
- •3 Founding fathers of familiar essays:
- •Charles Lamb
- •William Hazlitt
- •Thomas de Quincey
- •Gothic novel
- •Novel of manners
- •3) Historical romances
- •Victorian epoque
- •Victorian novel
- •Victorian poetry
- •Tennyson
- •Hopkins
- •Irish Revival
- •The literature of Ideas
- •Samuel Butler
- •George Bernard Shaw
- •Herbert George Wells
- •Artistic Fiction
- •Henry James
- •Herbert George Wells
- •Henry James books
- •Joseph Conrad
- •I World War
- •David Jones
- •Modernism
- •Modernism in fiction
- •William Jones
- •Modernism in fiction
- •Virginia Woolf
- •David Herbert Lawrence
- •Expressionism
- •Modernism in poetry
- •The dominating group of that time
- •Another Group: New Romanticism
Victorian epoque
Press:
development of the press
number of newspapers- more than 100 titles (most of society were illiterate; now when most of people are literate, small amount of titles exists)
debates in the press (political, theory of evolution, etc)
film/books reviews- were serious discussions, long (even 30-40 pages long)
discussions about everything
everyone could become a writer to the newspaper (they wanted people to express their opinion)
Thomas Babington Macavlay
model Victorian man believes in industry, middle class, development, “power of England was always made by middle class”, government, queen should not interfere; optimistic, liberal
writes a book as a polemic with Robert’s Southey book in which Southey claimed that Romantic England was better than the Victorian one
clear, simple style of writing
Thomas Carlyle (opposite to T. B. Macavlay)
orthodox, pessimistic, believes that what people want is sex& nothing more, if they are left alone they do not manage
very critical of the Victorian England, ideas, “happiness makes people lazy and stupid”
philosopher & historian (study of French revolution)
very critical of democracy; if the masses are to rule, their decisions are wrong; people need special strong person to lead them (e.g. Olivier Cromwell)
influenced by German- difficult to read
some of his essays are purely rhetorical
“Sartor Resartus”- one of his essays, metaphor of the state of England (all need reclothing, replacing)
younger generation:
John Ruskin
Historian, Oxford professor, study of Renaissance
“Modern Painters”
works on gothic cathedral
extremely critical of Victorian era
mechanical repeating of the same architecture motifs cause ugliness (& people do this for money)
writes about society, organization of society- is very critical
William Morris
student of John Ruskin
student of the history of art, painter, influenced by Ruskin
novel “News from Nowhere”, ‘nowhere’- a marker of utopia, communist utopia (England- village without industrial revolution)
interested in design: furniture, wallpapers, cutlery, book cover design, etc
Matthew Arnold
poet, literary critic
by profession school inspector
didn’t believe in God; read the Bible as piece of literature (liked it)
poetry can change the world (the Bible is an example)
reading literature gives basics for educations; literature offers you a lot of things, kind of knowledge that changes people
critical of Victorian times
WYKŁAD 9
Victorian novel
great time for the novel- dominating genre
preference for fiction & novel social explanation:
19th century – century of middle class (more rights, privileges)
novel- a mirror of middle class
connecting novel with the trends in philosophy (John Locke- a philosopher, pragmatism)
realistic novel (no fantastic!)
women’s writing becomes treated more seriously
Requirements of the Victorian novel:
moralistic
entertaining
reflective of the image of a given class
realism
novels were for everybody as each person could understand it
- explosion of all kinds of writing
- at the end of Victorian Age, novel is almost dead
- different types of novel appears:
* report (Robinson Crusoe)
* epistolary
bildungsroman novel
social novel:
“the condition of England’ novel
“slice of life” novel (representative of the sample of life- small group of characters and you observe them for a month, a year, etc; type of novel of manners)
adventure stories
Robert L. Stevenson “Kidnapped”, “Treasure Island”
horror stories
Bram Stoker “Dracula”
~~ gradual evolution of novel in many senses~~
the form- 1st Victorian novel are episodic, title- sketches from life, one is hardly connected
to another; late Victorian- tight, precisely- organized novels, unity, organic,
everything makes sense
construction of novel- early novels: plot + dialogues, very simple
late period: more descriptions; rhetorical figures, need
interpretation, not black & white situations, requires a more
demanding reader ready to think, work on that
EARLY PERIOD: LATE PERIOD:
Dickens G.Elliot(allegory, symbolic scenes, essays)
Thackeray Th. Hardy (allegory, symbolic scenes)
* openly says who is good, * ambivalent characters, no black & white situations
who is not in a story
the role of the reader
early: late:
novels for everyone novel which requires more demanding,
prepared reader, more ambitious and
discriminating
for emotions, ask to sympathize, requires more intellectual work;
like or dislike
elevation of the status
(some part of the audience is lost)
WYKŁAD 10