- •Table of Contents
- •About this manual
- •Welcome!
- •VST Connections: Setting up input and output busses
- •About this chapter
- •Setting up busses
- •Using the busses
- •Setting up Groups and FX channels
- •About monitoring
- •External instruments/effects
- •The Project window
- •Background
- •Window Overview
- •Operations
- •Options
- •Playback and the Transport panel
- •Background
- •Operations
- •Options and Settings
- •Recording
- •Background
- •Basic recording methods
- •Audio recording specifics
- •MIDI recording specifics
- •Options and Settings
- •Recovery of audio recordings after system failure
- •Fades, crossfades and envelopes
- •Creating fades
- •The Fade dialogs
- •Creating crossfades
- •The Crossfade dialog
- •Auto Fades and Crossfades
- •Event Envelopes
- •The Arranger track
- •Introduction
- •Setting up the Arranger track
- •Working with arranger events
- •Flattening the Arranger chain
- •Live Mode
- •Arranging your music to video
- •Folder tracks
- •About folder tracks
- •Handling folder tracks
- •Working with folder parts
- •Using markers
- •About markers
- •The Marker window
- •Using the Marker track
- •Marker key commands
- •Editing markers in the Project Browser
- •The Transpose functions
- •Introduction
- •Transposing your music
- •Other functions
- •The mixer
- •About this chapter
- •Overview
- •Configuring the mixer
- •The audio-related channel strips
- •The MIDI channel strips
- •The common panel
- •The input and output channels
- •Basic mixing procedures
- •Audio specific procedures
- •MIDI specific procedures
- •Utilities
- •VST Mixer Diagrams
- •Control Room
- •Background
- •Configuring the Control Room
- •The Control Room Overview
- •The Control Room Mixer
- •Control Room operations
- •Studios and Studio Sends
- •Direct Monitoring and latency
- •WK-Audio’s ID Controller
- •Audio effects
- •About this chapter
- •Overview
- •Insert effects
- •Send effects
- •Setting up send effects
- •Using the Side-Chain input
- •Using external effects
- •Making settings for the effects
- •Effect presets
- •VST Instruments and Instrument tracks
- •Introduction
- •VST Instrument channels vs. instrument tracks
- •VST Instrument channels
- •Instrument tracks
- •Comparison
- •Automation considerations
- •What do I need? Instrument channel or Instrument track?
- •Instrument Freeze
- •VST instruments and processor load
- •Using presets for VSTi configuration
- •About latency
- •External instruments
- •Surround sound
- •Background
- •Operations
- •Automation
- •Introduction
- •Enabling and disabling the writing of automation data
- •What can be automated?
- •The Automation panel
- •Virgin territory vs. the initial value
- •Automation modes
- •Automation performance utilities
- •The Settings section
- •Hints and further options
- •Automation track operations
- •Working with automation curves
- •Audio processing and functions
- •Background
- •Audio processing
- •Applying plug-ins
- •The Offline Process History dialog
- •Batch Processing
- •Freeze Edits
- •Detect Silence
- •The Spectrum Analyzer
- •Statistics
- •The Sample Editor
- •Background
- •Window overview
- •General Operations
- •Options and settings
- •Audio Warp realtime processing / Tempo matching audio to the project tempo
- •Working with hitpoints and slices
- •Free Warp
- •Realtime pitch-shifting of audio events
- •Flattening the realtime processing
- •The Audio Part Editor
- •Background
- •Opening the Audio Part Editor
- •Window overview
- •Operations
- •Common methods
- •Options and Settings
- •The Pool
- •Background
- •Window overview
- •Operations
- •VST Sound
- •Introduction
- •The MediaBay
- •Introduction
- •Window overview
- •Browsing for media files
- •Finding files in the Viewer section
- •Previewing files in the Scope section
- •The Tag Editor
- •Media management
- •Track Presets
- •Introduction
- •Types of track presets
- •VST presets
- •Browsing for presets
- •Creating a track preset
- •Creating tracks from track presets or VST presets
- •Applying track presets
- •Previewing track and VST presets
- •Inserts and EQ settings from track presets
- •Track Quick Controls
- •Introduction
- •Setting up the Quick Controls tab
- •Options and settings
- •Setting up quick controls on an external remote controller
- •MIDI realtime parameters and effects
- •Introduction
- •Basic track settings
- •MIDI Modifiers
- •MIDI effects
- •Managing plug-ins
- •MIDI processing and quantizing
- •Introduction
- •The Quantizing functions
- •Making your settings permanent
- •Dissolve Part
- •Repeat Loop
- •Other MIDI functions
- •The MIDI editors
- •About editing MIDI
- •Opening a MIDI editor
- •Key Editor operations
- •Edit In-Place
- •List Editor operations
- •Introduction
- •Opening the Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •The Input Transformer
- •The Project Logical Editor
- •Introduction
- •Opening the Project Logical Editor
- •Window overview
- •Selecting a preset
- •Setting up filter conditions
- •Selecting a function
- •Specifying actions
- •Applying the defined actions
- •Working with presets
- •Working with System Exclusive messages
- •Introduction
- •Bulk dumps
- •Recording System Exclusive parameter changes
- •Editing System Exclusive messages
- •Working with the Tempo track
- •Background
- •Operations
- •Process Tempo
- •The Process Bars dialog
- •Options and settings
- •The Beat Calculator
- •Merge Tempo From Tapping
- •The Time Warp tool
- •The Project Browser
- •Window Overview
- •Editing tracks
- •The Track Sheet
- •Overview
- •Printing the Track Sheet
- •Export Audio Mixdown
- •Introduction
- •Mixing down to an audio file
- •The available file formats
- •Synchronization
- •Background
- •Synchronization signals
- •Synchronizing the transport vs. synchronizing audio
- •Making basic settings and connections
- •Synchronization settings
- •Timecode Preferences
- •Machine Control
- •Setting up Machine Control
- •Working with VST System Link
- •Preparations
- •Activating VST System Link
- •Application examples
- •Video
- •Background
- •Before you start
- •Operations
- •The Edit Mode
- •Working with film transfers
- •Compensating for film transfers to video
- •ReWire
- •Introduction
- •Launching and quitting
- •Activating ReWire channels
- •Using the transport and tempo controls
- •How the ReWire channels are handled in Nuendo
- •Routing MIDI via ReWire2
- •Considerations and limitations
- •File handling
- •Working with Projects
- •Startup Options
- •Working with libraries
- •Revert
- •Importing audio
- •Exporting and importing OMF files
- •Exporting and importing AAF files
- •Exporting and importing AES31 files
- •Exporting and importing OpenTL files
- •Importing XSend projects from Liquid
- •Exporting and importing standard MIDI files
- •Exporting and importing MIDI loops
- •Exporting and importing tracks
- •Other Import/Export functions
- •Cleanup
- •Customizing
- •Background
- •Workspaces
- •The Setup dialogs
- •Customizing track controls
- •Configuring the main menu items
- •About preference presets
- •Appearance
- •Applying track and event colors
- •Where are the settings stored?
