- •Table of Contents
- •About this manual
- •Welcome!
- •VST Connections: Setting up input and output busses
- •About this chapter
- •Setting up busses
- •Using the busses
- •Setting up Groups and FX channels
- •About monitoring
- •External instruments/effects
- •The Project window
- •Background
- •Window Overview
- •Operations
- •Options
- •Playback and the Transport panel
- •Background
- •Operations
- •Options and Settings
- •Recording
- •Background
- •Basic recording methods
- •Audio recording specifics
- •MIDI recording specifics
- •Options and Settings
- •Recovery of audio recordings after system failure
- •Fades, crossfades and envelopes
- •Creating fades
- •The Fade dialogs
- •Creating crossfades
- •The Crossfade dialog
- •Auto Fades and Crossfades
- •Event Envelopes
- •The Arranger track
- •Introduction
- •Setting up the Arranger track
- •Working with arranger events
- •Flattening the Arranger chain
- •Live Mode
- •Arranging your music to video
- •Folder tracks
- •About folder tracks
- •Handling folder tracks
- •Working with folder parts
- •Using markers
- •About markers
- •The Marker window
- •Using the Marker track
- •Marker key commands
- •Editing markers in the Project Browser
- •The Transpose functions
- •Introduction
- •Transposing your music
- •Other functions
- •The mixer
- •About this chapter
- •Overview
- •Configuring the mixer
- •The audio-related channel strips
- •The MIDI channel strips
- •The common panel
- •The input and output channels
- •Basic mixing procedures
- •Audio specific procedures
- •MIDI specific procedures
- •Utilities
- •VST Mixer Diagrams
- •Control Room
- •Background
- •Configuring the Control Room
- •The Control Room Overview
- •The Control Room Mixer
- •Control Room operations
- •Studios and Studio Sends
- •Direct Monitoring and latency
- •WK-Audio’s ID Controller
- •Audio effects
- •About this chapter
- •Overview
- •Insert effects
- •Send effects
- •Setting up send effects
- •Using the Side-Chain input
- •Using external effects
- •Making settings for the effects
- •Effect presets
- •VST Instruments and Instrument tracks
- •Introduction
- •VST Instrument channels vs. instrument tracks
- •VST Instrument channels
- •Instrument tracks
- •Comparison
- •Automation considerations
- •What do I need? Instrument channel or Instrument track?
- •Instrument Freeze
- •VST instruments and processor load
- •Using presets for VSTi configuration
- •About latency
- •External instruments
- •Surround sound
- •Background
- •Operations
- •Automation
- •Introduction
- •Enabling and disabling the writing of automation data
- •What can be automated?
- •The Automation panel
- •Virgin territory vs. the initial value
- •Automation modes
- •Automation performance utilities
- •The Settings section
- •Hints and further options
- •Automation track operations
- •Working with automation curves
- •Audio processing and functions
- •Background
- •Audio processing
- •Applying plug-ins
- •The Offline Process History dialog
- •Batch Processing
- •Freeze Edits
- •Detect Silence
- •The Spectrum Analyzer
- •Statistics
- •The Sample Editor
- •Background
- •Window overview
- •General Operations
- •Options and settings
- •Audio Warp realtime processing / Tempo matching audio to the project tempo
- •Working with hitpoints and slices
- •Free Warp
- •Realtime pitch-shifting of audio events
- •Flattening the realtime processing
- •The Audio Part Editor
- •Background
- •Opening the Audio Part Editor
- •Window overview
- •Operations
- •Common methods
- •Options and Settings
- •The Pool
- •Background
- •Window overview
- •Operations
- •VST Sound
- •Introduction
- •The MediaBay
- •Introduction
- •Window overview
- •Browsing for media files
- •Finding files in the Viewer section
- •Previewing files in the Scope section
- •The Tag Editor
- •Media management
- •Track Presets
- •Introduction
- •Types of track presets
- •VST presets
- •Browsing for presets
- •Creating a track preset
- •Creating tracks from track presets or VST presets
- •Applying track presets
- •Previewing track and VST presets
- •Inserts and EQ settings from track presets
- •Track Quick Controls
- •Introduction
- •Setting up the Quick Controls tab
- •Options and settings
- •Setting up quick controls on an external remote controller
- •MIDI realtime parameters and effects
- •Introduction
