The Flying Inn

The Flying Inn

God.”

“I never heard you talk like that before,”said the lady, and again stroked the vivid violet feathers of the small eastern bird.

Mr. Quoodle could stand it no longer. He had evidently formed a very low opinion of the turret chamber and of oriental art generally, but seeing Joan’s attention once more transferred to his rival, he trotted out into the longer room, and finding the gap in the woodwork which was soon to be boarded up, but which still opened on an old dark staircase, he went “galumphing” down the stairs.

Lord Ivywood gently placed the bird on the girl’s own finger, and went to one of the open windows, leaning out a little.

“Look here,” he said, “doesn’t this express what we both feel? Isn’t this the sort of fairy-tale house that ought to hang on the last wall of the world?”

And he motioned her to the window-sill, just outside which hung the bird’s empty cage, beautifully wrought in brass or some of the yellow metals.

“Why that is the best of all!” cried Lady Joan. “It makes one feel as if it really were the Arabian Nights. As if this were a tower of the gigantic Genii with turrets up to the moon; and this were an enchanted Prince caged in a golden palace suspended by the evening star.”

Something stirred in her dim but teeming subconsciousness, something like a chill or change like that by which we half know that weather has altered, or distant

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and unnoticed music suddenly ceased. “Where is the dog?” she asked suddenly. Ivywood turned with a mild, grey eye. “Was there a dog here?” he asked.

“Yes,” said Lady Joan Brett, and gave him back the bird, which he restored carefully to its cage.

The dog after whom she inquired had in truth trundled down a dark, winding staircase and turned into the daylight, into a part of the garden he had never seen before; nor, indeed, had anybody else for some time past. It was altogether tangled and overgrown with weeds, and the only trace of human handiwork, the wreck of an old Gothic Chapel, stood waist high in numberless nettles and soiled with crawling fungoids. Most of these merely discoloured the grey crumbling stone with shades of bronze or brown; but some of them, particularly on the side farthest from the house,were of orange or purple tints almost bright enough for Lord Ivywood’s oriental decoration. Some fanciful eyes that fell on the place afterward found something like an allegory in those graven and broken saints or archangels feeding such fiery and ephemeral parasites as those toadstools like blood or gold. But Mr. Quoodle had never set himself up as an allegorist, and he merely trotted deeper and deeper into the grey-green English jungle. He grumbled very much at the thistles and nettles, much as a city man will grumble at the jostling of a crowd. But he continued to press forward, with his nose near the ground,as if he had already smelt something that interested him. And, indeed, he had smelt something

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in which a dog, except on special occasions, is much more interested than he is in dogs. Breaking through a last barrier of high and hoary purple thistles he came out on a semicircle of somewhat clearer ground, dotted with slender trees, and having, by way of back scene, the brown brick arch of an old tunnel. The tunnel was boarded up with a very irregular fence or mask made of motley wooden lathes, and looked, somehow, rather like a pantomime cottage. In front of this a sturdy man in very shabby shooting clothes was standing attending to a battered old frying-pan which he held over a rather irregular flame which, small as it was, smelt strongly of burnt rum. In the frying-pan, and also on the top of a cask or barrel that served for a table hard by, were a number of the grey, brown, and even orange fungi which were plastered over the stone angels and dragons of the fallen chapel.

“Hullo, old man,” said the person in the shooting jacket with tranquillity and without looking up from his cooking. “Come to pay us a visit? Come along then.” He flashed one glance at the dog and returned to the frying pan. “If your tail were two inches shorter, you’d be worth a hundred pounds. Had any breakfast?”

The dog trotted across to him and began nosing and sniffing round his dilapidated leather gaiters. The man did not interrupt his cookery, on which his eyes were fixed and both his hands were busy; but he crooked his knee and foot so as to caress the quadruped in a nerve under the angle of the jaw, the stimulation of which (as some men of science have held) is for a dog what a good cigar is for a man. At the

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same moment a huge voice like on ogre’s came from within the masked tunnel, calling out, “And who are ye talking to?” A very crooked kind of window in the upper part of the pantomime cottage burst open and an enormous head, with erect, startling, and almost scarlet hair and blue eyes as big as

a bullfrog’s, was thrust out above the scene.

