The Last Days of Pompeii

THE LAST DAYS OF POMPEII

“Oh, a friend of mine! a brother cupman, a quiet dog, who does not love these snarlings,” said Burbo, carelessly. “But go, child, you will tear the gentleman’s tunic if you cling to him so tight; go, you are pardoned.”

“Oh, do not — do not forsake me!” cried Nydia, clinging yet closer to the Athenian.

Moved by her forlorn situation, her appeal to him, her own innumerable and touching graces, the Greek seated himself on one of the rude chairs. He held her on his knees — he wiped the blood from her shoulders with his long hair — he kissed the tears from her cheeks — he whispered to her a thousand of those soothing words with which we calm the grief of a child — and so beautiful did he seem in his gentle and consoling task, that even the fierce heart of Stratonice was touched. His presence seemed to shed light over that base and obscene haunt — young, beautiful, glorious, he was the emblem of all that earth made most happy, comforting one that earth had abandoned!

“Well, who could have thought our blind Nydia had been so honored!” said the virago, wiping her heated brow.

Glaucus looked up at Burbo.

“My good man,” said he, “this is your slave; she sings well, she is accustomed to the care of flowers — I wish to make a present of such a slave to a lady. Will you sell her to me?” As he spoke he felt the whole frame of the poor girl tremble with delight; she started up, she put her disheveled hair from her eyes, she looked around, as if, alas, she had the power to see!

“Sell our Nydia! no, indeed,” said Stratonice, gruffly.

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Nydia sank back with a long sigh, and again clasped the robe of her protector.

“Nonsense!” said Clodius, imperiously: “you must oblige me. What, man! what, old dame! offend me, and your trade is ruined. Is not Burbo my kinsman Pansa’s client? Am I not the oracle of the amphitheatre and its heroes? If I say the word, break up your wine-jars — you sell no more. Glaucus, the slave is yours.”

Burbo scratched his huge head, in evident embarrassment. “The girl is worth her weight in gold to me.”

“Name your price, I am rich,” said Glaucus.

The ancient Italians were like the modern, there was nothing they would not sell, much less a poor blind girl.

“I paid six sestertia for her, she is worth twelve now,” muttered Stratonice.

“You shall have twenty; come to the magistrates at once, and then to my house for your money.”

“I would not have sold the dear girl for a hundred but to oblige noble Clodius,” said Burbo, whiningly. “And you will speak to Pansa about the place of designator at the amphitheatre, noble Clodius? it would just suit me.”

“Thou shalt have it,” said Clodius; adding in a whisper to Burbo, “Yon Greek can make your fortune; money runs through him like a sieve: mark today with white chalk, my Priam.”

“An dabis?” said Glaucus, in the formal question of sale and barter.

“Dabitur,” answered Burbo.

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CHAPTER IV

THE RIVAL OF GLAUCUS PRESSES ONWARD IN THE RACE

Ione was one of those brilliant characters which, but once or twice, flash across our career. She united in the highest perfection the rarest of earthly gifts — Genius and Beauty. No one ever possessed superior intellectual qualities without knowing them — the alliteration of modesty and merit is pretty enough, but where merit is great, the veil of that modesty you admire never disguises its extent from its possessor. It is the proud consciousness of certain qualities that it cannot reveal to the everyday world, that gives to genius that shy, and reserved, and troubled air, which puzzles and flatters you when you encounter it.

Ione, then, knew her genius; but, with that charming versatility that belongs of right to women, she had the faculty so few of a kindred genius in the less malleable sex can claim — the faculty to bend and model her graceful intellect to all whom it encountered. The sparkling fountain threw its waters alike upon the strand, the cavern, and the flowers; it refreshed, it smiled, it dazzled everywhere. That pride, which is the nec-

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essary result of superiority, she wore easily — in her breast it concentred itself in independence. She pursued thus her own bright and solitary path. She asked no aged matron to direct and guide her — she walked alone by the torch of her own unflickering purity. She obeyed no tyrannical and absolute custom. She moulded custom to her own will, but this so delicately and with so feminine a grace, so perfect an exemption from error, that you could not say she outraged custom but commanded it. The wealth of her graces was inexhaustible — she beautified the commonest action; a word, a look from her, seemed magic. Love her, and you entered into a new world, you passed from this trite and commonplace earth. You were in a land in which your eyes saw everything through an enchanted medium. In her presence you felt as if listening to exquisite music; you were steeped in that sentiment which has so little of earth in it, and which music so well inspires — that intoxication which refines and exalts, which seizes, it is true, the senses, but gives them the character of the soul.

