- •Table of Contents
- •About this manual
- •Welcome!
- •VST Connections: Setting up input and output busses
- •About this chapter
- •Setting up busses
- •Using the busses
- •Setting up Groups and FX channels
- •About monitoring
- •External instruments/effects
- •The Project window
- •Background
- •Window Overview
- •Operations
- •Options
- •Playback and the Transport panel
- •Background
- •Operations
- •Options and Settings
- •Recording
- •Background
- •Basic recording methods
- •Audio recording specifics
- •MIDI recording specifics
- •Options and Settings
- •Recovery of audio recordings after system failure
- •Fades, crossfades and envelopes
- •Creating fades
- •The Fade dialogs
- •Creating crossfades
- •The Crossfade dialog
- •Auto Fades and Crossfades
- •Event Envelopes
- •The Arranger track
- •Introduction
- •Setting up the Arranger track
- •Working with arranger events
- •Flattening the Arranger chain
- •Live Mode
- •Arranging your music to video
- •Folder tracks
- •About folder tracks
- •Handling folder tracks
- •Working with folder parts
- •Using markers
- •About markers
- •The Marker window
- •Using the Marker track
- •Marker key commands
- •Editing markers in the Project Browser
- •The Transpose functions
- •Introduction
- •Transposing your music
- •Other functions
- •The mixer
- •About this chapter
- •Overview
- •Configuring the mixer
- •The audio-related channel strips
- •The MIDI channel strips
- •The common panel
- •The input and output channels
- •Basic mixing procedures
- •Audio specific procedures
- •MIDI specific procedures
- •Utilities
- •VST Mixer Diagrams
- •Control Room
- •Background
- •Configuring the Control Room
- •The Control Room Overview
- •The Control Room Mixer
- •Control Room operations
- •Studios and Studio Sends
- •Direct Monitoring and latency
- •WK-Audio’s ID Controller
- •Audio effects
- •About this chapter
- •Overview
- •Insert effects
- •Send effects
- •Setting up send effects
- •Using the Side-Chain input
- •Using external effects
- •Making settings for the effects
- •Effect presets
- •VST Instruments and Instrument tracks
- •Introduction
- •VST Instrument channels vs. instrument tracks
- •VST Instrument channels
- •Instrument tracks
- •Comparison
- •Automation considerations
- •What do I need? Instrument channel or Instrument track?
- •Instrument Freeze
- •VST instruments and processor load
- •Using presets for VSTi configuration
- •About latency
- •External instruments
- •Surround sound
- •Background
- •Operations
- •Automation
- •Introduction
- •Enabling and disabling the writing of automation data
- •What can be automated?
- •The Automation panel
- •Virgin territory vs. the initial value
- •Automation modes
- •Automation performance utilities
- •The Settings section
- •Hints and further options
- •Automation track operations
- •Working with automation curves
- •Audio processing and functions
- •Background
- •Audio processing
- •Applying plug-ins
- •The Offline Process History dialog
- •Batch Processing
- •Freeze Edits
- •Detect Silence
- •The Spectrum Analyzer
- •Statistics
- •The Sample Editor
- •Background
- •Window overview
- •General Operations
- •Options and settings
- •Audio Warp realtime processing / Tempo matching audio to the project tempo
- •Working with hitpoints and slices
- •Free Warp
- •Realtime pitch-shifting of audio events
- •Flattening the realtime processing
- •The Audio Part Editor
- •Background
- •Opening the Audio Part Editor
- •Window overview
- •Operations
- •Common methods
- •Options and Settings
- •The Pool
- •Background
- •Window overview
- •Operations
- •VST Sound
- •Introduction
- •The MediaBay
- •Introduction
- •Window overview
- •Browsing for media files
- •Finding files in the Viewer section
- •Previewing files in the Scope section
- •The Tag Editor
- •Media management
- •Track Presets
- •Introduction
- •Types of track presets
- •VST presets
- •Browsing for presets
- •Creating a track preset
- •Creating tracks from track presets or VST presets
- •Applying track presets