“Hump,” cried the ogre. “Me moral counsels have been thrown away. In the last week I’ve sung you fourteen and a half songs of me own composition; instead of which you go about stealing dogs. You’re following in the path of Parson Whats-his-name in every way, I’m afraid.”

“No,” said the man with the frying pan, impartially, “Parson Whitelady struck a very good path for doubling on Pebblewick, that I was glad to follow. But I think he was quite silly to steal dogs. He was young and brought up pious. I know too much about dogs to steal one.”

“Well,” asked the large red-haired man, “and how do you get a dog like that?”

“I let him steal me,” said the person stirring the pan. And indeed the dog was sitting erect and even arrogant at his feet, as if he was a watch-dog at a high salary, and had been there before the building of the tunnel.

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Chapter XI: Vegetarianism in the Drawing-Room

THE Company that assembled to listen to the Prophet of the Moon, on the next occasion of his delivering any formal address, was much more select than the comparatively mixed and middle-class society of the Simple Souls. Miss Browning and her sister, Mrs. Mackintosh, were indeed present; for Lord Ivywood had practically engaged them both as private secretaries, and kept them pretty busy, too.There was also Mr. Leveson, because Lord Ivywood believed in his organizing power; and also Mr. Hibbs, because Mr. Leveson believed in his political judgment, whenever he could discover what it was. Mr. Leveson had straight, dark hair, and looked nervous. Mr. Hibbs had straight, fair hair, and also looked nervous. But the rest of the company were more of Ivywood’s own world, or the world of high finance with which it mixes both here and on the continent. Lord Ivywood welcomed, with something approaching to warmth, a distinguished foreign diplomatist, who was, indeed, none other than that silent German representative who had sat beside him in that last conference on the Island of the Olives. Dr. Gluck was no longer in his quiet, black suit, but wore an ornate, diplomatic uniform with a sword and Prussian, Austrian or Turkish Orders; for he was going on from Ivywood to a function at Court. But his curl of red lips, his screw of black mustache, and his unanswering almond eyes had no more changed than the face of a wax figure in a barber’s shop window.

The Prophet had also effected an improvement in his

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dress. When he had orated on the sands his costume, except for the fez, was the shabby but respectable costume of any rather unsuccessful English clerk. But now that he had come among aristocrats who petted their souls as they did their senses, there must be no such incongruity. He must be a proper, fresh-picked oriental tulip or lotus. So--he wore long, flowing robes of white, relieved here and there by flamecoloured threads of tracery, and round his head was a turban of a kind of pale golden green. He had to look as if he had come flying across Europe on the magic carpet, or fallen a moment before from his paradise in the moon.

The ladies of Lord Ivywood’s world were much as we have already found them. Lady Enid Wimpole still overwhelmed her earnest and timid face with a tremendous costume, that was more like a procession than a dress. It looked rather like the funeral procession of Aubrey Beardsley. Lady Joan Brett still looked like a very beautiful Spaniard with no illusions left about her castle in Spain.The large and resolute lady who had refused to ask any questions at Misysra’s earlier lecture, and who was known as Lady Crump, the distinguished Feminist, still had the air of being so full and bursting with questions fatal to Man as to have passed the speaking and reached the speechless stage of hostility. Throughout the proceedings she contributed nothing but bursting silence and a malevolent eye. And old Lady Ivywood, under the oldest and finest lace and the oldest and finest manners, had a look like death on her, which can often be seen in the parents of pure intellectuals. She had that face of a lost mother that is

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more pathetic than the face of a lost child.

“And what are you going to delight us with today?” Lady Enid was asking of the Prophet.

“My lecture,” answered Misysra, gravely, “is on the Pig.” It was part of a simplicity really respectable in him that he never saw any incongruity in the arbitrary and isolated

texts or symbols out of which he spun his thousand insane theories. Lady Enid endured the impact of this singular subject for debate without losing that expression of wistful sweetness which she wore on principle when talking to such people.

“The Pig, he is a large subject,” continued the Prophet, making curves in the air, as if embracing some particularly prize specimen. “He includes many subjects. It is to me very strange that the Christians should so laugh and be surprised because we hold ourselves to be defiled by pork; we and also another of the Peoples of the Book.But,surely,you Christians yourselves consider the pig as a manner of pollution; since it is your most usual expression of your despising, of your very great dislike. You say ‘swine,’ my dear lady; you do not say animals far more unpopular, such as the alligator.”

