- •Table of Contents
- •About this manual
- •Welcome!
- •VST Connections: Setting up input and output busses
- •About this chapter
- •Setting up busses
- •Using the busses
- •Setting up Groups and FX channels
- •About monitoring
- •External instruments/effects
- •The Project window
- •Background
- •Window Overview
- •Operations
- •Options
- •Playback and the Transport panel
- •Background
- •Operations
- •Options and Settings
- •Recording
- •Background
- •Basic recording methods
- •Audio recording specifics
- •MIDI recording specifics
- •Options and Settings
- •Recovery of audio recordings after system failure
- •Fades, crossfades and envelopes
- •Creating fades
- •The Fade dialogs
- •Creating crossfades
- •The Crossfade dialog
- •Auto Fades and Crossfades
- •Event Envelopes
- •The Arranger track
- •Introduction
- •Setting up the Arranger track
- •Working with arranger events
- •Flattening the Arranger chain
- •Live Mode
- •Arranging your music to video
- •Folder tracks
- •About folder tracks
- •Handling folder tracks
- •Working with folder parts
- •Using markers
- •About markers
- •The Marker window
- •Using the Marker track
- •Marker key commands
- •Editing markers in the Project Browser
- •The Transpose functions
- •Introduction
- •Transposing your music
- •Other functions
- •The mixer
- •About this chapter
- •Overview
- •Configuring the mixer
- •The audio-related channel strips
- •The MIDI channel strips
- •The common panel
- •The input and output channels
- •Basic mixing procedures
- •Audio specific procedures
- •MIDI specific procedures
- •Utilities
- •VST Mixer Diagrams
- •Control Room
- •Background
- •Configuring the Control Room
- •The Control Room Overview
- •The Control Room Mixer
- •Control Room operations
- •Studios and Studio Sends
- •Direct Monitoring and latency
- •WK-Audio’s ID Controller
- •Audio effects
- •About this chapter
- •Overview
- •Insert effects
- •Send effects
- •Setting up send effects
- •Using the Side-Chain input
- •Using external effects
- •Making settings for the effects
- •Effect presets
- •VST Instruments and Instrument tracks
- •Introduction
- •VST Instrument channels vs. instrument tracks
- •VST Instrument channels
- •Instrument tracks
- •Comparison
- •Automation considerations
- •What do I need? Instrument channel or Instrument track?
- •Instrument Freeze
- •VST instruments and processor load
- •Using presets for VSTi configuration
- •About latency
- •External instruments
- •Surround sound
- •Background
- •Operations
- •Automation
- •Introduction
- •Enabling and disabling the writing of automation data
- •What can be automated?
- •The Automation panel
- •Virgin territory vs. the initial value
- •Automation modes
- •Automation performance utilities
- •The Settings section
- •Hints and further options
- •Automation track operations
- •Working with automation curves
- •Audio processing and functions
- •Background
- •Audio processing
- •Applying plug-ins
- •The Offline Process History dialog
- •Batch Processing
- •Freeze Edits
- •Detect Silence
- •The Spectrum Analyzer
- •Statistics
- •The Sample Editor
- •Background
- •Window overview
- •General Operations
- •Options and settings
- •Audio Warp realtime processing / Tempo matching audio to the project tempo
- •Working with hitpoints and slices
- •Free Warp
- •Realtime pitch-shifting of audio events
- •Flattening the realtime processing
- •The Audio Part Editor
- •Background
- •Opening the Audio Part Editor
- •Window overview
- •Operations
- •Common methods
- •Options and Settings
- •The Pool
- •Background
- •Window overview
- •Operations
- •VST Sound
- •Introduction
- •The MediaBay
- •Introduction
- •Window overview
- •Browsing for media files
- •Finding files in the Viewer section
- •Previewing files in the Scope section
- •The Tag Editor
- •Media management
- •Track Presets
- •Introduction
- •Types of track presets
- •VST presets
- •Browsing for presets
- •Creating a track preset
- •Creating tracks from track presets or VST presets
- •Applying track presets
- •Previewing track and VST presets
- •Inserts and EQ settings from track presets
- •Track Quick Controls
- •Introduction
