
- •Table of Contents
- •About this manual
- •Welcome!
- •VST Connections: Setting up input and output busses
- •About this chapter
- •Setting up busses
- •Using the busses
- •Setting up Groups and FX channels
- •About monitoring
- •External instruments/effects
- •The Project window
- •Background
- •Window Overview
- •Operations
- •Options
- •Playback and the Transport panel
- •Background
- •Operations
- •Options and Settings
- •Recording
- •Background
- •Basic recording methods
- •Audio recording specifics
- •MIDI recording specifics
- •Options and Settings
- •Recovery of audio recordings after system failure
- •Fades, crossfades and envelopes
- •Creating fades
- •The Fade dialogs
- •Creating crossfades
- •The Crossfade dialog
- •Auto Fades and Crossfades
- •Event Envelopes
- •The Arranger track
- •Introduction
- •Setting up the Arranger track
- •Working with arranger events
- •Flattening the Arranger chain
- •Live Mode
- •Arranging your music to video
- •Folder tracks
- •About folder tracks
- •Handling folder tracks
- •Working with folder parts
- •Using markers
- •About markers
- •The Marker window
- •Using the Marker track
- •Marker key commands
- •Editing markers in the Project Browser
- •The Transpose functions
- •Introduction
- •Transposing your music
- •Other functions
- •The mixer
- •About this chapter
- •Overview
- •Configuring the mixer
- •The audio-related channel strips
- •The MIDI channel strips
- •The common panel
- •The input and output channels
- •Basic mixing procedures
- •Audio specific procedures
- •MIDI specific procedures
- •Utilities
- •VST Mixer Diagrams
- •Control Room
- •Background
- •Configuring the Control Room
- •The Control Room Overview
- •The Control Room Mixer
- •Control Room operations
- •Studios and Studio Sends
- •Direct Monitoring and latency
- •WK-Audio’s ID Controller
- •Audio effects
- •About this chapter
- •Overview
- •Insert effects
- •Send effects
- •Setting up send effects
- •Using the Side-Chain input
- •Using external effects
- •Making settings for the effects
- •Effect presets
- •VST Instruments and Instrument tracks
- •Introduction
- •VST Instrument channels vs. instrument tracks
- •VST Instrument channels
- •Instrument tracks
- •Comparison
- •Automation considerations
- •What do I need? Instrument channel or Instrument track?
- •Instrument Freeze
- •VST instruments and processor load
- •Using presets for VSTi configuration
- •About latency
- •External instruments
- •Surround sound
- •Background
- •Operations
- •Automation
- •Introduction
- •Enabling and disabling the writing of automation data
- •What can be automated?
- •The Automation panel
- •Virgin territory vs. the initial value
- •Automation modes
- •Automation performance utilities
- •The Settings section
- •Hints and further options
- •Automation track operations
- •Working with automation curves
- •Audio processing and functions
- •Background
- •Audio processing
- •Applying plug-ins
- •The Offline Process History dialog
- •Batch Processing
- •Freeze Edits
- •Detect Silence
- •The Spectrum Analyzer
- •Statistics
- •The Sample Editor
- •Background
- •Window overview
- •General Operations
- •Options and settings
- •Audio Warp realtime processing / Tempo matching audio to the project tempo
- •Working with hitpoints and slices
- •Free Warp
- •Realtime pitch-shifting of audio events
- •Flattening the realtime processing
- •The Audio Part Editor
- •Background
- •Opening the Audio Part Editor
- •Window overview
- •Operations
- •Common methods
- •Options and Settings
- •The Pool
- •Background
- •Window overview
- •Operations
- •VST Sound
- •Introduction
- •The MediaBay
- •Introduction
- •Window overview
- •Browsing for media files
- •Finding files in the Viewer section
- •Previewing files in the Scope section
- •The Tag Editor
- •Media management
- •Track Presets
- •Introduction
- •Types of track presets
- •VST presets
- •Browsing for presets
- •Creating a track preset
- •Creating tracks from track presets or VST presets
- •Applying track presets
- •Previewing track and VST presets
- •Inserts and EQ settings from track presets
- •Track Quick Controls
- •Introduction
- •Setting up the Quick Controls tab
- •Options and settings
- •Setting up quick controls on an external remote controller
- •MIDI realtime parameters and effects
- •Introduction
- •Basic track settings
- •MIDI Modifiers
- •MIDI effects
- •Managing plug-ins
- •MIDI processing and quantizing
