Collected Tales I
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COLLECTED TALES I
but I can see how deeply she has felt it. And now for my romance. My husband had a pupil some ten years ago, a M. du Fay, a clever, scientific young man, one of the first merchants of Rouen. His grandfather purchased M. de Chalabre’s ancestral estate. The present M. du Fay came on business to Paris two or three days ago, and invited my husband to a little dinner; and somehow this story of Suzette Chalabre came out, in consequence of inquiries my husband was making for an escort to take her to England. M. du Fay seemed interested with the story; and asked my husband if he might pay his respects to me, some evening when Suzette should be in, and so is coming to-night, he, and a friend of his, who was at the dinner party the other day; will you come?’
I went, more in the hope of seeing Susan Chalabre, and hearing some news about my early home, than with any expectation of poetical justice. And in that I was right; and yet I was wrong. Susan Chalabre was a grave, gentle woman, of an enthusiastic and devoted appearance, not unlike that portrait of his daughter which arrests every eye in Ary Scheffer’s sacred pictures. She was silent and sad; her cherished plan of life was uprooted. She talked to me a little in a soft and friendly manner, answering any questions I asked; but, as for gentlemen, her indifference and reserve made it impossible for them to enter into any conversation with her; and the meeting was indisputably ‘flat.’
‘Oh! my romance! my poetical justice! Before the evening was half over, I would have given up all my castles in the air for one well-sustained conversation of ten minutes long. Now don’t laugh at me, for I can’t bear it to-night.’ Such was my
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friend’s parting speech. I did not see her again for two days. The third she came in glowing with excitement.
‘You may congratulate me after all; if it was not poetical justice, it is prosaic justice; and, except for the empty romance, that is a better thing!’
‘What do you mean?’ said I. ‘Surely M. du Fay has not proposed for Susan?’
‘No! but that charming M. de Frez, his friend, has; that is to say, not proposed but spoken; no, not spoken, but it seems he asked M. du Fay – whose confidant he was – if he was intending to proceed in his idea of marrying Suzette; and on hearing that he was not, M. de Frez said that he should come to us, and ask us to put him in the way of prosecuting the acquaintance, for that he had been charmed with her; looks, voice, silence, he admires them all; and we have arranged that he is to be the escort to England; he has business there, he says; and as for Suzette (she knows nothing of all this, of course, for who dared tell her?), all her anxiety is to return home, and the first person travelling to England will satisfy her, if it does us. And, after all, M. de Frez lives within five leagues of the Château Chalabre, so she can go and see the old place whenever she will.’
When I went to bid Susan good-by, she looked as unconscious and dignified as ever. No idea of a lover had ever crossed her mind. She considered M. de Frez as a kind of necessary incumbrance for the journey. I had not much hopes for him; and yet he was an agreeable man enough, and my friends told me that his character stood firm and high.
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In three months, I was settled for the winter in Rome. In four, I heard that the marriage of Susan Chalabre had taken place. What were the intermediate steps between the cold, civil indifference with which I had last seen her regarding her travelling companion, and the full love with which such a woman as Suzette Chalabre must love a man before she could call him husband, I never learnt. I wrote to my old French master to congratulate him, as I believed I honestly might, on his daughter’s marriage. It was some months before I received his answer. It was –
‘Dear friend, dear old pupil, dear child of the beloved dead, I am an old man of eighty, and I tremble towards the grave. I cannot write many words; but my own hand shall bid you come to the home of Aimée and her husband. They tell me to ask you to come and see the old father’s birth-place, while he is yet alive to show it to you. I have the very apartment in Château Chalabre that was mine when I was a boy, and my mother came in to bless me every night. Susan lives near us. The good God bless my sons-in-law, Bertrand de Frez and Alphonse du Fay, as He has blessed me all my life long. I think of your father and mother, my dear; and you must think no harm when I tell you I have had masses said for the repose of their souls. If I make a mistake, God will forgive.’
My heart could have interpreted this letter, even without the pretty letter of Aimée and her husband which accompanied it; and which told how, when M. du Fay came over to his friend’s wedding, he had seen the younger sister, and in her seen his fate. The soft caressing, timid Aimée was more to his taste than the grave and stately Susan. Yet little Aimée man-
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aged to rule imperiously at Château Chalabre; or, rather, her husband was delighted to indulge her every wish; while Susan, in her grand way, made rather a pomp of her conjugal obedience. But they were both good wives, good daughters.
This last summer, you might have seen an old, old man, dressed in grey, with white flowers in his button-hole (gathered by a grand-child as fair as they), leading an elderly lady about the grounds of Château Chalabre, with tottering, unsteady eagerness of gait.
‘Here!’ said he to me, ‘just here my mother bade me adieu when first I went to join my regiment. I was impatient to go. I mounted – I rode to yonder great chestnut, and then, looking back, I saw my mother’s sorrowful countenance. I sprang off; threw the reins to the groom, and ran back for one more embrace. “My brave boy!” she said; “my own! Be faithful to God and your king!” I never saw her more; but I shall see her soon; and I think I may tell her I have been faithful both to my God and my king.’
Before now, he has told his mother all.
Литературно-художественное издание Tор 100 Classic Books
Elizabeth Cleghorn Gaskell
Collected Tales I
Выпускающий редактор: H. Головлева Редактор: П. Воронин
Корректор: И. Шаболова Компьютерная верстка: Т. Серёгина Художественное оформление: М. Кылосова
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