 
        
        - •Theory Sheet 2: Components of an Intonation Pattern/Tone-unit the pre-head
- •The head (scale)
- •The nucleus
- •Theory Sheet 3: Basic Intonation Patterns. The Main Attitudes Conveyed by Them
- •The Main Attitudes Conveyed by the Main Intonation Contours:
- •Theory Sheet 4:
- •Intonation Contour 1 and the Attitudes Conveyed by It
- •Theory Sheet 5:
- •Intonation Contour 1a and the Attitudes Conveyed by It
- •Theory sheet 6:
- •Intonation Contours 2 and 2a and the Attitudes Conveyed by Them
- •Theory sheet 7:
- •Intonation Contours 3 and 3a. The Main Attitudes Conveyed by These Intonation Contours
- •Theory sheet 8:
- •Intonation Contours 5 and 5a The Main Attitudes Conveyed by These Intonation Contours
Theory Sheet 4:
Intonation Contour 1 and the Attitudes Conveyed by It
Intonation Contour 1: (Low Pre-Head+) (Descending/Stepping Head+) Low Fall (+Tail)
1. Statements: The most typical contour for unemphatic statements is IC 1 which makes the utterance sound complete, final, definite, categoric and firm.
      E.g.
I 
 haven’t
haven’t
 heard
from my
heard
from my 
 brother
for
brother
for 
 ages.
ages.
      It is
an ex tremely
tremely
 difficult
difficult
 case.
case.
The use of the Stepping Head, Sliding Head and Scandent Head with the Low Fall makes utterances sound emphatic.
The Stepping Head with the Low Fall sounds also definite and complete as in the common unemphatic usage but at the same time more categoric, weighty and serious, sometimes even unsympathetic and scolding.
       E.g.
I’ve told you
told you 
 more
than
more
than 
 once
to
once
to 
 stop
stop
 smoking.
smoking.
2. General Questions: The most common way of asking general questions is with Low Rise, but when said with the Low Fall, they are put forward as a serious suggestion or a subject for an urgent discussion. The questions sound insistent, assertive, urgent, sometimes sceptical.
       E.g.
 Can
I
Can
I 
 help
with
help
with 
 anything?
anything?
  
 Shall
we post
Shall
we post pone
the
pone
the 
 meeting
then?
meeting
then?
   Does
 anyone
anyone
 feel
like a
feel
like a 
 walk?
walk?
3. Special questions: The most usual intonation contour for unemphatic special questions is IC 1. They sound serious, intense and responsible. Some English phoneticians also mention that special questions with this intonation are sometimes used to suggest impatience and irritability.
       E.g.
 
 When
d’you
When
d’you 
 come
back
come
back 
 home?
home?
   
 What’s
the
What’s
the 
 matter
with you
matter
with you 
 now?
now?
   
 Why
did you
Why
did you 
 do
such a
do
such a 
 stupid
stupid
 thing?
thing?
4. Imperatives (Commands and requests): IC 1 is the most usual intonation pattern for firm, serious and weighty commands.
        E.g.
 Come
and
Come
and 
 see
me to
see
me to morrow.
morrow.
   
 Don’t
you
Don’t
you 
 worry.
worry.
5. Exclamations: The most typical exclamatory intonation is achieved by using IC 1. It makes the utterance sound weighty and emphatic.
       E.
g. 
 Well
Well
 done!
done!
   
 How
ri
How
ri diculous!
diculous!
    What
 ghastly
ghastly
 weather!
weather!
Theory Sheet 5:
Intonation Contour 1a and the Attitudes Conveyed by It
Intonation Contour 1a: (Low Pre-head+) (Low Head*+) Low Fall (Low-Level Tail)
There is an important variant of Intonation Contour 1 with a low head or no head; if there is a pre-head it is also low; the tail is low-pitched.
* Pre-nuclear stressed syllables pronounced on the low pitch level constitute the Low Level Head or Low Head.
       E.
g.   There’s 
 nothing
to
nothing
to 
 worry
about.
worry
about.
                  
 How
did you
How
did you 
 manage
to
manage
to 
 do
do
 that?
that?
The Low Level Head usually occurs before the Low Fall or Low Rise.
The speaker pronouncing phrases with Intonation Contour 1a sounds cool, calm, reserved, detached, unemotional, uninterested, sometimes unsympathetic and disapproving, grim and even hostile.
1. Statements: Intonation Contour 1a makes a statement sound complete, definite and categoric, as in the case of Intonation Contour 1. A statement pronounced with this pattern may sound unfriendly, grim, surly.
      E.g.
I 
 want
to
want
to 
 talk
to you.
talk
to you. 
              I
must 
 go
go
 now.
now.
2. General Questions: Intonation Contour 1a makes a general question sound detached, phlegmatic, uninterested, sometimes sceptical and hostile.
       E.g.
A: We shall 
 have
to
have
to 
 take
a
take
a 
 taxi.
taxi.
               B:
But 
 can
we a
can
we a fford
it?
fford
it?
3. Special questions: Intonation Contour 1a makes a special question sound reserved, cool, uninterested, flat, unfriendly and unsympathetic, quite often even hostile.
       E.g.
A: 
 Can
you
Can
you 
 lend
me some
lend
me some 
 money?
money?
               B:
 What
do you
What
do you 
 want
it
want
it 
 for?
for?
4. Commands: Intonation Contour 1a makes a command sound calm, unemotional, often cold.
        E.g.
 Don’t
Don’t
 do
it a
do
it a gain.
gain.
                
 Try
some of the
Try
some of the 
 other
keys on the
other
keys on the 
 bunch.
bunch.
5. Exclamations: Intonation Contour 1a makes an exclamation sound calm, reserved, unsurprised.
         E.g.
A: It was 
 very
very
 kind
of you.
kind
of you.
                 B:
 Not
in the
Not
in the 
 least.
least.
   