- •Introduction
- •The Quantizing functions
- •Making your settings permanent
- •Dissolve Part
- •Repeat Loop
- •Other MIDI functions
- •The MIDI editors
- •About editing MIDI
- •Opening a MIDI editor
- •Key Editor operations
- •Edit In-Place
- •List Editor operations
- •Introduction
- •Opening the Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •The Input Transformer
- •The Project Logical Editor
- •Introduction
- •Opening the Project Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •Working with System Exclusive messages
- •Introduction
- •Bulk dumps
- •Recording System Exclusive parameter changes
- •Editing System Exclusive messages
- •Working with the Tempo track
- •Background
- •Operations
- •Process Tempo
- •The Process Bars dialog
- •Options and settings
- •The Beat Calculator
- •Merge Tempo From Tapping
- •The Time Warp tool
- •The Project Browser
- •Window Overview
- •Editing tracks
- •The Track Sheet
- •Overview
- •Printing the Track Sheet
- •Export Audio Mixdown
- •Introduction
- •Mixing down to an audio file
- •The available file formats
- •Synchronization
- •Background
- •Synchronization signals
- •Synchronizing the transport vs. synchronizing audio
- •Making basic settings and connections
- •Synchronization settings
- •Timecode Preferences
- •Machine Control
- •Setting up Machine Control
- •Working with VST System Link
- •Preparations
- •Activating VST System Link
- •Application examples
- •Video
- •Background
- •Before you start
- •Operations
- •The Edit Mode
- •Working with film transfers
- •Compensating for film transfers to video
- •ReWire
- •Introduction
- •Launching and quitting
- •Activating ReWire channels
- •Using the transport and tempo controls
- •How the ReWire channels are handled in Nuendo
- •Routing MIDI via ReWire2
- •Considerations and limitations
- •File handling
- •Working with Projects
- •Startup Options
- •Working with libraries
- •Revert
- •Importing audio
- •Exporting and importing OMF files
- •Exporting and importing AAF files
- •Exporting and importing AES31 files
- •Exporting and importing OpenTL files
- •Importing XSend projects from Liquid
- •Exporting and importing standard MIDI files
- •Exporting and importing MIDI loops
- •Exporting and importing tracks
- •Other Import/Export functions
- •Cleanup
- •Customizing
- •Background
- •Workspaces
- •The Setup dialogs
- •Customizing track controls
- •Configuring the main menu items
- •About preference presets
- •Appearance
- •Applying track and event colors
- •Where are the settings stored?
- •Key commands
- •Introduction
- •Setting up key commands
- •Setting up tool modifier keys
- •The default key commands
- •Index

Saving partial preferences settings
It is also possible to save partial preferences settings. This is useful when you have made settings that only relate to a certain project or situation, for example. When you apply a saved partial preference preset, you only change the saved settings. All other preferences will be left unchanged.
When you have made your specific preferences settings, proceed as follows to save the partial settings as a preset:
1.Open the Preferences dialog.
2.Activate “Store marked preferences only”.
A new “Store” column is added in the Preferences page list.
3.Click in the Store column of the Preferences items you wish to save.
Note that if you activate a Preferences page that contains subpages, these will also be activated automatically. If this is not what you want, simply deactivated the subpages.
4.Click the Store button in the lower left section of the Preferences dialog.
A dialog opens, allowing you to type in a name for the preset. It is a good idea to choose a descriptive name for a partial preference preset, preferably relating to the saved settings (for example “Configuration” or “Edit- ing-Controls”).
5.Click OK to save.
Your saved settings will now be available from the Preference Presets pop-up for your future projects.
Appearance
In the Preferences dialog, you will find a page called Appearance. It contains three sub-pages on which you will find the following settings:
General
The three controls on the General page affect the appearance of the windows that surround the controls and workspaces in Nuendo.
•Saturation determines how rich the background colors are, from gray to blue.
•Contrast determines how bright or dark the background is in relation to controls and displays.
•Brightness lightens or darkens the background.
