
- •Передмова
- •Speech Act Functions and Subfunctions Classification of Illocutionary Acts
- •Felicity Conditions
- •Preparatory conditions
- •Sincerity conditions
- •Essential condition
- •Propositional content conditions
- •Explicit and Nonexplicit Illocutionary Acts.
- •The Performative Hypothesis
- •I baptize you in the name of the Father, and of the Son, and of the Holy Spirit.
- •Direct and Indirect Illocutionary Acts
- •Expressed and Implied Locutionary Acts
- •Literal and Nonliteral Locutionary Acts
- •Speech Events
- •Examples of Speech Events Request
- •Compliment
- •Complaint
- •Oral, Written, and Oral-Written Speech Acts
- •Speech Acts and Events Across Cultures: Universality and Ethnospecificity
- •Directives
- •Classification of refusals
- •Representatives
- •Declaratives
- •For each of the following utterances, state (1) the syntactic form, (2) the illocutionary act (I.E. Representative, commissive, etc.) it performs.
- •Assume that each of the following utterances constitutes a nonfelicitous (I.E. Invalid) act of apologizing. Which type of felicity condition is violated by each one?
- •Which of the performative verbs is used in its performative sense in the following utterances.
- •Directives
- •Do you agree with the following strength continuum? Why? Why not? Ask English-speaking instructors or students to rank these sentences.
- •Commissives
- •Speech Events
- •Discourse Completion Practice
- •Supply an appropriate response to each of the following:
- •Supply an appropriate response to each of the requests taking into consideration the refuser’s status.
- •Supply an appropriate response to each of the offers taking into consideration the refuser’s status.
- •Supply an appropriate response to each of the suggestions taking into consideration the refuser’s status.
- •Supply an appropriate response to each of the invitations taking into consideration the refuser’s status.
- •Miscellaneous
- •Ask English-speaking instructors or students to make up a list and rank the expressions for politeness for
- •Analyze directives and negative commissives in the following extracts.
- •(O.Wilde, Dorian Gray: 166)
- •(O.Wilde, Dorian Gray: 34)
- •Speech Acts in Written Communication
- •Analyse the structure of the following letters. What devices are used to make them polite?
- •Institutional Acts
- •Bernard Shaw (ShWh)1
- •Ib 100 422 Widowers’ Houses. Mrs Warren’s Profession (99). – Moscow: Foreign Languages Publishing House, 1950.
- •Bernard Shaw (ShL)
- •Augustus does his bit
- •B. Shaw “Man and Superman”2 London: Penguin Books 1957 (ShMs)
- •William Archer. Three Plays. (watp)3
- •New York: Henry Holt and Company.
- •Ford, The Good Soldier (Ford,gs)4
- •S f Tender is the Night (sftn)5
- •Gadfly, 29
- •Well, good luck to you. (smt, 57)
- •W. S. Maugham. Painted Veil (mpv)8
- •W. S. Maugham. Cakes and Ale (mca)9
- •W.S. Maugham . Rain and Other Stories (mros)10
- •A Fearless Champion11
- •I guess
- •M. Laurence The Stone Angel (lsa)
- •I wish – 80, 119, 145, 254
- •Good-bye- 92, 256
- •Foster a Room with a View (farwav)13
- •May I ask you what you intend to gain by this exhibition ? farwav 178
- •Farwav , 196
- •Emma and I
- •Galsworthy I, II, III
- •338 I wish - ?
- •“But why not tell them ? They can’t really stop us, Fleur ?”
- •Percieve – 182
- •Dorian, 34
- •Dorian, 167
- •I beg your pardon… Dorian, 48
- •Dorian, 166
- •I believe – 23, 31, 42, 53, 55, 65,107, 119, 145, 150!, 173, 177
- •Hemingway. Farewell 15
- •I hope - 111, 126, 135, 141, 164, 187, 231, 259
- •Primary
- •Secondary (in English)
- •Atiyah p.S.A. Promises & the law of contract. Mind, 1979, 88: 410-418.
- •Ayres Elenn. I daresay! Language lh 1974, 5/3, 454-456.
- •Bates Elizabeth Language & context. Academic Press New-York, 1976. Series: Language, Thought & Culture. Advances in the study of cognition.
- •Bierwiseh Manfred. Semantic strcture and illocutinary force.
- •Boer Steven e, Lycan William g. A performadox in truth-conditional semantics. Lingvistics and Philosophy. N 4/1 41-100
- •Downes William The imperative and pragmatics. Journal of linguistics, 1977, 11/3 77 – 97.
- •Ginet Carl Performativity Linguistic & philosophy 1979, 3/2 245-265
- •(In Russian and Ukrainian)
- •Навчальне видання
- •2 B. Shaw “Man and Superman” London: Penguin Books 1957
- •10 W.S. Maugham . Rain and Other Stories
- •13 Foster a Room with a View
Bernard Shaw (ShL)
Cen/76 Too true to Be Good. Village Wooing (109). On the Rocks (141). Three plays by B. Shaw. – London: Constable and Company Limited.
I guarantee that in a fortnight you will begin to think before you talk (ShL, 224).
But I warn you that I am utterly alone in this room (ShL, 238).
Vivie: I strongly suspect there will be a battle royal when my mother hears of my Chancery Lane project (ShL, 106).