- •Previewing track and VST presets
- •Inserts and EQ settings from track presets
- •Track Quick Controls
- •Introduction
- •Setting up the Quick Controls tab
- •Options and settings
- •Setting up quick controls on an external remote controller
- •MIDI realtime parameters and effects
- •Introduction
- •Basic track settings
- •MIDI Modifiers
- •MIDI effects
- •Managing plug-ins
- •MIDI processing and quantizing
- •Introduction
- •The Quantizing functions
- •Making your settings permanent
- •Dissolve Part
- •Repeat Loop
- •Other MIDI functions
- •The MIDI editors
- •About editing MIDI
- •Opening a MIDI editor
- •Key Editor operations
- •Edit In-Place
- •List Editor operations
- •Introduction
- •Opening the Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •The Input Transformer
- •The Project Logical Editor
- •Introduction
- •Opening the Project Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •Working with System Exclusive messages
- •Introduction
- •Bulk dumps
- •Recording System Exclusive parameter changes
- •Editing System Exclusive messages
- •Working with the Tempo track
- •Background
- •Operations
- •Process Tempo
- •The Process Bars dialog
- •Options and settings
- •The Beat Calculator
- •Merge Tempo From Tapping
- •The Time Warp tool
- •The Project Browser
- •Window Overview
- •Editing tracks
- •The Track Sheet
- •Overview
- •Printing the Track Sheet
- •Export Audio Mixdown
- •Introduction
- •Mixing down to an audio file
- •The available file formats
- •Synchronization
- •Background
- •Synchronization signals
- •Synchronizing the transport vs. synchronizing audio
- •Making basic settings and connections
- •Synchronization settings
- •Timecode Preferences
- •Machine Control
- •Setting up Machine Control
- •Working with VST System Link
- •Preparations
- •Activating VST System Link
- •Application examples
- •Video
- •Background
- •Before you start
- •Operations
- •The Edit Mode
- •Working with film transfers
- •Compensating for film transfers to video
- •ReWire
- •Introduction
- •Launching and quitting
- •Activating ReWire channels
- •Using the transport and tempo controls
- •How the ReWire channels are handled in Nuendo
- •Routing MIDI via ReWire2
- •Considerations and limitations
- •File handling
- •Working with Projects
- •Startup Options
- •Working with libraries
- •Revert
- •Importing audio
- •Exporting and importing OMF files
- •Exporting and importing AAF files
- •Exporting and importing AES31 files
- •Exporting and importing OpenTL files
- •Importing XSend projects from Liquid
- •Exporting and importing standard MIDI files
- •Exporting and importing MIDI loops
- •Exporting and importing tracks
- •Other Import/Export functions
- •Cleanup
- •Customizing
- •Background
- •Workspaces
- •The Setup dialogs
- •Customizing track controls
- •Configuring the main menu items
- •About preference presets
- •Appearance
- •Applying track and event colors
- •Where are the settings stored?
- •Key commands
- •Introduction
- •Setting up key commands
- •Setting up tool modifier keys
- •The default key commands
- •Index
The Automation panel
Click here… |
…to open the Automation panel. |
The Automation panel is a floating window, similar to the Mixer and Transport panel. You can leave it open while you work – the Project window will always have the focus.
To open the Automation panel, open the Project menu and select the Automation Panel option or click the Automation Panel button on the Nuendo toolbar.
The Automation panel gives you access to all automation options in Nuendo. By default, all seven sections are displayed.
You can change the panel configuration using the Setup dialog – see “The Setup dialogs” on page 506. The following sections will explain all options and functions.
Virgin territory vs. the initial value
When we speak of “touching a control” in the following sections, we mean both clicking a parameter control on the Nuendo program interface and physically touching a fader or other control on a remote control device.
