
Bell C., Ritual Theory, Ritual Practice
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pf the actors, both validates and extends the schemes they are in ternalizing. Indeed, in seeing itself as responding to an environment, fitualization interprets its own schemes as impressed upon the actors Ifrom a more authoritative source, usually from well beyond the mmediate human community itself. Hence, through an orchestra tion in time of loosely and effectively homologized oppositions in /vhich some gradually come to dominate others, the social body reproduces itself in the image of the symbolically schematized en vironment that has been simultaneously established.
As Burridge describes it, ritualization sees the goal of a new person. It does not see how it produces that person— how it projects ^n environment that, reembodied, produces a renuanced person reshly armed with schemes of strategic reclassification. The com plex and multifarious details of ritual, most of which must be done (ust so, are seen as appropriate demands or legitimate tradition,
hey are not seen as arbitrary producers of distinctions. Ritualiation sees the qualities of the new person who should emerge; it loes not see the schemes of privileged opposition, hierarchization, nd circular deferment by which ritualized agents produce ritualized igents empowered or disempowered by strategic schemes of pracjce. Ritualization sees the evocation of a consensus on values, symols, and behavior that is the end of ritualization. It does not see ne way in which the hegemonic social order is appropriated as a ^demptive process and reproduced individually through communal Participation in the physical orchestration of a variety of taxonomic ;hemes.'?'
Ritua) and Language
[tterpretation of the seeing and not-seeing of ritualization is closely tftked to interpretation of the communicative function of ritual— Sji issue around which some controversy has accumulated. When tewed as a form of practice, chosen for its strategic qualites, it Incomes more readily apparent that rites take place specifically in ^'u of explicit logical speculation.'?* Ritual practices never define i^ything except in terms of the expedient relationships that ritualfl^tion itself establishes among things, thereby manipulating the eaning of things by manipulating their relationships.'?' For Levi-
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Strauss among others, what is distinctive about rituat is not what it says or symbotizes, but that first and foremost it
rituat is atways a matter of "the performance of gestures and the maniputation of objects.'"?" Hence, rituatization is simuttaneousty the avoidance of expticit speech and narrative.
Two issues are invotved and often cottapsed in any consideration of rituat and tanguage: first, the rituat use of tanguage; and second, the comparison of rituat as a tanguage to verba! or textua! languages, in the sense that its activities paratlet the communicative functions of the tatter.
It has been argued that in ritua! words themsetves are deeds that accomptish things. This position was pioneered by men tike Frazer and Matinowski, who understood most ritua] as magic because it assumed an identify between the word and the thing. More recently, Tambiah argued that the notion of rituat tan guage as magicat in a causat sense can be retired without tosing the importance of words to rituat activity. From his perspective, the distinctive communications of rituat tanguage are not some secondary dimension to the work of rituat but are centra! to what rituat is.'?'
Tambiah shares with many other rituat theorists a concern to show how rituat communication is not just an atternative way of expressing something but the expression of things that can not be expressed in any other way.'?* Yet this shared concern has ted theorists to widely dissimi!ar conctusions: that ritua! is !ess ambiguous (i.e., more precise and effective) than ordinary tanguage; that rituat is more ambiguous than ordinary tanguage; and that the development of sophisticated verbat communica tion actuatty obtiterates the vestigia) need for rituat communi cation.'??
Some have attempted to show that rituat communicates by 'modeting': strict!y speaking, it does not send messages but cre ates situations.'?" For Va)eri, these situations supply the oppor tunity to infer and master the codes underlying the ostensible activity of the rite, tt is a matter of programmed teaming that involves the perception and reproduction of concepts or princi ples.'?* For Tambiah, however, the situations modeled in rituat act either like "signals," which evoke certain responses, or like "signs," which can explain other activities in the same way that
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a blueprint can explain a house or the building of a house.'*" Other formulations have ritual communicate by affording expe riences in which underlying cultural premises are verified and cultural dispositions are reinforced.