- •Setting up the Quick Controls tab
- •Options and settings
- •Setting up quick controls on an external remote controller
- •MIDI realtime parameters and effects
- •Introduction
- •Basic track settings
- •MIDI Modifiers
- •MIDI effects
- •Managing plug-ins
- •MIDI processing and quantizing
- •Introduction
- •The Quantizing functions
- •Making your settings permanent
- •Dissolve Part
- •Repeat Loop
- •Other MIDI functions
- •The MIDI editors
- •About editing MIDI
- •Opening a MIDI editor
- •Key Editor operations
- •Edit In-Place
- •List Editor operations
- •Introduction
- •Opening the Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •The Input Transformer
- •The Project Logical Editor
- •Introduction
- •Opening the Project Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •Working with System Exclusive messages
- •Introduction
- •Bulk dumps
- •Recording System Exclusive parameter changes
- •Editing System Exclusive messages
- •Working with the Tempo track
- •Background
- •Operations
- •Process Tempo
- •The Process Bars dialog
- •Options and settings
- •The Beat Calculator
- •Merge Tempo From Tapping
- •The Time Warp tool
- •The Project Browser
- •Window Overview
- •Editing tracks
- •The Track Sheet
- •Overview
- •Printing the Track Sheet
- •Export Audio Mixdown
- •Introduction
- •Mixing down to an audio file
- •The available file formats
- •Synchronization
- •Background
- •Synchronization signals
- •Synchronizing the transport vs. synchronizing audio
- •Making basic settings and connections
- •Synchronization settings
- •Timecode Preferences
- •Machine Control
- •Setting up Machine Control
- •Working with VST System Link
- •Preparations
- •Activating VST System Link
- •Application examples
- •Video
- •Background
- •Before you start
- •Operations
- •The Edit Mode
- •Working with film transfers
- •Compensating for film transfers to video
- •ReWire
- •Introduction
- •Launching and quitting
- •Activating ReWire channels
- •Using the transport and tempo controls
- •How the ReWire channels are handled in Nuendo
- •Routing MIDI via ReWire2
- •Considerations and limitations
- •File handling
- •Working with Projects
- •Startup Options
- •Working with libraries
- •Revert
- •Importing audio
- •Exporting and importing OMF files
- •Exporting and importing AAF files
- •Exporting and importing AES31 files
- •Exporting and importing OpenTL files
- •Importing XSend projects from Liquid
- •Exporting and importing standard MIDI files
- •Exporting and importing MIDI loops
- •Exporting and importing tracks
- •Other Import/Export functions
- •Cleanup
- •Customizing
- •Background
- •Workspaces
- •The Setup dialogs
- •Customizing track controls
- •Configuring the main menu items
- •About preference presets
- •Appearance
- •Applying track and event colors
- •Where are the settings stored?
- •Key commands
- •Introduction
- •Setting up key commands
- •Setting up tool modifier keys
- •The default key commands
- •Index
The other preferences have the following functionality:
• Reference Level
This setting determines the Control Room level used when the Reference Level button is activated.
• Main Dim Volume
This is the amount of gain reduction applied to the Control Room channel when the DIM button is activated.
• Show Control Room Volume in Transport Panel
This option makes the small fader at the right hand side of the Transport Panel control the Control Room level. When this option is not activated (or the Control Room is disabled), that fader controls the level of the Main Mix bus.
• Disable Talkback during Recording
When activated, this option will turn off the Talkback channel when the transport enters Record. It is advisable to set the Talkback DIM to 0dB when using this feature so as not to radically change the mix level when punching in and out of Record.
• Use Phones Channel as Preview Channel
When activated, the Headphone output will be used for Preview options such as Import preview, scrubbing, offline process preview and certain Sample Editor operations. Note that when using the Headphones output for preview, the Control Room channel will no longer output preview audio.