Meters
The coloring of meters in Nuendo can be controlled in sophisticated ways. Multiple colors can help to visually indicate what levels are being reached, e.g. in a channel of the VST Mixer. To do this, the meter on the Appearances– Meters page has color handles that allow you to define what color the meter will have at a given signal level.
The Appearances–Meters page in the Preferences dialog.
• The default setting has four color handles. Each color handle has a unique color that gradually shifts as the meter moves toward the next color handle.
You can click on any color handle and move its position in the meter scale. If you hold down [Shift] while moving the handle with the mouse, it will move ten times slower for more precise positioning. You may also nudge the color handle’s position with the Arrow Up/Down keys. Holding Shift while nudging will move the color handle ten times faster.
511
Customizing

•You can add color handles by [Alt]/[Option]-clicking anywhere along the side of the meter scale. To remove a color handle, [Ctrl]/[Command]-click the handle.
By adding more color handles to the meter scale, you can define colors for more specific signal levels. Try adding two color handles very close to one another. You can make the meter color change more rapidly at a specific signal level this way.
•To change the color of a handle, select the handle by either clicking on it or by jumping to it with the Tab key (hold down [Shift] and press the Tab key to jump backwards).
Then use the hue and brightness controls on the right side to alter the handle’s color.
The currently selected color handle is indicated by a black triangle on its left side.
Work Area
The work areas in Nuendo are those places where the actual data are displayed such as the project window event display. In these areas, there are items such as vertical and horizontal grid lines that can be altered in intensity by the controls found on this page.
Track colors
Applying track colors manually
To activate track colors, proceed as follows:
1. Click the Show/Hide Track Colors button at the top of the Track list.
This brings up the track color selector in the Inspector, the Track list and in the Mixer.
2. To bring up the color palette, click the track color selector.
Click the arrow in the track name title bar or…
Applying track and event colors
You can use color scheming for easier overview of tracks and events in the Project window. Applying colors is divided into two areas; track and event colors.
•A track color is shown and can be edited in the Inspector, the Track list, and the corresponding channel in the Mixer. It is furthermore displayed in all parts and events for the track in the event display.
Track colors can be switched on and off globally.
•Event colors are shown for parts and events in the event display and are independent from the track colors.
Ö An applied event color “overrides” the track color, if both are used.
The color palette can be customized, see “The Event Colors dialog” on page 514.
…click the color strip in the Track list.
In the Mixer, click the track color selector below the channel name.
3. Select a color from the color bar.
The track color is now reflected in the Inspector title palette and the Track list as well as in the Mixer and any parts and events on the selected track.
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Customizing

Applying track colors automatically
In the Preferences (Editing–Project & Mixer page), you can find the option “Auto Track Color Mode”.
This offers you several options for automatically assigning colors to tracks that are added to the project.
Option |
Effect |
Use Default |
The default color (gray) is assigned. |
Event Color |
|
Use Previous |
Uses the color of the track above the new one (i.e. the |
Track Color |
track that is selected when you add a new track). |
Use Previous |
Uses the color next to the color of the track above the |
Track Color +1 |
new one (+1 refers to the color number in the palette). |
Use Last |
The last manually assigned color is used. |
Applied Color |
|
Use Random |
Track colors are assigned randomly. |
Track Color |
|
|
|
Coloring parts and events
There are two ways to color parts and events in the Project window:
Using the color selector
1.Select the desired parts or events.
2.Choose a color from the color selector in the toolbar.
Using the color tool
1.On the toolbar, select the color tool (the paint bucket icon).
2.Click the small strip below it to bring up the color palette.
3.Select the desired color.
4.Click on a part/event to assign the color.
The color is applied to all selected parts/events and overrides the track color (if used).
•If you press [Ctrl]/[Command] and click on a part/event with the color tool, the color palette is displayed and you can choose the desired color for an event.
•If you press [Alt]/[Option], the color tool cursor becomes a pipette, which can be used to select a color by clicking on a part/event.
Customizing the event background
On the Event Display page in the Preferences, you can find the option “Colorize Event Background”.
This option affects the display of events in the project window.
•When this is activated, the background of the events and parts in the event display will be shown in the selected color.