“I see,” said the lady, “how wonderful!”

“If you are annoyed,”went on the encouraged and excited gentleman, “if you are annoyed with anyone, with a--what you say?--a lady’s maid, you do not say to her ‘Horse.’You do not say to her ‘Camel.’”

“Ah, no,” said Lady Enid, earnestly.

“’Pig of a lady’s maid,’you say in your colloquial English,”

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continued the Prophet, triumphantly. “And yet this great and awful Pig, this monster whose very name, when whispered, you think will wither all your enemies, you allow, my dear lady, to approach yet closer to you. You incorporate this great Pig in the substance of your own person.”

Lady Enid Wimpole was looking a little dazed at last, at this description of her habits, and Joan gave Lord Ivywood a hint that the lecturer had better be transferred to his legitimate sphere of lecturing. Ivywood led the way into a larger room that was full of ranked chairs, with a sort of lectern at the other end, and flanked on all four sides with tables laden with all kinds of refreshments. It was typical of the strange, half-fictitious enthusiasm and curiosity of that world, that one long table was set out entirely with vegetarian foods, especially of an eastern sort (like a table spread in the desert for a rather fastidious Indian hermit); but that tables covered with game patties, lobster and champagne were equally provided, and very much more frequented. Even Mr. Hibbs, who would honestly have thought entering a public-house more disgraceful than entering a brothel, could not connect any conception of disgrace with Lord Ivywood’s champagne.

For the purpose of the lecture was not wholly devoted to the great and awful Pig, and the purpose of the meeting even less. Lord Ivywood, the white furnace of whose mind was always full of new fancies hardening into ambitions, wanted to have a debate on the diet of East and West, and felt that Misysra might very appropriately open with an account of the Moslem veto on pork or other coarse forms of flesh food.

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He reserved it to himself to speak second.

The Prophet began, indeed, with some of his dizziest flights. He informed the Company that they, the English, had always gone in hidden terror and loathing of the Pig, as a sacred symbol of evil. He proved it by the common English custom of drawing a pig with one’s eyes shut. Lady Joan smiled, and yet she asked herself (in a doubt that had been darkening round her about many modern things lately) whether it was really much more fanciful than many things the scientists told her: as, the traces of Marriage by Capture which they found in that ornamental and even frivolous being, the Best Man.

He said that the dawn of greater enlightenment is shown in the use of the word “gammon,”which still expresses disgust at “the porcine image,” but no longer fear of it, but rather a rational disdain and disbelief. “Rowley,” said the Prophet, solemnly, and then after a long pause, “Powley, _Gammon_ and Spinach.”

Lady Joan smiled again, but again asked herself if it was much more farfetched than a history book she had read, which proved the unpopularity of Catholicism in Tudor times from the word “hocus pocus.”

He got into a most amazing labyrinth of philology between the red primeval sins of the first pages of Genesis and the Common English word “ham.” But, again, Joan wondered whether it was much wilder than the other things she had heard said about Primitive Man by people who had never seen him.

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He suggested that the Irish were set to keep pigs because they were a low and defiled caste, and the serfs of the pigscorning Saxon; and Joan thought it was about as sensible as what the dear old Archdeacon had said about Ireland years ago; which had caused an Irishman of her acquaintance to play “the Shan Van Voght” and then smash the piano.

Joan Brett had been thoughtful for the last few days. It was partly due to the scene in the turret, where she had struck a sensitive and artistic side of Philip Ivywood she had never seen before, and partly to disturbing news of her mother’s health, which, though not menacing, made her feel hypothetically how isolated she was in the world. On all previous occasions she had merely enjoyed the mad lecturer now at the reading-desk. Today she felt a strange desire to analyse him, and imagine how a man could be so connected and so convinced and yet so wildly wide of the mark. As she listened carefully, looking at the hands in her lap, she began to think she understood.

The lecturer did really try to prove that the “porcine image” had never been used in English history or literature, except in contempt. And the lecturer really did know a very great deal about English history and literature: much more than she did; much more than the aristocrats round her did. But she noted that in every case what he knew was a fragmentary fact. In every case what he did not know was the truth behind the fact. What he did not know was the atmosphere. What he did not know was the tradition. She found herself ticking off the cases like counts in an indictment.

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