• Dim Studio during Talkback
When this option is enabled, the cue mix heard in a Studio will be dimmed (by the amount set in the Talkback dim level field (below the TALK button) for as long as the Talkback channel is used. When disabled, the cue mix level remains the same during Talkback.
Studios and Studio Sends
Studio Sends are displayed in the Nuendo Project Mixer and the Inspector. Each Studio Send is intended for the creation of a discrete cue mix for performers to listen to during recording. Studio Sends are essentially stereo aux sends that are routed to Studio outputs in the Control Room Mixer. There are up to four Studios and Studio Sends available.
Configuring Studio Sends
Studio Sends only become active when a Studio channel has been created in the VST Connections window. Otherwise they remain grayed out. For every Studio defined in the VST Connections, every channel in the Project Mixer has an additional aux send with level, pan and pre/postfader selection. This aux send is used to create a mix for a performer to listen to while recording.
• In the Project Mixer, the Studio Sends are accessed by choosing the Studio Sends option from the View options pop-up menu in each channel or by clicking the star icon (“Show Studio Sends”) on the common panel of the extended Project Mixer.
The Studio Sends view in the Project Mixer
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• In the Inspector, a Studio Sends tab can be found. This will display all Studio Sends for the selected track.
Please note that not all Inspector sections are available by default. To show/hide a section, right-click on an Inspector section and activate/ deactivate the desired option on the context menu.
The name of each Studio is displayed in the Control Room Mixer. To hear the Studio Sends mix in the Studio output, the input selector for each Studio must be set to “Aux”.
The Studio Sends tab in the Inspector
Each Studio can have a unique name in order to help identify what it is being used for. For example, the four Studios could be named:
•Vocalist Mix
•Guitarist Mix
•Bassist Mix
•Drummer’s Mix
A Studio channel in the Control Room Mixer with its input set to Aux.
Setting up a Studio cue mix
The Studio Sends are very flexible. There are several ways to create a cue mix for each Studio in a very fast and efficient manner. Simple “more me” mixes and more complex discrete mixes are easily accommodated by the Studio Sends.
Using fader and pan settings from the Project Mixer
You can create a cue mix from the fader and pan levels already used in the Project Mixer and then alter them to meet the needs of an individual performer. You can do this with any single channel or group of channels at any time. To copy fader and pan information from the main mix, proceed as follows:
1. In the Project Mixer, select all the channels that you wish to copy settings from.
The following operations affect only selected channels.
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2. In the Control Room Mixer, right-click anywhere in a Studio Channel’s mixer strip and a context menu will appear that has the Studio’s name as a submenu.
This submenu contains all the Studio Send functions for that Studio. If you open the context menu outside of a Studio mixer strip, the submenu will be for All Studios.
The Control Room Mixer’s context menu
3.Choose the “Use Current Mix Levels” option to copy the fader levels on the selected tracks to the Studio Sends.
This option sets all Studio Send levels for the selected tracks to the same level as the main channel fader. It also changes the Studio Send status to pre-fader so that changes in the main mix do not affect the Studio Sends.
4.Choose the “Use Current Pan Settings” option to copy pan information from the main mix to the Studio Sends on selected tracks.
Studio Sends are either mono or stereo. If the Send is mono, the pan setting will still be copied. However, the output of the Studio Send will sum the left and right channels together.
Adjusting the overall Studio Send level
Levels in the main mix are often optimized for the loudest signal level possible without clipping. However, when you are creating a “more me” mix, you may find that there is not enough headroom available in the Studio Send to turn up channels without clipping becoming a possibility.
Fortunately, the Studio Sends have an option to adjust multiple send levels at the same time, allowing you to keep the blend intact while lowering the overall volume to make room for “more me” signals.
Once you have created a Studio Send mix, proceed as follows to adjust their relative levels.
1. Select all the channels you wish to modify.
Only selected channels are affected by the context menu commands.
2.Right-click anywhere in the Studio mixer strip on the Control Room Mixer to open the context menu for that Studio.