- •Basic track settings
- •MIDI Modifiers
- •MIDI effects
- •Managing plug-ins
- •MIDI processing and quantizing
- •Introduction
- •The Quantizing functions
- •Making your settings permanent
- •Dissolve Part
- •Repeat Loop
- •Other MIDI functions
- •The MIDI editors
- •About editing MIDI
- •Opening a MIDI editor
- •Key Editor operations
- •Edit In-Place
- •List Editor operations
- •Introduction
- •Opening the Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •The Input Transformer
- •The Project Logical Editor
- •Introduction
- •Opening the Project Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •Working with System Exclusive messages
- •Introduction
- •Bulk dumps
- •Recording System Exclusive parameter changes
- •Editing System Exclusive messages
- •Working with the Tempo track
- •Background
- •Operations
- •Process Tempo
- •The Process Bars dialog
- •Options and settings
- •The Beat Calculator
- •Merge Tempo From Tapping
- •The Time Warp tool
- •The Project Browser
- •Window Overview
- •Editing tracks
- •The Track Sheet
- •Overview
- •Printing the Track Sheet
- •Export Audio Mixdown
- •Introduction
- •Mixing down to an audio file
- •The available file formats
- •Synchronization
- •Background
- •Synchronization signals
- •Synchronizing the transport vs. synchronizing audio
- •Making basic settings and connections
- •Synchronization settings
- •Timecode Preferences
- •Machine Control
- •Setting up Machine Control
- •Working with VST System Link
- •Preparations
- •Activating VST System Link
- •Application examples
- •Video
- •Background
- •Before you start
- •Operations
- •The Edit Mode
- •Working with film transfers
- •Compensating for film transfers to video
- •ReWire
- •Introduction
- •Launching and quitting
- •Activating ReWire channels
- •Using the transport and tempo controls
- •How the ReWire channels are handled in Nuendo
- •Routing MIDI via ReWire2
- •Considerations and limitations
- •File handling
- •Working with Projects
- •Startup Options
- •Working with libraries
- •Revert
- •Importing audio
- •Exporting and importing OMF files
- •Exporting and importing AAF files
- •Exporting and importing AES31 files
- •Exporting and importing OpenTL files
- •Importing XSend projects from Liquid
- •Exporting and importing standard MIDI files
- •Exporting and importing MIDI loops
- •Exporting and importing tracks
- •Other Import/Export functions
- •Cleanup
- •Customizing
- •Background
- •Workspaces
- •The Setup dialogs
- •Customizing track controls
- •Configuring the main menu items
- •About preference presets
- •Appearance
- •Applying track and event colors
- •Where are the settings stored?
- •Key commands
- •Introduction
- •Setting up key commands
- •Setting up tool modifier keys
- •The default key commands
- •Index
The following is a basic OpenTL specification description:
•Maximum number of mono tracks: 999
•Supported samplerates (Hz): 44056, 44100, 44144, 47952, 48000, 48048, 42294, 42336, 45938, 45983, 46034, 46080, 50000, 50050, 88200, 96000
•Bit depth: 16, 24
•Audio file types: BWF (Broadcast Wave format), WAVE (Standard Wave), SDII (Sound Designer II)
•Volume formats: FAT32, NTFS, HFS+
•Automation support: clip based volume, breakpoint volume and mute
•Fade support: fade in, fade out, and cross fade
•Frame rates (Fps): 24/24, 23.976/24, 24.975/25, 25/25, 29.97/DF, 29.97/NDF, 30/DF, 30/NDF
Importing OpenTL files
1.Select “OpenTL…” from the Import submenu on the File menu.
2.Navigate to the location of the OpenTL file, select it and click Open.
3.You are prompted to select or create a project folder for the new project.
After specifying the name and location of the project folder, the new project opens containing all the audio files stored in the OpenTL file and their associated edits. Save the imported file as a Nuendo project.
4.Open the Pool, and select “Prepare Archive…” from the Pool context menu.
This will copy any necessary external audio files into the local Nuendo project directory.
5.Select the Save option from the File menu.
Proceed as follows to import XSend files:
1.You must designate the XSend Incoming folder by selecting the XSend preferences from the Nuendo File menu.
A dialog opens, allowing you to browse your system to select a folder where exported Liquid projects will be stored.
2.Export the Liquid project to the Nuendo system.