Before we go into detail about the various modes and options available through the Automation panel, we need to explain how Nuendo handles those sections of your project in which you have not yet performed an automation pass.
For parameter automation, Nuendo works either with an initial value (see below) or with “virgin territory” (see “Virgin territory” on page 218).
It is very important that you understand the difference between these two concepts and their individual advantages and disadvantages before continuing.
The initial value
An initial value is always used when “Use Virgin Territory” is disabled on the Automation panel.
Use Virgin Territory is disabled.
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Automation
When no automation data exists for a particular parameter, and you perform an automation pass for this parameter, its value at the moment when you start the automation pass is saved as the initial value. When you punch-out of the automation pass, it is this initial value to which the parameter will return.
This has one very important consequence: As soon as the initial value is set, the corresponding parameter is fully automated, on this track, at any given timecode position of the project – even if your automation pass lasted only 2 seconds.
The idea here is that you find automation only where you actually perform an automation pass – there is no initial value to which the parameter can return.
Outside a section with automated values, you always have full manual control of the parameter.
Gaps
After an automation pass you will find virgin territory only to the right of the last automation event. “Empty” sections between two automation curves are referred to as “gaps” in the following sections.
The straight line after the last automation event indicates the initial value.
Only the dynamic change in the parameter is automated.
This is reflected in the curve on the automation track – it is visible right through to the end of the project that the initial value is kept. As long as the track is in Read mode, the parameter control will follow this curve – it will either take values set during an automation pass, or it will return to its initial value.
You may touch the parameter control and force it to a different value manually. But as you let go of the control, it will return to the value defined by the automation curve – even when in Stop mode.
Virgin territory
Think of virgin territory as the “state” of the automation track before performing the first automation pass. When you enable the “Use Virgin Territory” option, no automation curve is displayed on the automation track, and you have full manual control of the parameter.
You can create gaps inside a section with automated values. This is useful if you want to have full manual control:
1.Make sure that “Use Virgin Territory” is enabled.
2.Select the Range Selection tool.
3.On an automation track with existing automation data, select a range and press [Delete] or [Backspace].
A gap is created.
A new break-point at the position where the selected range started marks the end point of the automation curve to the left. A second new break-point can now be found at the position where the selected range ended, marking the start of the automation curve to the right of the gap.
Use Virgin Territory is enabled.
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Automation
• When you select one or more break-points of an automation curve with the Arrow tool and press [Delete] or [Backspace], no gap is created.
Instead, the selected break-points are deleted. The curve between the deleted points is replaced by a new line connecting the two points to the left and right of the deleted points.
The “Terminator” setting
You can “force” any automation track into using virgin territory, by defining any automation break-point on the automation curve as the “terminator” point of this part of the curve. This will automatically delete the line between this break-point and the next one, creating a gap – a section on the automation track where you find no automation data. The next break-point to the right of the terminator point will automatically become the “start” point of the next automated section.
Ö Note that this is independent of the setting for “Use Virgin Territory” – you can create gaps at any time.
• To define a break-point as the last point in an automation curve, select it by clicking on it with the mouse pointer, and in the Event info line above the Project window, set “Terminator” to Yes.
Select a break-point…
• When you set the “Terminator” option for the last (rightmost) automation break-point of an automation curve to “Yes”, any automation data to the right of this point (as defined by an initial value) is deleted.
Automation modes
Nuendo provides three different punch-out modes for automation, available on the Automation Mode pop-up menu on the main toolbar and in the Mode section on the Automation panel.
Selecting the automation mode in the Automation panel and the Nuendo toolbar
The three modes available are Touch, Auto-Latch and Cross-Over. In all three modes, automation data will be written as soon as a parameter control is touched in play mode. They differ in the way the writing of automation data is ended, i.e. in their “punch-out” behavior. Which mode to use depends on what is required in your particular working situation.
Ö Note that you can change the automation mode at any time, i.e. in play or stop mode or during an automation pass. You can also assign key commands to the automation modes so you can quickly change between them.
