Ebooki / The Cosmic Pulse of Life - Trevor James Constable

WILLYS WAND—A Cloudbuster

This weather control unit, colloquially known as a cloudbuster, was built by the author from the basic inventions of the late Dr. Wilhelm Reich. As an investigator of etheric energies and forces, the author is convinced that the same primary energy manipulated in such units as this is the operative power behind UFOs of both the biological and construct type. He has used special variants of the cloudbuster to attract and photograph UFOs with techniques he developed in the 1950s.

PRIMARY ENERGY RESEARCH

The above photo shows the author in 1977 with the MK II cloudbuster, which utilized radionic tuning. Time-lapse films made during tests proved this device to be capable of dissipating clouds more rapidly than the original Willy’s Wand.

The photo below shows the author (right) and his oldest and closest associate, Irwin Trent, original publisher of The Cosmic Pulse of Life, with the Magnum 108 cloudbuster in Banning, California, 1981. The author’s innovations in research continue to the present day.

APOLLO 12 “DISCOVERS” ORGONE ENERGY

Astronaut Alan Bean walking on the moon gave off sporadic blue radiance, which NASA scientists attributed to spurious reflections from his suit. Author holds that the blue radiance is the life energy field of astronaut, irradiated by emissions from astronaut’s backpack radio. The situation inadvertently replicated Dr. Wilhelm Reich’s experiments published in the 1950s in which he made orgone energy luminate blue in a vacuum, work that was later suppressed by the U.S. government. Author points out that equipment dump equidistant from camera has no blue lumination, and astronaut only luminates when he talks. Author claims that orgone energy discovery is a technical break-in to new etheric technology, including spaceship propulsion.

USMC AIR GROUP PHOTO OF FLYING DISC—KOREA

Photograph made by Marine Corps pilot operating over Korea illustrates technical principles dealt with in Chapter 20. The underside and left hand extremity of the disc show the total void or blackness on a photographic print associated with concentrations of contractive, cold orgone energy, the etheric force discovered in 1939-40 by Dr. Wilhelm Reich. The black area is so intense that all detail is eliminated therein, but in actual fact it is due to a high concentration of the energy that Dr. Reich showed desensitizes film emulsions. The author holds that the energy spins around the circumference of the craft. His evaluation of this case is that the camera has “stopped” the rotating field on the left side of the disc. This accounts for the otherwise anomalous “shadow” on the upper side of this vehicle, which could not appear in the form it has in broad daylight on an upper surface. In the text the author warns of so-called expert evaluation of photographs when technicians and scientists have no knowledge of the energy involved or its characteristics which, the author says, are often “totally contrary” to current ideas on energy and radiation.

Photo courtesy of the late William G. Allen, Ph.D.

The UFO in this picture was accidentally “captured” on the negative by nationally-known outdoor writer V. Lee Oertle in Utah. The two hunters only appear to be watching it. Actually, they are studying the terrain while looking for deer. The object had to be traveling at tremendous speed. It covered almost the whole arc of the sky during the 1/250 second shutter speed. Picture was taken in October, 1965 on a 9,000 foot plateau above Clear Creek Canyon, Utah. Camera: Rolleiflex 3.5, Film: Professional Plus-X at f11 and 1/250 second. Late afternoon, looking east. Photographer Oertle remembers seeing what he thought was a vapor trail in viewfinder, then forgot the incident until processing the film some time later. Photo copyright by V. Lee Oertle, Beaver, Utah

THE OERTLE UFO, ENLARGED

Author’s analysis:

Starting from the center we have what is quite obviously a symmetrical form, consistent with a disc roughly at eye level. Surrounding this black symmetrical core is a white envelope, consistent with a plasma created around the disc by its whirling force-field used in propulsion. This plasma appears “bent” to the left of the disc by the obvious left-to-right motion of the vehicle across the scene. The high etheric potentials involved in the propulsion of the disc and creation of the plasma appear to be causing strong absorption of energy from the atmosphere and creating the shadowy enclosure around the disc and plasma. This “energy trail” extends backwards like the wake of a ship at sea. Small dot above and to the right of the main UFO is probably a second UFO.

UFO OFF AIRLINER WINGTIP

November 1975

None of the sixty-odd passengers sitting on the left side of a commercial airliner flying between San Jose and Long Beach in November of 1975 saw anything outside the aircraft at 30,000 feet. Yet the author, pioneering his reverse or dark spectrum technique, was able to objectify a veritable cosmic zoo—critters and craft—and bring them back in full color on standard film.

These photographs are in a string of exposures made at 2 frames per second that show a brilliant white UFO pass close to and under the wing of the airliner at 30,000 feet. This sequence actually took place in broad daylight, at approximately 10:30 A.M. By using an 18A filter over the lens of a standard Minolta XL-400 Super 8mm movie film, the author created an artificial darkness and the UFOs near the airliner came out on the film in color, although invisible to the eye. The films were shot “blind.” Ektachrome 160 was used.

In this picture, which is greatly degraded from the original color film, the wingtip of the airliner may be seen silhouetted against the body of the craft as a black, lance-like protuberance. The diffuse effect above the UFO is deep blue in color and is probably due to etheric energy luminating in connection with the propulsion of the craft.

The inset photo from the same film (upper left) shows orientation of photographer’s position to airliner wing on takeoff from San Jose.

BIG RED CRITTER

This photo was originally made in color, near St. George, Minnesota by deputy sheriff Arthur Straunch on 21 October 1965 while on a hunting trip. The coloration is red on the periphery, passing through to yellow and then to white on the very brightest part of the object. The author believes that this UFO belongs to his “critter” fami1y of UFOs—living invisible organisms native to our atmosphere that are capable of making changes in their density that render them sporadically and occasionally visible. The author photographs such critters direct from the invisible state using techniques of his own devising, described in the text. Photo courtesy Aerial Phenomena Research Organization

LITTLE RED CRITTER

The author photographed this invisible critter from the window of an airliner at 30,000 feet between San Jose and Long Beach, California in November of 1975. He used his “dark spectrum” technique and Super 8mm Ektachrome 160 film. Four successive photos were made at 2 frames per second, in the course of which the critter “warped out,” i.e., literally shrank from perceptibility while maintaining its station with airliner. This was typical density change mentioned by author in text.

Conversion to monochrome and enlargement have degraded image, but author states that in direct projection of color film there is no doubt of identity between this critter and one in Strauch photo above.

“Dark spectrum” technique simply involves placing an 18A filter over the camera lens to create an artificial darkness in full daylight. The author claims that UFOs—both critters and craft—come through onto the film and out of the artificial dark in full color. He says anyone can take such pictures.

REPLICATION OF THE INFRARED TECHNIQUE

Richard Toronto, of Vallejo, California, took this critter photograph after sundown in May 1977, near Apple Valley, California. After reading the first edition of The Cosmic Pulse of Life, he shot four rolls of Kodak infrared film. Two shots contained critters, although Toronto did not see anything visibly when he pressed the shutter.