This can be done directly over a network if the two systems are connected by one. No file sharing is needed. All file transfers are handled by XSend. Refer to the Liquid system’s documentation for more information on how to do this. You may also export the sequence to portable media such as DVD-R or CD-R discs for transfer when no network is available.
3.On the File menu–Import submenu, select “XSend…”.
Navigate to the exported Liquid sequence which will be an .XSD file type.
4.You will be asked if you wish to create a new project.
Choose Yes if you want to import the XSend sequence into a blank project. If you choose No, the imported sequence will be appended to the currently active project. The new audio tracks are displayed below the lowest track or channel in the project. In either case, both audio and video files can be included in the XSend sequence, providing a convenient means to receive entire projects from Liquid users.
Exporting and importing standard MIDI files
Nuendo can import and export Standard MIDI Files, which makes it possible to transfer MIDI material to and from virtually any MIDI application on any platform. When you import and export MIDI files, you can also specify whether certain settings associated with the tracks should be included in the files (automation subtracks, volume and pan settings etc.).
Importing XSend projects from Liquid
For Liquid users, XSend provides a means to export a Liquid sequence directly to a Nuendo workstation either on the same machine, over a network or via portable media such as DVD-R.
The XSend options and features are available only if XSend is installed on your computer. You can either install XSend during the Nuendo installation process, or at a later point in time using the XSend installer supplied on the Nuendo program DVD. Also, make sure the XSend plug-in is activated in the Plug-in Information window.
Exporting MIDI files
To export your MIDI tracks as a Standard MIDI File, pull down the File menu and select “MIDI File…” from the Export submenu. A regular file dialog opens, allowing you to specify a location and name for the file.
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File handling
When you have specified a location and a name for the file, click “Save”. The Export Options dialog opens, allowing you to specify a number of options for the file – what should be included in the file, its type and its resolution (see below for descriptions of the options).
The Export Options dialog.
You will also find these settings in the Preferences (MIDI– MIDI File page). If you set these up once and for all in the Preferences, you only need to click OK in the Export Options dialog to proceed.
Option |
Description |
Export Sends |
If this is activated and you are using any MIDI plug-ins as |
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send effects, the modifications to the original MIDI notes |
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that occur as a result of the effect(s) will be included in |
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the MIDI file. |
Export Marker |
If this is activated, any markers you have added (see “Us- |
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ing markers” on page 109) will be included in the MIDI |
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file as Standard MIDI File Marker events. |
Export as |
If this is activated, the MIDI file will be of Type 0 (all data |
Type 0 |
on a single track, but on different MIDI channels). If you |
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don’t activate this option, the MIDI file will be of Type 1 |
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(data on separate tracks). Which type to choose de- |
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pends on what you want to do with the MIDI file (in which |
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application or sequencer it should be used, etc.). |
Export |
You can specify a MIDI resolution between 24 – 960 for |
Resolution |
the MIDI file. The resolution is the number of pulses, or |
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ticks, per quarter note (PPQ) and determines the preci- |
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sion with which you will be able to view and edit the MIDI |
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data. The higher the resolution, the higher the precision. |
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The resolution should be chosen depending on the appli- |
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cation or sequencer with which the MIDI file should be |
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used though, since certain applications and sequencers |
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may not be able to handle certain resolutions. |
Export Locator |
If this is activated, only the range between the locators |
Range |
will be exported. |
Export |
If this is activated, the delay of the MIDI track will be in- |
includes Delay |
cluded in the MIDI file. For more information about the |
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Delay option, see “Basic track settings” on page 344. |
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Ö The MIDI file will include the Tempo track.