•When this is deactivated, the event “content”, i.e. MIDI events, audio waveforms, etc. will be displayed in the selected color and the event background will be displayed in gray.
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Customizing

The Event Colors dialog
You can open the Event Colors dialog in two ways:
• Double-click the small strip below the color tool.
• Open the Color pop-up menu on the toolbar and select “Select Colors…”.
In the Event Colors dialog, you can fully customize the color palette, apart from the default color (gray).
Increase/decrease |
This Set as |
Use Default |
|
brightness for all colors |
Default Set |
Set |
|
Insert |
Remove |
Increase/decrease in- |
|
new color |
new color |
tensity for all colors |
To add new colors to the color palette, proceed as follows:
1.Click the Insert New Color button in the Event Colors section to add a new color.
A new color icon and color name are added to the Event Colors section.
2.Click the color field next to the name field to activate the new color for editing.
3.In the Standard Colors section, select the standard color. You can modify the selected color in the following way:
• Drag the cursor to another point in the color circle.
• Movethe handle in the color meter.
• Enter the values for red, green and blue and hue, saturation and luminosity manually.
4.Click the Apply button in the Standard Colors section.
The color setting is applied to the selected color item.
You can edit every existing event color in the same way.
•To delete an event color item, select it and click the “Remove Selected Color” button in the Event Colors section.
•To increase or decrease the intensity and the brightness of all colors, use the corresponding buttons in the Event Colors section.
•To save the current set as default, click the button “This set as default set” in the Event Colors section. You can then click the button “Use default set” to the right to apply the saved default set.
•To return to the standard setting of the palette in Nuendo, click Reset.
Where are the settings stored?
As you have seen, there are a large number of ways in which you can customize Nuendo. While some of the settings you make are stored in each project, others are stored in separate preference files.
If you need to transfer your projects to another computer (e.g. in another studio), you can bring all your settings along by copying the desired preference files and installing them on the other computer.
Ö It’s a good idea to make a backup copy of your preference files once you have set things up the way you want!
This way, if another Nuendo user wants to use his or her personal settings when working on your computer, you can restore your own preferences afterwards.
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Customizing

•Under Windows, preference files are stored in the folder “\Documents and Settings\<user name>\Application Data\Steinberg\Nuendo 4\”.
If you run the 64 bit version of Nuendo, this folder is called “Nuendo 64bit”. On the Start menu, you will find a shortcut to this folder for easy access.
•Under Mac OS X, preference files are stored in the folder “Library/Preferences/Nuendo 4/” under your home directory.
The full path would be: “/Users/<user name>/Library/Preferences/ Nuendo 4/”.
ÖThe RAMpresets.xml file, which contains various presets settings (see below), is saved when exiting the program.
ÖProgram functions (e.g. crossfade) or configurations (e.g. panels) not used in the project will not be stored.
Below, the available preferences files are listed. When files are not saved in the default preferences folder (see above), the complete path will be shown. When files are saved in a further subfolder of the default folder, the path will begin with the name of this folder:
Setting |
Stored in |
MIDI Inserts |
\Presets\MidiInsertsPresets |
presets |
as *.xml file |
Installed MIDI |
Midi Devices.bin |
devices |
|
Key commands |
\Presets\KeyCommands\<Preset Name>.xml |
presets |
|
Logical Editor |
\Presets\Logical Edit\<Preset Name>.xml |
presets |
|
Project Logical |