See “Automation key commands” on page 230.
…and set “Terminator” to Yes.
A gap is created.
General punch-out conditions
The current automation pass will always punch-out as soon as one of the following conditions is met, independent of which automation mode is selected:
•If you Disable Write
•If you Stop playback
•If you activate Fast Forward/Rewind
•If the project cursor reaches the right locator in Cycle mode.
•If you click in the timeline to move the project cursor.
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Automation
Touch
Typically, you would use Touch mode in situations where you want to make a change lasting only a few seconds to an already set up parameter.
As the name implies, Touch will write automation data only for as long as you actually touch a parameter control – punch-out occurs as soon as you release the control.
After punch-out, the control will return to the previously set value. The Return Time setting (see “Return Time” on page 229) determines how long it takes for the parameter to reach the previously set value.
Automation mode: Touch
Auto-Latch
In Auto-Latch mode, there is no specific punch-out condition other than those valid in all modes – see “General punch-out conditions” on page 219.
Auto-Latch is probably the automation mode you will use the most, in all situations where you want to keep a value over a longer period of time – for example when making EQ settings for a particular scene.
Once your pass has started, the writing of automation data continues for as long as playback lasts or Write is enabled – if you wanted an adjustment that lasted for just a few moments, you would use Touch mode. The last value setting will be kept until you stop writing.
Automation mode: Auto-Latch
Ö The automation mode for ON/OFF switches is always Auto-Latch (even if another mode is selected globally or for the track).
Cross-Over
Think of the Cross-Over mode as a kind of “manual return time” option (see also “Return Time” on page 229). The Cross-Over mode can be used in situations where you are not happy with an already existing automation curve or with the automatically applied return settings. Cross-Over mode gives allows you to perform a “manual return” to ensure smooth transitions between new and existing automation settings.
For Cross-Over, the punch-out condition is crossing over an already existing automation curve after touching the parameter for a second time.
Look at the figure below: Like in Auto-Latch mode, once the automation pass begins with the first touching of the parameter control, automation data is written for as long as playback lasts.
When you have found the correct value setting, you can release the fader – the automation pass continues, with the value setting remaining the same.
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Automation
Now, re-touch the fader and move it towards the original value. As soon as you cross the original curve, punch-out occurs automatically.
Automation mode: Cross-Over
• When selecting the Global option from the pop-up menu, the track will again use the automation mode selected from the toolbar or the Automation panel.
Note that you can use the option “All track modes to Global” in the Key Commands dialog–Automation category to set up a key command that will reset all tracks to using the global automation mode.
When selecting Trim as the automation mode for a track (see “Trim” on page 224), the punch-out behavior will always be as in Auto-Latch.
The Read/Write buttons in the Mode section
At the bottom of the Mode section, you find two Read and two Write buttons. These are used to globally enable or disable the Read and Write buttons on all tracks.
Trim
This is described in the section “Trim” on page 224.
Automation mode: global or different for each track?
The automation mode you set on the Automation panel (or in the Project window toolbar) is used globally, i.e. for all tracks of your project.
However, you may also select a different automation mode for individual tracks:
• Open the topmost Inspector section for a track for which you require a different automation mode, and from the Track Automation Mode pop-up menu, select the desired automation mode.
Selecting an automation mode for an individual track.
The All Automation to Read/Write buttons in the Mode section.
•Click “All Automation to Write” to enable all Write buttons (and, at the same time, all Read buttons) on all tracks/channels of your project.
Clicking “All Automation Write off” will disable all Write buttons. The Read buttons will remain enabled.
•Click “All Automation to Read” to enable all Read buttons on all tracks/channels of your project.
Clicking “All Automation Read off” will disable all Read buttons.
The various other Read and Write buttons on the Nuendo interface are described in detail in the section “Enabling and disabling the writing of automation data” on page 214.
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Automation