You may also use the context menu outside of the Studio strip to adjust all four Studio Sends on the selected channels at the same time.
3.Choose the “Change Studio Sends Level” option from the Studio submenu.
This will bring up a gain window with a checkbox that reads “Relative Mode”. Make sure this is activated if you want to adjust already existing levels.
4.Either use the up and down buttons or click on the numeric readout to open a pop-up fader and adjust the gain as necessary.
The level of all selected Studio Sends will be adjusted by the amount shown here. For example, if the amount reads -3dB, then each Studio Send level is reduced by 3dB.
5. Choose the “Enable Studio Sends” option to activate the Sends on selected channels.
By default, Studio Sends are not enabled even when level and pan information is copied to them. You must enable them in order to hear the Studio cue mix.
By copying the level and pan information from the main mix to the Studio Sends, a rough balance can be created in a matter of moments. Next, you may alter the level and pan settings on any channel’s Studio Sends to change the mix to meet the performer’s needs. This may require increasing the volume of the performer herself. This is often referred to as a “more me” mix.
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5. Click OK and the level change will be performed.
It is possible to view these changes as they occur if you have the Project Mixer open and the extended view set to show the Studio Sends.
If you deactivate the “Relative Mode” option, all Studio Sends will be set to the same absolute level. While the dialog window is still open, you may check the “Relative Mode” box again and reload the previous relative levels. Only when you click OK, will the level settings be made permanent. Choosing Cancel returns all Send levels to their previous settings.
Using Studio Sends from outputs
Each output also has Studio Sends. Studio Sends from the Main Mix output can be used to route the main mix instantly to the Studio output.
Any level changes made to the main mix will be reflected in the signal sent by the Studio Send. Setting the level lower than 0dB can leave headroom for “more me” signals in the Studio channel output.
Post-Fader Studio Sends
It is also possible to use the Studio Sends as post-fader aux sends. This is another way for the cue mix to follow changes made to the Main Mix. The Reset function is very helpful in this regard.
To reset the Studio Sends to the post-fader default level of -6dB, proceed as follows:
1.Select all the channels you wish to reset.
Studio Send commands only work on selected channels.
2.In the Studio Channel mixer strip right-click to open the context menu. In the Studio submenu, select the “Reset Studio Sends” command.
If you open the context menu in other areas of the Control Room Mixer besides the Studio mixer strips, the context menu commands will affect all Studios at the same time.
3. Selecting the “Reset Studio Sends” option changes the Send level of all selected channels to -6dB and sets the signal source to post-fader.
The -6dB level is designed to allow for headroom for “more me” signals in the Studio outputs.
Once all Studio Sends have been set to -6dB, post-fader, any changes to the main mix will also change the Studio mix. For “more me” channels, simply turn up the level on that channel or even set the signal to pre-fader for absolute control.
Studio Send cue mix summary
Using various combinations of the above techniques should allow you to create complex discrete cue mixes for performers in very little time. Modifications to these mixes can occur in the Project Mixer or the Inspector, giving you the most accessibility for quick changes.
To familiarize yourself with how the Studio Sends work, open the extended Project Mixer and set the view to the Studio Sends. Follow the above examples and watch how the Studio Sends react to various commands. This should help you get a feel for how they function and increase the workflow productivity of recording sessions.
Direct Monitoring and latency
The Control Room and Studio Sends functions use the internal processing power of the host computer system for all routing and processing, which means they are subject to the computer’s latency.
When recording with several performers at once, a system capable of running at very low ASIO buffer settings will be necessary to take full advantage of all the Studio Send features.
Studio Sends are not capable of controlling the Direct Monitoring features of various audio hardware interfaces. This means that unless the internal latency of the system is very low (128 samples or less), monitoring of record-en- abled tracks through the Studio Sends will have some delay that could affect performers during recording.
In the situation where internal latency is too much for record monitoring, it is advisable to use the Studio Sends for monitoring of tracks that have already been recorded and use normal Direct Monitoring for tracks currently being recorded.
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