The dialog contains the following options: |
Ö Inspector settings other than those specified in the Ex- |
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port options are not included in the MIDI file! |
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Option |
Description |
To include these, you need to convert the settings to “real” MIDI events |
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Export Inspector If this is activated, the MIDI patch settings in the Inspec- |
and properties by using the Merge MIDI in Loop function for each track, |
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Patch |
tor – Bank Select and Program Select (used for selecting |
see “Merge MIDI in Loop” on page 358. |
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sounds in the connected MIDI instrument) are included |
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as MIDI Bank Select and Program Change events in the |
Importing MIDI files |
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MIDI file. |
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Export Inspector If this is activated, Volume and Pan settings made in the |
To import a MIDI file from disk, proceed as follows: |
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Volume/Pan |
Inspector are included as MIDI Volume and Pan events in |
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the MIDI file. |
1. Select “MIDI File…” from the Import submenu on the |
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Export |
If this is activated, recorded automation (see “Introduc- |
File menu. |
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Automation |
tion” on page 214) is converted to MIDI controller events |
2. If there is already an open project, a dialog opens in |
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and included in the MIDI file. This also includes automa- |
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tion recorded with the MIDIControl plug-in. This is de- |
which you can select whether a new project should be |
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scribed in the chapter “MIDI Effects” of the separate |
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created for the file or not. |
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manual “Nuendo Expansion Kit – Cubase Music Tools for |
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Nuendo 4”. |
If you select “No”, the MIDI file will be imported into the current project. |
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Export Inserts |
If this is activated and you are using any MIDI plug-ins as |
3. Locate and select the MIDI file in the file dialog that |
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insert effects, the modifications to the original MIDI notes |
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opens and click Open. |
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that occur as a result of the effect(s) will be included in |
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the MIDI file. A MIDI delay, for example, will produce a |
• If you choose to create a new project, select the project |
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number of repeats to a MIDI note by actually adding addi- |
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tional, “echoing” notes at rhythmic intervals – these notes |
folder. |
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will be included in the MIDI file if the option is activated.
Select an existing project folder or create a new by clicking on Create and entering a name in the dialog.
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The MIDI file is imported. The result depends on the contents of the MIDI file and the Import Options settings in the Preferences (MIDI–MIDI File page). The Import Options are as follows:
Option |
Description |
Extract First |
If this is activated, the first Program Change and Bank |
Patch |
Select events for each track are converted to Inspector |
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settings for the track. |
Extract First |
If this is activated, the first MIDI Volume and Pan events |
Volume/Pan |
for each track are converted to Inspector settings for the |
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track. |
Import Controller If this is activated, MIDI controller events in the MIDI file as Automation will be converted to automation data for the MIDI tracks. Tracks
Import to Left |
If this is activated, the imported MIDI file will be placed so |
Locator |
that it starts at the position of the left locator – otherwise |
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it will start at the beginning of the project. Note that if you |
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choose to have a new project created automatically, the |
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MIDI file will always start at the beginning of the project. |
Import Marker |
If this is activated, Standard MIDI File Markers in the file |
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will be imported and converted to Nuendo markers. |
Import dropped |
If this is activated and you drag and drop a MIDI file into |
File as single |
the project, the whole file will be placed on a single track. |
Part |
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Ignore Master- |
If this is activated and you import a MIDI file into the cur- |
track Events on |
rent project, tempo track data in the MIDI file is ignored. |
Merge |
The imported MIDI file will play according to the current |
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Tempo track in the project. |
Auto Dissolve |
If this is activated and you import a MIDI file of type 0 into |
Format 0 |
the project, the file will automatically be “dissolved”: For |
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each embedded MIDI channel in the file, a separate track |
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will be inserted in the Project window. |
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If this is deactivated, only one MIDI track will be created. |
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This track will be set to MIDI Channel “Any”, allowing all |
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MIDI events to play back on their original channels. You |
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can also use the “Dissolve Part” function on the MIDI |
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menu to distribute the events onto different tracks with |
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different MIDI Channels at a later stage. |
Import to Instru- |
If this is activated and you drag a MIDI file into the |
ment tracks |
project, an Instrument track will be created instead of a |
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MIDI track. Furthermore, the program will load the corre- |
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sponding track preset for the instrument track (based on |
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the program change events included in the MIDI file). |
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•When you import a MIDI file into the project, the Tempo track will be adjusted according to the Tempo track in the MIDI file.
•It is also possible to import a MIDI file from disk by dragging and dropping it from the Windows Explorer or the Mac OS Finder into the Nuendo Project window. The Import Options apply as well.
Exporting and importing MIDI loops
Nuendo allows you to import MIDI loops (file extension “.midiloop”) and to save instrument parts as MIDI loops. MIDI loops are handy, as they contain not only MIDI notes and controllers, but also the associated VST instrument and instrument track preset settings.
How to import and export MIDI loops is described in detail in the chapter “VST Instruments and Instrument tracks” on page 189.
