
- •Exercises
- •1/ Translate the words below into Russian and write sentences with them:
- •2/ Give English equivalent:
- •3/ Fill in the gaps. Use words below: Gaunt consternation indulge appall strive temptation longing restless
- •4/ Discuss the questions below:
- •5/ Translate into English:
- •6/ Make up a dialogue between:
- •7/ Writing an essay.
- •The gift of the magi o. Henry
- •Exercises
- •1/ Find words with the meanings below in the text:
- •2/ Find English equivalents for the expressions below (in the text):
- •3/ Translate the following sentences:
- •4/ Fill in the gaps using words from the box. Pay attention to grammar:
- •5/ Questions for discussion.
- •6/ Translate the sentences below into English. Use new vocabulary for the words in italics:
- •7/ Write an essay (at least 250 words) on the topic below:
- •The enchanted bluff Willa Cather
- •Exercises
- •1/ Find words with the following meanings:
- •2/ Find English equivalents to the words and expressions below in the text:
- •3/ Fill in the gaps with the appropriate word from the previous exercises:
- •4/ Replace the underlined words with new vocabulary:
- •5/ Translate into English using new vocabulary for words in italics:
- •6/ Questions for discussion:
- •7/ Internet research.
- •The open window Saki
- •Exercises
- •1/ Find the following words and word combinations in the text, translate them into Russian and make your own sentences with them.
- •2/ Give the English equivalents for the following words and word combinations (from the text).
- •3/ Translate the following sentences into English using your active vocabulary (words and word combinations from this story).
- •4/ Make up a dialogue between Framton Nuttel and his sister before he left for that rural retreat. Remember to use the given words and word combinations.
- •5/ Answer the following questions.
- •The storm Kate Chopin
- •Exercises
- •1/ Find the following words in the text, translate them into Russian and make your own sentences with them.
- •2/ Find words with the following meanings in the text:
- •3/ Fill in the gaps with the words from exercise 2. Pay attention to grammar.
- •4/ Give the English for the expressions and words below:
- •5/ Translate the sentences below into English. Use new vocabulary to translate words and expressions in italics:
- •6/ Questions for discussion:
- •7/ Internet research
- •The invisible japanese gentlemen Graham Greene
- •Exercises
- •1/ Find the following words and word combinations in the text, translate them into Russian and make your own sentences with them.
- •2/ Give the English for the following words and word combinations (from the text).
- •3/ Translate the following sentences into English using your active vocabulary (words and word combinations from this and the previous story).
- •5/ Make up a dialogue between the girl and her publisher, Mr. Dwight, discussing her first book and her future plans. Remember to use the given words and word combinations.
- •6/ Retell the story using the given words and word combinations as if you were:
- •7/ Answer the following questions.
- •8/ Read the definitions of some stylistic devices Graham Greene used in his short story and find examples in the text.
- •Exercises
- •1/ Find the following words and word combinations in the text, translate them into Russian and make your own sentences with them.
- •2/ Match the words below with their meanings: pity; haunt; corpse; foresight; chuckle; supposition; refrain; muffled; vex; dismember; hastily; shriek; fatigue; groan; rave; distract.
- •3/ Fill in the gaps in the following sentences with the words from exercise 2. Pay attention to grammar:
- •4/ Give the English for the following words and word combinations (from the text).
- •5/ Translate into English using your active vocabulary for the words in italics:
- •6/ Questions for discussion:
- •7/ Make up a dialogue between:
- •8/ Write an essay using your active vocabulary. Use at least 250 words: to build a fire Jack London
- •Exercises
- •1/ Find the following words and word combinations in the text, translate them into Russian and make your own sentences with them.
- •2/ Find words with the following meanings in the text:
- •3/ Fill in the gaps using words from the exercises above:
- •4/ Give the English for the following words and word combinations (from the text).
- •5/ Translate the sentences below into English. Use your active vocabulary for the words in italics:
- •6/ Give literary translation of the following sentences:
- •7/ Retell the text as if you are the man, I.E. In first-person narrative.
- •8/ Questions for discussion:
- •9/ Make up a dialogue choosing one of the situations below:
- •To build a fire Jack London
- •II part
- •Exercises
- •1/ Find the following words and word combinations in the text, translate them into Russian and make your own sentences with them.
- •2/ Find words with the following meanings in the text:
- •3/ Translate the sentences into Russian:
- •4/ Fill in the gaps using the words below: poignant; excruciating (2); despair; lay down the law; consciousness; halt
- •5/ Translate the sentences below into English. Use your active vocabulary for the words in italics:
- •6/ Retell the text.
- •7/ Questions for discussion:
- •8/ Internet research
- •Grief Anton Chekhov
- •Exercises
- •1/ Find the following words and word combinations in the text, translate them into Russian and make your own sentences with them.
- •2/ Find words with the following meanings in the text:
- •3/ Translate the sentences into English. Use your active vocabulary for words in italics:
- •4/ Questions for discussion:
- •5/ Act out a dialogue between two people gossiping about the terrifying incident happened in g. Petrov’s family.
7/ Internet research.
Search for any information about dreaming and its role in people’s life.
Working in a pair, make up a dialogue sharing your information with your partner.
8/ Write an essay on the following topic ‘Dreams are enchantments to the imagination and expand your horizons if you let them’. Use at least 250 words. Use your active vocabulary.
The open window Saki
"My aunt will be down presently, Mr. Nuttel," said a very self-possessed young lady of fifteen; "in the meantime you must try and put up with me."
