[ebook4everything.com]Steve Jobs - Isaacson_ Walter

make people stop and take notice as they drove down his street in Palo Alto. It was built in the 1930s by a local designer named Carr Jones, who specialized in carefully crafted homes in the “storybook style” of English or French country cottages.

The two-story house was made of red brick, with exposed wood beams and a shingle roof with curved lines; it evoked a rambling Cotswold cottage, or perhaps a home where a well-to-do Hobbit might have lived. The one Californian touch was a mission-style courtyard framed by the wings of the house. The two-story vaulted-ceiling living room was informal, with a floor of tile and terra-cotta. At one end was a large triangular window leading up to the peak of the ceiling; it had stained glass when Jobs bought it, as if it were a chapel, but he replaced it with clear glass. The other renovation he and Powell made was to expand the kitchen to include a wood-burning pizza oven and room for a long wooden table that would become the family’s primary gathering place. It was supposed to be a four-month renovation, but it took sixteen months because Jobs kept redoing the design. They also bought the small house behind them and razed it to make a backyard, which Powell turned into a beautiful natural garden filled with a profusion of seasonal flowers along with vegetables and herbs.

Jobs became fascinated by the way Carr Jones relied on old material, including used bricks and wood from telephone poles, to provide a simple and sturdy structure. The beams in the kitchen had been used to make the molds for the concrete foundations of the Golden Gate

Bridge, which was under construction when the house was built. “He was a careful craftsman who was self-taught,” Jobs said as he pointed out each of the details. “He cared more about being inventive than about making money, and he never got rich. He never left California. His ideas came from reading books in the library and Architectural Digest.”

Jobs had never furnished his Woodside house beyond a few bare essentials: a chest of drawers and a mattress in his bedroom, a card table and some folding chairs in what would have been a dining room. He wanted around him only things that he could admire, and that made it hard simply to go out and buy a lot of furniture. Now that he was living in a normal neighborhood home with a wife and soon a child, he had to make some concessions to necessity. But it was hard. They got beds, dressers, and a music system for the living room, but items like sofas took longer. “We spoke about furniture in theory for eight years,” recalled Powell. “We spent a lot of time asking ourselves, ‘What is the purpose of a sofa?’” Buying appliances was also a philosophical task, not just an impulse purchase. A few years later, Jobs described to Wired the process that went into getting a new washing machine:

It turns out that the Americans make washers and dryers all wrong. The Europeans make them much better—but they take twice as long to do clothes! It turns out that they wash them with about a quarter as much water and your clothes end up with a lot less detergent on them. Most important, they don’t trash

your clothes. They use a lot less soap, a lot less water, but they come out much cleaner, much softer, and they last a lot longer. We spent some time in our family talking about what’s the trade-off we want to make. We ended up talking a lot about design, but also about the values of our family. Did we care most about getting our wash done in an hour versus an hour and a half? Or did we care most about our clothes feeling really soft and lasting longer? Did we care about using a quarter of the water? We spent about two weeks talking about this every night at the dinner table.

They ended up getting a Miele washer and dryer, made in Germany. “I got more thrill out of them than I have out of any piece of high tech in years,” Jobs said.

The one piece of art that Jobs bought for the vaultedceiling living room was an Ansel Adams print of the winter sunrise in the Sierra Nevada taken from Lone Pine, California. Adams had made the huge mural print for his daughter, who later sold it. At one point Jobs’s housekeeper wiped it with a wet cloth, and Jobs tracked down a person who had worked with Adams to come to the house, strip it down a layer, and restore it.

The house was so unassuming that Bill Gates was somewhat baffled when he visited with his wife. “Do all of you live here?” asked Gates, who was then in the process of building a 66,000-square-foot mansion near Seattle. Even when he had his second coming at Apple and was a

world-famous billionaire, Jobs had no security guards or live-in servants, and he even kept the back door unlocked during the day.