Crofts: Look here, Praed. I ask you as a particular favour. If you do know (movement of protest from Praed) – I only say, if you know, you might set my mind at rest about her (ShL, 110).
I very strongly object, Viv, to have my feelings compared to any which the Reverend Samuel is capable of harboring, and I object still to a comparison of you to your mother (ShL, 157).
I wish you joy of your host (ShL, 262).
I calculate that at the very least it will take fifty years to get it through (ShL, 253-4).
-You will excuse the expression..
-I excuse everything from my patients (ShL, 221).
I thank you, Sir Jafna, for showing this man that even hardened capitalist millionaires shudder when that story is told (ShL, 242).
David: The first thing we heard him say was: “Gentleman: be patient. I promise you will soon see the one thing that can revive our industries and save our beloved country: a rise in prices (ShL, 215).
I refuse to live in this house with her a moment longer (ShL, 196).
Hilda: I think Rock of Ages will be rather a shock unless in connection with something very sincere. May I suggest “The Church’s One Foundation”?
Sir Arthur: Yes. Much better. Thank you. (ShL, 196)
Jesus: I say to you: Cast out fear (ShL, 183)
Praed: You make my blood run cold. Are you to have no romance, no beauty in your life?
Vivie: I don’t care for either, I assure you. (ShL, 104).
Vivie: I like working and getting paid for it. When I’m tired of working, I like a comfortable chair, a cigar, a little whisky, and a novel with a good detective story in it.
Praed (in a frenzy repudiation): I don;t believe it. I am an artist; and I can’t believe it. I refuse to believe it (ShL, 104).
Praed: You’d not do such a thing.
Vivie: Then tell me why not.
Praed: I really cannot. I appeal to your good feeling. (ShL, 106)
Praed (revolted): What a monstrous, wicked, rascally system! I knew it! I felt at once that it meant destroying all that makes womanhood beautiful.
Vivie: I don’t object to it on that score in the least. I shall turn it to very good account, I assure you. (Sh, MWP, 103)
Trench: I beg your pardon for calling you by your name (ShWH, 39).
I regret the mistake (ShWH, 34).
I will not sit here listening to this disgusting ungentlemanly nonsense.
Chavendler: the coalition is dissolved. I resign (ShL, 255).
Vivie: How can I feel sure that I may have the contaminated blood of that brutal waster in my veins?
Mrs Warrent: No, no. On my oath, it’s not he, or any other of the rest that you have ever met. I’m certain of that, at least (ShL, 131).
Vivie: Then where are our relatives – my father – our family friends? You claim the rights of a mother … … Before I give myself the trouble to resist such claims, I may as well find out whether they have any real existence.
Mrs Warren (Distracted, throwing herself on her knees): Oh, no, no. Stop, stop. I am your mother. I swear it. (ShL, 131)
Vivie: To tell you the truth, I rather admire him for being strong-minded enough to enjoy himself in his own way (ShL, 168).
Mrs Warren: You think I want to force that played out old sot on you! I don’t, Vivie: on my oath I don’t (ShL, 168).
Praed: I declare you are the most splendidly courageous woman I ever met (ShL, 162).
Frank: My curse upon you caller. Whoe’er he be (ShL, 159).
Frank: I assure you my feeling for you is not the least in the world like it (ShL, 157).
Vivie: I think you would probably told me when we were married it would be a convenient weapon to break me in with.
Crofts (Quite sincerely): I never intended that. On my word as a gentleman I didn’t (ShL, 149)
Pilate: But I ask you what is truth?
Jesus: It is that which a man must tell even if he be stoned or crucified for telling it I am not offereing you the truth at a price of my own profit; I am offering it freely to you for your salvation at the peril of my own life (ShL, 177).
Z: But what would you take me for if you met me in a third class carriage?
A: I should not notice you.
Z: I bet you would. I mayn’t be a beauty but when I get into a railway carriage every man in it has a look at me (ShL, 115)
Rev. S: You look well everywhere, Mrs Warren.
Frank: Bravo, gov’nor. (ShL, 143).
Pilate: You are accused of sedition and blasphemy (ShL, 182).
I’ll ask you to excuse me: I must take the opportunity to write my sermon while Mrs Gardner is away and you are all amusing yourself (ShL, 141).
Jesus: The truth is the truth and nothing else.
Pilate: But how far is it discoverable? We agree that it is true that I am sitting in this chair because our senses tell us so (Shl, 178).
You are welcome to any illusions you may have left on these subjects. (ShL, 161).
I want to give you a warning , Frank (ShL, 144).
May I ask you to address yourself to this question not as as emotional oriental but as a sane man of business (ShL, 235)
Rev S: Good morning. I must apologize for not having met you at breakfast (ShL, 141).
Mrs Warren: Do you want me to go away?
No. I always want you to stay. But I advise you to go away (ShL, 165).
Hipey: … Mind you, I know you mean it as a compliment that I’d make a good parliamentry debater. I appreciate it. (ShL, 211).
Lady: How kind of you. You will let me know if anything –
The nurse: Yes, yes. I promise to come for you and wake you if anything happens. Good-night, madam (ShL, 36)
Praed: Well, as you are, at all events, old enough to be her father, I don’t mind agreeing that we both regard Miss Vivie in a parental way (ShL, 111)