She was peculiarly formed, then, to command and fascinate the less ordinary and the bolder natures of men; to love her was to unite two passions, that of love and of ambition — you aspired when you adored her. It was no wonder that she had completely chained and subdued the mysterious but burning soul of the Egyptian, a man in whom dwelt the fiercest passions. Her beauty and her soul alike enthralled him.

Set apart himself from the common world, he loved that daringness of character which also made itself, among common things, aloof and alone. He did not, or he would not see, that that very isolation put her yet more from him than from

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the vulgar. Far as the poles — far as the night from day, his solitude was divided from hers. He was solitary from his dark and solemn vices — she from her beautiful fancies and her purity of virtue.

If it was not strange that Ione thus enthralled the Egyptian, far less strange was it that she had captured, as suddenly as irrevocably, the bright and sunny heart of the Athenian. The gladness of a temperament which seemed woven from the beams of light had led Glaucus into pleasure. He obeyed no more vicious dictates when he wandered into the dissipations of his time, than the exhilarating voices of youth and health. He threw the brightness of his nature over every abyss and cavern through which he strayed. His imagination dazzled him, but his heart never was corrupted. Of far more penetration than his companions deemed, he saw that they sought to prey upon his riches and his youth: but he despised wealth save as the means of enjoyment, and youth was the great sympathy that united him to them. He felt, it is true, the impulse of nobler thoughts and higher aims than in pleasure could be indulged: but the world was one vast prison, to which the Sovereign of Rome was the Imperial gaoler; and the very virtues, which in the free days of Athens would have made him ambitious, in the slavery of earth made him inactive and supine. For in that unnatural and bloated civilization, all that was noble in emulation was forbidden. Ambition in the regions of a despotic and luxurious court was but the contest of flattery and craft. Avarice had become the sole ambition — men desired praetorships and provinces only as the license to pillage, and government was but the excuse of rapine. It is in small states that

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glory is most active and pure — the more confined the limits of the circle, the more ardent the patriotism. In small states, opinion is concentrated and strong — every eye reads your actions — your public motives are blended with your private ties — every spot in your narrow sphere is crowded with forms familiar since your childhood — the applause of your citizens is like the caresses of your friends. But in large states, the city is but the court: the provinces — unknown to you, unfamiliar in customs, perhaps in language — have no claim on your patriotism, the ancestry of their inhabitants is not yours. In the court you desire favor instead of glory; at a distance from the court, public opinion has vanished from you, and self-interest has no counterpoise.

Italy, Italy, while I write, your skies are over me — your seas flow beneath my feet, listen not to the blind policy which would unite all your crested cities, mourning for their republics, into one empire; false, pernicious delusion! your only hope of regeneration is in division. Florence, Milan, Venice, Genoa, may be free once more, if each is free. But dream not of freedom for the whole while you enslave the parts; the heart must be the centre of the system, the blood must circulate freely everywhere; and in vast communities you behold but a bloated and feeble giant, whose brain is imbecile, whose limbs are dead, and who pays in disease and weakness the penalty of transcending the natural proportions of health and vigour.

Thus thrown back upon themselves, the more ardent qualities of Glaucus found no vent, save in that overflowing imagination which gave grace to pleasure, and poetry to thought. Ease was less despicable than contention with parasites and

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slaves, and luxury could yet be refined though ambition could not be ennobled. But all that was best and brightest in his soul woke at once when he knew Ione. Here was an empire, worthy of demigods to attain; here was a glory, which the reeking smoke of a foul society could not soil or dim. Love, in every time, in every state, can thus find space for its golden altars. And tell me if there ever, even in the ages most favorable to glory, could be a triumph more exalted and elating than the conquest of one noble heart?