His only security problem came, sadly and strangely, from Burrell Smith, the mop-headed, cherubic Macintosh software engineer who had been Andy Hertzfeld’s sidekick. After leaving Apple, Smith descended into schizophrenia. He lived in a house down the street from Hertzfeld, and as his disorder progressed he began wandering the streets naked, at other times smashing the windows of cars and churches. He was put on strong medication, but it proved difficult to calibrate. At one point when his demons returned, he began going over to the Jobs house in the evenings, throwing rocks through the windows, leaving rambling letters, and once tossing a firecracker into the house. He was arrested, but the case was dropped when he went for more treatment. “Burrell was so funny and naïve, and then one April day he suddenly snapped,” Jobs recalled. “It was the weirdest, saddest thing.”

Jobs was sympathetic, and often asked Hertzfeld what more he could do to help. At one point Smith was thrown in jail and refused to identify himself. When Hertzfeld found out, three days later, he called Jobs and asked for assistance in getting him released. Jobs did help, but he surprised Hertzfeld with a question: “If something similar happened to me, would you take as good care of me as you do Burrell?”

Jobs kept his mansion in Woodside, about ten miles up into the mountains from Palo Alto. He wanted to tear down

the fourteen-bedroom 1925 Spanish colonial revival, and he had plans drawn up to replace it with an extremely simple, Japanese-inspired modernist home one-third the size. But for more than twenty years he engaged in a slowmoving series of court battles with preservationists who wanted the crumbling original house to be saved. (In 2011 he finally got permission to raze the house, but by then he had no desire to build a second home.)

On occasion Jobs would use the semi-abandoned Woodside home, especially its swimming pool, for family parties. When Bill Clinton was president, he and Hillary Clinton stayed in the 1950s ranch house on the property on their visits to their daughter, who was at Stanford. Since both the main house and ranch house were unfurnished, Powell would call furniture and art dealers when the Clintons were coming and pay them to furnish the houses temporarily. Once, shortly after the Monica Lewinsky flurry broke, Powell was making a final inspection of the furnishings and noticed that one of the paintings was missing. Worried, she asked the advance team and Secret Service what had happened. One of them pulled her aside and explained that it was a painting of a dress on a hanger, and given the issue of the blue dress in the Lewinsky matter they had decided to hide it. (During one of his late-night phone conversations with Jobs, Clinton asked how he should handle the Lewinsky issue. “I don’t know if you did it, but if so, you’ve got to tell the country,” Jobs told the president. There was silence on the other end of the line.)

Lisa Moves In

In the middle of Lisa’s eighth-grade year, her teachers called Jobs. There were serious problems, and it was probably best for her to move out of her mother’s house. So Jobs went on a walk with Lisa, asked about the situation, and offered to let her move in with him. She was a mature girl, just turning fourteen, and she thought about it for two days. Then she said yes. She already knew which room she wanted: the one right next to her father’s. When she was there once, with no one home, she had tested it out by lying down on the bare floor.

It was a tough period. Chrisann Brennan would sometimes walk over from her own house a few blocks away and yell at them from the yard. When I asked her recently about her behavior and the allegations that led to Lisa’s moving out of her house, she said that she had still not been able to process in her own mind what occurred during that period. But then she wrote me a long email that she said would help explain the situation:

Do you know how Steve was able to get the city of Woodside to allow him to tear his Woodside home down? There was a community of people who wanted to preserve his Woodside house due to its historical value, but Steve wanted to tear it down and build a home with an orchard. Steve let that house fall into so much disrepair and decay over a number of years that there was no way to save it. The strategy he used to get what he wanted was to simply follow the line of

least involvement and resistance. So by his doing nothing on the house, and maybe even leaving the windows open for years, the house fell apart. Brilliant, no? . . . In a similar way did Steve work to undermine my effectiveness AND my well being at the time when Lisa was 13 and 14 to get her to move into his house. He started with one strategy but then it moved to another easier one that was even more destructive to me and more problematic for Lisa. It may not have been of the greatest integrity, but he got what he wanted.

Lisa lived with Jobs and Powell for all four of her years at Palo Alto High School, and she began using the name Lisa Brennan-Jobs. He tried to be a good father, but there were times when he was cold and distant. When Lisa felt she had to escape, she would seek refuge with a friendly family who lived nearby. Powell tried to be supportive, and she was the one who attended most of Lisa’s school events.