\Presets\Logical Edit Project\<Preset Name>.xml |
Editor |
|
MediaBay |
MediaDefaults.xml |
settings |
|
MediaBay default |
MediaFactoryDefaults.xml (these are applied on reset) |
settings |
|
MediaBay – |
scannedfolders.bin |
Scanned folders |
|
MediaBay – |
FileSysObserver.xml (When changing the file system |
Scanned disks |
these disks are automatically scanned by the MediaBay |
|
– Windows only.) |
MediaBay |
mediabay.db |
database |
|
MediaBay Content ContentManager.xml
MIDI FX presets \Presets\<Plugin Name>\<Plugin Name>.xml
Setting |
Stored in |
Edit modifier keys |
Edit Modifiers.xml |
Key commands |
Key Commands.xml |
Preferences |
Defaults.xml |
dialog settings |
|
Color setup |
saved in the project |
Default Color |
Defaults.xml |
setup |
|
Mixer (or channel) |
saved in the last active folder as *.vmx file (VST Mixer |
settings |
settings) |
Mixer view |
saved in project |
preset |
|
Panel files |
\Panels\<device name><unique combination of letters |
|
and numbers>.xml |
Preferences |
Configuration.xml |
Configuration |
|
Crossfade |
Application folder\Presets\RAMPresets.xml |
|
|
Patch name |
\Scripts\Patchnames\ as *.txt file |
|
|
scripts |
|
||
presets |
|
|
|
Preferences |
\Presets\Configurations\<Preset Name>.xml |
Control Room – |
\Presets\ControlRoomPresets.xml (pxml file) |
|
|
||
|
|
presets |
|
||
Settings |
|
|
|
Quantize |
\Presets\RAMPresets.xml |
Control Room – |
External Plugins.xml |
|
|
||
|
|
presets |
|
||
External Plug-ins |
|
|
|
Score – Settings |
Score Setting Window.xml |
Device setup |
Application folder\Device Maps |
|
|
||
|
|
Score – |
Score Default Font.xml |
||
files |
as *.xml file |
|
|
||
Drum maps |
Application folder\DrumMaps |
|
|
Default font |
|
|
|
Score – Custom |
Score Custom Palettes.xml |
||
(Nuendo Extension as *.drm file |
|
|
|||
Kit only) |
|
|
|
Palettes |
|
EQ presets |
Application folder\Presets\VstEqPresets.pxml |
|
|
Score – Guitar |
GuitarLib.xml |
Port Input/ |
Port Setup.xml |
|
|
symbols |
|
|
|
Score – Chord |
\Presets\ChordSymbols.xml |
||
Output settings |
|
|
|
||
Audio Inserts |
\Presets\InsertsFolderPresets.pxml |
|
|
symbols |
|
|
|
Staff Presets |
\Presets\Staff Presets as *.xml file |
||
presets |
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
515 |
|
|
|
|
|
Customizing |
|

Setting |
Stored in |
Note that the Score editor is only available for the Nuendo Expansion Kit.
Snapshot file |
\Presets\MIDI snapshot<device name><unique com- |
|
bination of letters and numbers> as *.xml file |
Toolbar presets |
\Presets\RAMPresets.xml |
Track controls |
\Presets\RAMPresets.xml |
presets |
|
Track presets |
Win: \Documents and Settings\<user name>\Applica- |
(user-defined, |
tion Data\Steinberg\Track Presets |
for all programs) |
Mac: Users/<user name>/Library/Application Sup- |
|
port/Steinberg/Track Presets |
|
(with the subfolders \Audio, \Instrument, \Midi, \Multi) |
|
as *.trackpreset file |
Transport panel |
\Presets\RAMPresets.xml |
presets |
|
Usage profile |
Usage Profile.xml (only saved if the corresponding op- |
log |
tion in the Preferences is activated) |
User templates |
templates\<Template Name>.npr |
VST connections |
\Presets\RAMPresets.xml |
presets |
|
VST 3 plug-ins |
VstPlugInfo.xml |
and instruments |
|
VST 2 plug-ins |
Vst2xPlugins.xml |
and instruments |
|
VST3 presets |
Win: \Common files\VST3 Presets\<company>\ |
(user-defined, |
<plug-in name> |
for all programs) |
Mac: Users/<user name>/Library/Audio/Presets/ |
|
<company>/<plug-in name> |
|
as *.vstpreset file |
VST3 presets |
Win: \Documents and Settings\VST3 Presets\<com- |
(public, for all pro- pany>\<plug-in name> |
|
grams) |
Mac: /Library/Audio/Presets/<company>/<plug-in |
|
name> |
|
as *.vstpreset file |
Workspaces |
saved in project |
Workspace pre- |
Window Layouts.xml |
sets (global) |
|
Zoom presets |
\Presets\RAMPresets.xml |
Networking |
Network Manager.xml |
Networking – |
User Permissions.xml |
Permissions |
|
Quick Control |
Quick Controls MIDI.xml |
Settings |
|
|
|
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Customizing