Exporting and importing tracks
You can export Nuendo tracks (Audio, FX, Group, Instrument, MIDI and Video) as track archives for import into other Nuendo projects. All the information associated with the tracks will be exported (mixer channel settings, automation tracks, parts and events etc.). If you select the option “Copy” (see below), a separate “media” folder will be created, containing copies of all referenced audio files.
ÖProject-specific settings (such as tempo) are not part of the exported track archives.
ÖFor creating track presets from tracks, see “Track Presets” on page 327.
Exporting tracks as track archive
1.Select the tracks you wish to export.
2.Pull down the File menu and open the Export submenu.
3.On the submenu, select “Selected Tracks…”.
4.You are prompted to choose between two options:
•Click Copy to include copies of the media files in the export.
A file dialog opens in which you can choose an existing empty folder or create a new folder for saving the track archive (as *.xml file) and its media subfolder, which will contain any associated audio or video files.
•Click Reference to include merely a reference to the files in the export.
A file dialog opens in which you can choose an existing folder for saving the track archive (as single *.xml file).
5. Click OK to save the respective track archive type.
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File handling
Importing tracks from a track archive
The Import Track Archive function lets you import tracks exported from another Nuendo project.
Ö Note that the sample rates of the active project and the track archive have to match. If necessary, you have to convert the sample rate, see below.
1.Pull down the File menu and open the Import submenu.
2.On the submenu, select “Track Archive…”.
3.In the file dialog that opens, select the XML file and click Open.
The Import Options dialog opens.
Sample rate conversion on track archive import
A track archive may contain media files with a sample rate that is different from the sample rate of your currently active project. You can see the sample rate difference in the Project Settings area.
• To convert the sample rate of a track archive to the sample rate used in the active project on import, select the option “Copy Media To Project Folder” and then “Perform Sample Rate Conversion”.
Ö Unconverted files with another sample rate than the one used in the project will play back at the wrong speed and pitch.
In the Project Settings area, you can see a comparison between the settings of the track archive and the active project.
4.In the Import Options dialog, click on the Import column to the left to select the desired track(s) or click “Select all Tracks”.
A check mark is shown for all selected tracks.
5.Choose which media files to use:
•Select “Use Media Files From Archive” if you want to import the track without copying the media files into your project folder.
•Select “Copy Media To Project Folder” if you want to import the media files into your project folder.
For the option “Perform Sample Rate Conversion”, see below.
6. Click OK.
The tracks are imported, complete with all contents and settings.
Other Import/Export functions
•For exporting and importing Tempo tracks, see “Exporting and importing Tempo tracks” on page 419.
•Nuendo mixmaps from older Nuendo versions can be imported into Nuendo. They will be converted into device panels. For information on device panels, see the separate PDF document “MIDI Devices”.
Cleanup
The Cleanup function on the File menu helps you to save hard disk space by locating and – if you like – deleting unused audio files in the project folders on your disk.
1. Select “Cleanup…” from the File menu.
If there are any open projects, an alert shows. Clicking “Close” closes all open projects and brings up the Cleanup dialog.
2.To restrict the Cleanup function to a certain folder only, click the “Search Folder” button and select the folder.
The default setting is that the Cleanup function is applied to all folders on all hard disks. You should only select a specific folder if you are certain it doesn’t contain audio files used in other projects (outside the folder), see below. You can reset the function to search all folders by opening the “Search Folder” dialog again and clicking “Cancel”.
3.Click the Start button.
Nuendo will now scan the selected folder (or all hard disks) for Nuendo project folders and check for audio and image files (in the Audio, Edits and Images subfolders) that are not used by any project. The found files are listed in the dialog.
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File handling
4. When the scan is complete, you can select files by clicking in the list.
Use [Ctrl]/[Command]-click to select several files, and [Shift]-click to select a range of files. You can also click the Select All button to select all files in the list.
In the following situations, the Cleanup function will list files that are not unused:
•If you have moved or renamed files or folders (without updating the project files to use the new paths), there is no way for Nuendo to know that these files are used in a project.
•If you perform the Cleanup function on a folder in which there are audio files belonging to other projects (outside the folder), these files will be considered “”.
•Also, make sure you don’t delete any files used in other applications, or files that you generally want to keep!
However, you can always safely delete image files since these can be reconstructed by the program, if necessary.
5.Delete any files you don’t want to keep by selecting them and clicking Delete.
6.Close the dialog by clicking the Close button.
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File handling