- •Key commands
- •Introduction
- •Setting up key commands
- •Setting up tool modifier keys
- •The default key commands
- •Index
11
The mixer
About this chapter
This chapter contains detailed information about the elements used when mixing audio and MIDI, and the various ways you can configure the mixer.
Some mixer-related features are not described in this chapter. These are the following:
•Setting up and using audio effects.
See the chapter “Audio effects” on page 168.
•Setting up and using MIDI effects.
See the chapter “MIDI realtime parameters and effects” on page 342.
• Surround Sound.
See the chapter “Surround sound” on page 202.
•Automation of all mixer parameters.
See the chapter “Automation” on page 213.
•How to mix down several audio tracks (complete with automation and effects if you wish) to a single audio file.
See the chapter “Export Audio Mixdown” on page 437.
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The mixer
Overview
The picture shows an extended mixer (see “Normal vs. Extended channel strips” on page 126).
The mixer offers a common environment for controlling levels, pan, solo/mute status etc. for both audio and MIDI channels.
• By clicking the Mixer button in the Devices panel.
You open the Devices panel by selecting Show Panel from the Devices menu.
Opening the mixer
The mixer can be opened in several ways:
•By selecting Mixer from the Devices menu.
•By clicking the Mixer icon on the toolbar
This always opens the first Mixer window (see below).
•By using a key command (by default [F3]).
About the multiple mixer windows
You may have noticed that there are in fact several separate mixer items selectable from the Devices menu. These are not separate mixers, but rather separate views of the same mixer.
• Each of the mixer windows can be configured to show any combination of channels, channel types, narrow and wide channel strips, etc. (how to do this is described later in this chapter).
You can for example configure one mixer window to show MIDI channel strips, another to show input and output channels or another to show all audio-related channels.
124
The mixer
• You can also save channel configurations as View sets (see “Channel view sets” on page 129), which are then accessible from all mixer windows.
These features are very convenient when working with large projects. Considering the number of different channel types that can be shown in the mixer, they could even be described as necessary!
The use of multiple mixer windows combined with the ability to recall different mixer configurations enables you to focus on the task at hand and keep window scrolling down to a minimum.
Ö All options for configuring the mixer described in this chapter are identical for all mixer windows.
What channel types can be shown in the mixer?
The following track-based channel types are shown in the mixer:
•Audio
•MIDI
•Effect return channels (referred to as FX channels in the Project window)
•Instrument channels (VSTi Return)
•Group channels
•Instrument tracks
•ReWire channels
The order of audio, MIDI, instrument, group and effect return channel strips (from left to right) in the mixer corresponds to the Project window Track list (from the top down). If you reorder tracks of these types in the Track list, this will be mirrored in the mixer.
In addition to the above, the following channel types are also shown in the mixer:
•Activated ReWire channels (see the chapter “ReWire” on page 482).
•VST Instrument channels (see the chapter “VST Instruments and Instrument tracks” on page 189).
ReWire channels cannot be reordered and always appear to the right of other channels in the main mixer pane (see below). VST instrument (VSTi) channels can be reordered in the Track list which will in turn be mirrored in the mixer.
Folder, Marker, Video and Automation tracks are not shown in the mixer.
Input and output busses in the mixer
Input and output busses are represented by input and output channels in the mixer. They appear in separate “panes” separated by movable dividers and with their own horizontal scrollbars, see “The input and output channels” on page 132.
About multichannel audio
Nuendo has full support for surround sound. Each audio channel and bus in the mixer can carry up to 12 speaker channels. This means that if you have an audio track configured for 5.1 surround sound, for example, it will have a single channel strip in the mixer, just like mono or stereo tracks, but its level meter will have six meter bars, one for each speaker channel.
Another thing to note is that the look of a channel strip differs slightly depending on how it is routed – mono or stereo tracks routed to a surround output bus will have a surround panner control instead of a regular pan control, for example. For further information on multichannel audio, see the chapter “Surround sound” on page 202.
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The mixer