By the time Lisa was a senior, she seemed to be flourishing. She joined the school newspaper, The Campanile, and became the coeditor. Together with her classmate Ben Hewlett, grandson of the man who gave her father his first job, she exposed secret raises that the school board had given to administrators. When it came time to go to college, she knew she wanted to go east. She applied to Harvard—forging her father’s signature on the application because he was out of town—and was

accepted for the class entering in 1996.

At Harvard Lisa worked on the college newspaper, The Crimson, and then the literary magazine, The Advocate. After breaking up with her boyfriend, she took a year abroad at King’s College, London. Her relationship with her father remained tumultuous throughout her college years. When she would come home, fights over small things— what was being served for dinner, whether she was paying enough attention to her half-siblings—would blow up, and they would not speak to each other for weeks and sometimes months. The arguments occasionally got so bad that Jobs would stop supporting her, and she would borrow money from Andy Hertzfeld or others. Hertzfeld at one point lent Lisa $20,000 when she thought that her father was not going to pay her tuition. “He was mad at me for making the loan,” Hertzfeld recalled, “but he called early the next morning and had his accountant wire me the money.” Jobs did not go to Lisa’s Harvard graduation in 2000. He said, “She didn’t even invite me.”

There were, however, some nice times during those years, including one summer when Lisa came back home and performed at a benefit concert for the Electronic Frontier Foundation, an advocacy group that supports access to technology. The concert took place at the Fillmore Auditorium in San Francisco, which had been made famous by the Grateful Dead, Jefferson Airplane, and Jimi Hendrix. She sang Tracy Chapman’s anthem “Talkin’ bout a Revolution” (“Poor people are gonna rise up / And get their share”) as her father stood in the back

cradling his one-year-old daughter, Erin.

Jobs’s ups and downs with Lisa continued after she moved to Manhattan as a freelance writer. Their problems were exacerbated because of Jobs’s frustrations with Chrisann. He had bought a $700,000 house for Chrisann to use and put it in Lisa’s name, but Chrisann convinced her to sign it over and then sold it, using the money to travel with a spiritual advisor and to live in Paris. Once the money ran out, she returned to San Francisco and became an artist creating “light paintings” and Buddhist mandalas. “I am a ‘Connector’ and a visionary contributor to the future of evolving humanity and the ascended Earth,” she said on her website (which Hertzfeld maintained for her). “I experience the forms, color, and sound frequencies of sacred vibration as I create and live with the paintings.” When Chrisann needed money for a bad sinus infection and dental problem, Jobs refused to give it to her, causing Lisa again to not speak to him for a few years. And thus the pattern would continue.

Mona Simpson used all of this, plus her imagination, as a springboard for her third novel, A Regular Guy, published in 1996. The book’s title character is based on Jobs, and to some extent it adheres to reality: It depicts Jobs’s quiet generosity to, and purchase of a special car for, a brilliant friend who had degenerative bone disease, and it accurately describes many unflattering aspects of his relationship with Lisa, including his original denial of paternity. But other parts are purely fiction; Chrisann had

taught Lisa at a very early age how to drive, for example, but the book’s scene of “Jane” driving a truck across the mountains alone at age five to find her father of course never happened. In addition, there are little details in the novel that, in journalist parlance, are too good to check, such as the head-snapping description of the character based on Jobs in the very first sentence: “He was a man too busy to flush toilets.”

On the surface, the novel’s fictional portrayal of Jobs seems harsh. Simpson describes her main character as unable “to see any need to pander to the wishes or whims of other people.” His hygiene is also as dubious as that of the real Jobs. “He didn’t believe in deodorant and often professed that with a proper diet and the peppermint castile soap, you would neither perspire nor smell.” But the novel is lyrical and intricate on many levels, and by the end there is a fuller picture of a man who loses control of the great company he had founded and learns to appreciate the daughter he had abandoned. The final scene is of him dancing with his daughter.

Jobs later said that he never read the novel. “I heard it was about me,” he told me, “and if it was about me, I would have gotten really pissed off, and I didn’t want to get pissed at my sister, so I didn’t read it.” However, he told the New York Times a few months after the book appeared that he had read it and saw the reflections of himself in the main character. “About 25% of it is totally me, right down to the mannerisms,” he told the reporter, Steve Lohr. “And I’m certainly not telling you which 25%.” His wife said that, in