And whether it was that this sentiment inspired him, his ideas glowed more brightly, his soul seemed more awake and more visible, in Ione’s presence. If natural to love her, it was natural that she should return the passion. Young, brilliant, eloquent, enamoured, and Athenian, he was to her as the incarnation of the poetry of her father’s land. They were not like creatures of a world in which strife and sorrow are the elements; they were like things to be seen only in the holiday of nature, so glorious and so fresh were their youth, their beauty, and their love. They seemed out of place in the harsh and ev- ery-day earth; they belonged of right to the Saturnian age, and the dreams of demigod and nymph. It was as if the poetry of life gathered and fed itself in them, and in their hearts were concentrated the last rays of the sun of Delos and of Greece.

But if Ione was independent in her choice of life, so was her modest pride proportionably vigilant and easily alarmed. The falsehood of the Egyptian was invented by a deep knowledge of her nature. The story of coarseness, of indelicacy, in Glaucus, stung her to the quick. She felt it a reproach upon her character and her career, a punishment above all to her love;

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she felt, for the first time, how suddenly she had yielded to that love; she blushed with shame at a weakness, the extent of which she was startled to perceive: she imagined it was that weakness which had incurred the contempt of Glaucus; she endured the bitterest curse of noble natures — humiliation! Yet her love, perhaps, was no less alarmed than her pride. If one moment she murmured reproaches upon Glaucus — if one moment she renounced, she almost hated him — at the next she burst into passionate tears, her heart yielded to its softness, and she said in the bitterness of anguish, “He despises me — he does not love me.”

From the hour the Egyptian had left her she had retired to her most secluded chamber, she had shut out her handmaids, she had denied herself to the crowds that besieged her door. Glaucus was excluded with the rest; he wondered, but he guessed not why! He never attributed to his Ione — his queen — his goddess — that woman — like caprice of which the love-poets of Italy so unceasingly complain. He imagined her, in the majesty of her candour, above all the arts that torture. He was troubled, but his hopes were not dimmed, for he knew already that he loved and was beloved; what more could he desire as an amulet against fear?

At deepest night, then, when the streets were hushed, and the high moon only beheld his devotions, he stole to that temple of his heart — her home; and wooed her after the beautiful fashion of his country. He covered her threshold with the richest garlands, in which every flower was a volume of sweet passion; and he charmed the long summer night with

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the sound of the Lydian lute: and verses, which the inspiration of the moment sufficed to weave.

But the window above opened not; no smile made yet more holy the shining air of night. All was still and dark. He knew not if his verse was welcome and his suit was heard.

Yet Ione slept not, nor disdained to hear. Those soft strains ascended to her chamber; they soothed, they subdued her. While she listened, she believed nothing against her lover; but when they were stilled at last, and his step departed, the spell ceased; and, in the bitterness of her soul, she almost conceived in that delicate flattery a new affront.

I said she was denied to all; but there was one exception, there was one person who would not be denied, assuming over her actions and her house something like the authority of a parent; Arbaces, for himself, claimed an exemption from all the ceremonies observed by others. He entered the threshold with the license of one who feels that he is privileged and at home. He made his way to her solitude and with that sort of quiet and unapologetic air which seemed to consider the right as a thing of course. With all the independence of Ione’s character, his heart had enabled him to obtain a secret and powerful control over her mind. She could not shake it off; sometimes she desired to do so; but she never actively struggled against it. She was fascinated by his serpent eye. He arrested, he commanded her, by the magic of a mind long accustomed to awe and to subdue. Utterly unaware of his real character or his hidden love, she felt for him the reverence which genius feels for wisdom, and virtue for sanctity. She regarded him as one of those mighty sages of old, who attained to the myster-

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