Framton Nuttel endeavoured to say the correct something which should duly flatter the niece of the moment without unduly discounting the aunt that was to come. Privately he doubted more than ever whether these formal visits on a succession of total strangers would do much towards helping the nerve cure which he was supposed to be undergoing.
"I know how it will be," his sister had said when he was preparing to migrate to this rural retreat; "you will bury yourself down there and not speak to a living soul, and your nerves will be worse than ever from moping. I shall just give you letters of introduction to all the people I know there. Some of them, as far as I can remember, were quite nice."
Framton wondered whether Mrs. Sappleton, the lady to whom he was presenting one of the letters of introduction came into the nice division.
"Do you know many of the people round here?" asked the niece, when she judged that they had had sufficient silent communion.
"Hardly a soul," said Framton. "My sister was staying here, at the rectory, you know, some four years ago, and she gave me letters of introduction to some of the people here."
He made the last statement in a tone of distinct regret.
"Then you know practically nothing about my aunt?" pursued the self-possessed young lady.
"Only her name and address," admitted the caller. He was wondering whether Mrs. Sappleton was in the married or widowed state. An indefinable something about the room seemed to suggest masculine habitation.
"Her great tragedy happened just three years ago," said the child; "that would be since your sister's time."
"Her tragedy?" asked Framton; somehow in this restful country spot tragedies seemed out of place.
"You may wonder why we keep that window wide open on an October afternoon," said the niece, indicating a large French window that opened on to a lawn.
"It is quite warm for the time of the year," said Framton; "but has that window got anything to do with the tragedy?"
"Out through that window, three years ago to a day, her husband and her two young brothers went off for their day's shooting. They never came back. In crossing the moor to their favourite snipe-shooting ground they were all three engulfed in a treacherous piece of bog. It had been that dreadful wet summer, you know, and places that were safe in other years gave way suddenly without warning. Their bodies were never recovered. That was the dreadful part of it." Here the child's voice lost its self-possessed note and became falteringly human. "Poor aunt always thinks that they will come back someday, they and the little brown spaniel that was lost with them, and walk in at that window just as they used to do. That is why the window is kept open every evening till it is quite dusk. Poor dear aunt, she has often told me how they went out, her husband with his white waterproof coat over his arm, and Ronnie, her youngest brother, singing 'Bertie, why do you bound?' as he always did to tease her, because she said it got on her nerves. Do you know, sometimes on still, quiet evenings like this, I almost get a creepy feeling that they will all walk in through that window - "
She broke off with a little shudder. It was a relief to Framton when the aunt bustled into the room with a whirl of apologies for being late in making her appearance.
"I hope Vera has been amusing you?" she said.
"She has been very interesting," said Framton.
"I hope you don't mind the open window," said Mrs. Sappleton briskly; "my husband and brothers will be home directly from shooting, and they always come in this way. They've been out for snipe in the marshes today, so they'll make a fine mess over my poor carpets. So like you men folk, isn't it?"
She rattled on cheerfully about the shooting and the scarcity of birds, and the prospects for duck in the winter. To Framton it was all purely horrible. He made a desperate but only partially successful effort to turn the talk on to a less ghastly topic, he was conscious that his hostess was giving him only a fragment of her attention, and her eyes were constantly straying past him to the open window and the lawn beyond. It was certainly an unfortunate coincidence that he should have paid his visit on this tragic anniversary.
"The doctors agree in ordering me complete rest, an absence of mental excitement, and avoidance of anything in the nature of violent physical exercise," announced Framton, who labored under the tolerably widespread delusion that total strangers and chance acquaintances are hungry for the least detail of one's ailments and infirmities, their cause and cure. "On the matter of diet they are not so much in agreement," he continued.
"No?" said Mrs. Sappleton, in a voice which only replaced a yawn at the last moment. Then she suddenly brightened into alert attention - but not to what Framton was saying.
"Here they are at last!" she cried. "Just in time for tea, and don't they look as if they were muddy up to the eyes!"
Framton shivered slightly and turned towards the niece with a look intended to convey sympathetic comprehension. The child was staring out through the open window with a dazed horror in her eyes. In a chill shock of nameless fear Framton swung round in his seat and looked in the same direction.
In the deepening twilight three figures were walking across the lawn towards the window, they all carried guns under their arms, and one of them was additionally burdened with a white coat hung over his shoulders. A tired brown spaniel kept close at their heels. Noiselessly they neared the house, and then a hoarse young voice chanted out of the dusk: "I said, Bertie, why do you bound?"
Framton grabbed wildly at his stick and hat; the hall door, the gravel drive, and the front gate were dimly noted stages in his headlong retreat. A cyclist coming along the road had to run into the hedge to avoid imminent collision.
"Here we are, my dear," said the bearer of the white mackintosh, coming in through the window, "fairly muddy, but most of it's dry. Who was that who bolted out as we came up?"
"A most extraordinary man, a Mr. Nuttel," said Mrs. Sappleton; "could only talk about his illnesses, and dashed off without a word of goodbye or apology when you arrived. One would think he had seen a ghost."
"I expect it was the spaniel," said the niece calmly; "he told me he had a horror of dogs. He was once hunted into a cemetery somewhere on the banks of the Ganges by a pack of pariah dogs, and had to spend the night in a newly dug grave with the creatures snarling and grinning and foaming just above him. Enough to make anyone lose their nerve."
Romance at short notice was her specialty.