
- •Theory Sheet 2: Components of an Intonation Pattern/Tone-unit the pre-head
- •The head (scale)
- •The nucleus
- •Theory Sheet 3: Basic Intonation Patterns. The Main Attitudes Conveyed by Them
- •The Main Attitudes Conveyed by the Main Intonation Contours:
- •Theory Sheet 4:
- •Intonation Contour 1 and the Attitudes Conveyed by It
- •Theory Sheet 5:
- •Intonation Contour 1a and the Attitudes Conveyed by It
- •Theory sheet 6:
- •Intonation Contours 2 and 2a and the Attitudes Conveyed by Them
- •Theory sheet 7:
- •Intonation Contours 3 and 3a. The Main Attitudes Conveyed by These Intonation Contours
- •Theory sheet 8:
- •Intonation Contours 5 and 5a The Main Attitudes Conveyed by These Intonation Contours
Theory Sheet 4:
Intonation Contour 1 and the Attitudes Conveyed by It
Intonation Contour 1: (Low Pre-Head+) (Descending/Stepping Head+) Low Fall (+Tail)
1. Statements: The most typical contour for unemphatic statements is IC 1 which makes the utterance sound complete, final, definite, categoric and firm.
E.g.
I
haven’t
heard
from my
brother
for
ages.
It is
an extremely
difficult
case.
The use of the Stepping Head, Sliding Head and Scandent Head with the Low Fall makes utterances sound emphatic.
The Stepping Head with the Low Fall sounds also definite and complete as in the common unemphatic usage but at the same time more categoric, weighty and serious, sometimes even unsympathetic and scolding.
E.g.
I’ve
told you
more
than
once
to
stop
smoking.
2. General Questions: The most common way of asking general questions is with Low Rise, but when said with the Low Fall, they are put forward as a serious suggestion or a subject for an urgent discussion. The questions sound insistent, assertive, urgent, sometimes sceptical.
E.g.
Can
I
help
with
anything?
Shall
we post
pone
the
meeting
then?
Does
anyone
feel
like a
walk?
3. Special questions: The most usual intonation contour for unemphatic special questions is IC 1. They sound serious, intense and responsible. Some English phoneticians also mention that special questions with this intonation are sometimes used to suggest impatience and irritability.
E.g.
When
d’you
come
back
home?
What’s
the
matter
with you
now?
Why
did you
do
such a
stupid
thing?
4. Imperatives (Commands and requests): IC 1 is the most usual intonation pattern for firm, serious and weighty commands.
E.g.
Come
and
see
me to
morrow.
Don’t
you
worry.
5. Exclamations: The most typical exclamatory intonation is achieved by using IC 1. It makes the utterance sound weighty and emphatic.
E.
g.
Well
done!
How
ri
diculous!
What
ghastly
weather!
Theory Sheet 5:
Intonation Contour 1a and the Attitudes Conveyed by It
Intonation Contour 1a: (Low Pre-head+) (Low Head*+) Low Fall (Low-Level Tail)
There is an important variant of Intonation Contour 1 with a low head or no head; if there is a pre-head it is also low; the tail is low-pitched.
* Pre-nuclear stressed syllables pronounced on the low pitch level constitute the Low Level Head or Low Head.
E.
g. There’s
nothing
to
worry
about.
How
did you
manage
to
do
that?
The Low Level Head usually occurs before the Low Fall or Low Rise.
The speaker pronouncing phrases with Intonation Contour 1a sounds cool, calm, reserved, detached, unemotional, uninterested, sometimes unsympathetic and disapproving, grim and even hostile.
1. Statements: Intonation Contour 1a makes a statement sound complete, definite and categoric, as in the case of Intonation Contour 1. A statement pronounced with this pattern may sound unfriendly, grim, surly.
E.g.
I
want
to
talk
to you.
I
must
go
now.
2. General Questions: Intonation Contour 1a makes a general question sound detached, phlegmatic, uninterested, sometimes sceptical and hostile.
E.g.
A: We shall
have
to
take
a
taxi.
B:
But
can
we a
fford
it?
3. Special questions: Intonation Contour 1a makes a special question sound reserved, cool, uninterested, flat, unfriendly and unsympathetic, quite often even hostile.
E.g.
A:
Can
you
lend
me some
money?
B:
What
do you
want
it
for?
4. Commands: Intonation Contour 1a makes a command sound calm, unemotional, often cold.
E.g.
Don’t
do
it a
gain.
Try
some of the
other
keys on the
bunch.
5. Exclamations: Intonation Contour 1a makes an exclamation sound calm, reserved, unsurprised.
E.g.
A: It was
very
kind
of you.
B:
Not
in the
least.