different types of novel appears:

* report (Robinson Crusoe)

* epistolary

bildungsroman novel

social novel:

        • “the condition of England’ novel

        • “slice of life” novel (representative of the sample of life- small group of characters and you observe them for a month, a year, etc; type of novel of manners)

adventure stories

        • Robert L. Stevenson “Kidnapped”, “Treasure Island”

horror stories

        • Bram Stoker “Dracula”

~~ gradual evolution of novel in many senses~~

  1. the form- 1st Victorian novel are episodic, title- sketches from life, one is hardly connected

to another; late Victorian- tight, precisely- organized novels, unity, organic,

everything makes sense

  1. construction of novel- early novels: plot + dialogues, very simple

late period: more descriptions; rhetorical figures, need

interpretation, not black & white situations, requires a more

demanding reader ready to think, work on that

EARLY PERIOD: LATE PERIOD:

Dickens G.Elliot(allegory, symbolic scenes, essays)

Thackeray Th. Hardy (allegory, symbolic scenes)

* openly says who is good, * ambivalent characters, no black & white situations

who is not in a story

  1. the role of the reader

early: late:

novels for everyone novel which requires more demanding,

prepared reader, more ambitious and

discriminating

for emotions, ask to sympathize, requires more intellectual work;

like or dislike elevation of the status

(some part of the audience is lost)

WYKŁAD 10

Соседние файлы в предмете [НЕСОРТИРОВАННОЕ]