Not only has there been criticism of the effort to analyze rit ual as a /angMage per se; there has also been criticism of the at tempt to analyze ritual as communicative in any sense at all.'*' Bourdieu, who is particularly insistent on this last point, avoids every semblance of literary or verbal analysis. He eschews, for example, all use of the terms metaphor, metonomy, and analogy in describing the operations of ritual practice. Practice qua prac tice, he insists, remains on the "hither side of discourse," and that is precisely the key to how it does what it does.'** Even those rites that are just a practical of the natural process to be facilitated arc not at al! like metaphor or analogy simply because they are not nearly as explicit. Ritual practice as such is always much fuzzier, avoiding the distinctive change in state that occurs when things are brought to the level of explicit dis course.'"' Relatively recent evidence for the existence of nonpropositiona! schemes and the manner in which they work to generate a social form of consensual meaning may provide more support for Bourdieu's position.'*^
Certainly ritualization makes ample use of words in prayers, vows, recitations, speeches, songs, and the like. Sometimes the words are considered by those involved to be most critical elements. Rappaport notes that for thirteenth-century William of Auxerre, it is the words themselves in the ritual of the Christian mass that turn physical matter into the sacrament of the body of Christ.'*' Evidence indicates, however, that this is a historically defined phenomenon: the words of consecration were formally el evated to this critical position in the Roman rite standardized by the Council of Trent in 1570 and, significantly, in conjunction with the formulation of the doctrine of transubstantiation and the en hanced sacramental power of the ordained priest. In the eucharistic meals of the early Church, on the other hand, the words were of little significance. The emphasis within those rites was on the doing of certain actions, specifically those thought to have been done before by Christ himself.'**
Even the briefest contrast of these two historical rites, regarded
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by the Roman church as one and the same liturgical tradition, reveals how strategic the use of language can be. Whereas the use of language or a particular mode of speaking does not appear to be intrinsically necessary to ritual as such, the opposite does hold— namely, that ritualization readily affects the way language is used and the significance it is accorded/"?
Propositions and formulations occur in many rituals and they may even be the most critical moment, as in the Roman rite's words of transubstantiation or "! do" when one is sworn to tell the truth in a court of law. Verbal formulations with the same performative force can be found even in cultures reputed to be less "logocentric." Yet these formulations themselves do not open a discourse within the rite about what the ritual is doing. They are, in the full sense intended by Austin, performative in their particular context; they are not explicit narrative discourse.'""
The deconstructive enterprises of Derrida and DeMan have ex plored nonpropositional meanings and the rhetorical role of met aphorical images in structuring texts. Derrida, as we have seen, points to the endless deferral of meaning both within the text and within the act of interpreting, or transcoding, the text. DeMan, however, calls attention to how deconstruction of the metaphors and tropes structuring the text and thick description of their deferral of signification does not, in the end, begin to grasp the ways in which the text continues to resist reduction to these devices. Said has given this "resistance" a name, calling it "the practical world liness of the text." He describes this worldiness as a dimension of textuality beyond the free play of grammatology. The practical worldliness of the text is not simply the sociohistorical context of the work or any type of irreducible essence within the work. The practical worldliness of a text is its own practice of the strategies of social action inherent in texts and textualization. Echoing Der rida, Said argues that the text specifically hides how it, in the form of a text, participates in a network of power: "A text is not a text unless it hides from the first comer, from the first glance, the law of its composition and the rules of its game.'""* Again, these laws and rules are not some inaccessible secret within the text but ac company the text as a strategic form of cultural signification and practice.
This example of the resistant text is useful in attempting to ex-
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pticate the strategies of rituatization. These strategies witt inevitabty etude futt articutation simpty by virtue of the fact that futt articutation is not a medium that can grasp them. That is to say, within the medium of formatty expticit discourse, there is nothing there to grasp, just a variety of cutturatty instinctive and ftexibte schemes with which to avoid and undermine everything but the ritua! acts themsetves.
Redemptive Hegemony and Misrecognition
The retationship between the seeing and the not-seeing of rituat mastery constitutes the particutar object-unity of rituatization as a strategic mode of practice. A more famitiar exampte, drawn from theoreticat practice, may act as a usefut introduction to the notion of an object-unity to rituat practices. Certainty the principtes of practice addressed eartier in this chapter can readity be seen to function in the practice of theory as wet) as ritua]. For exampte, Chapter i began by focusing on the strategy of a priviteged op position between thought and action as wett as the misrecognition that enabtes a discourse to identify object, method, and experts as one interdependent and intertegitimizing whote. !n the retationship between what theoretica! practice sees itse!f doing and what it does not see (the object-unity of theoreticat discourse), one finds the production of systematic and seemingty independent bodies of knowledge. These bodies of knowledge act simultaneously to secure a particular form of authority, a particutar autonomous reatity for study, and some degree of free competition for access to mastery of theoretical practice. Theorists see the goat of knowtedge and the work of research; they do not see the production of a discourse with its objects, subjects, and methods. Nor, as many have de scribed, do they see how this discourse manipulates its own context of power relations. Through appeals to the objectivity attending independent fietds of study, such a discourse wins a dominant po sition by virtue of contrasting itsetf with more overtly political or coercive practices.
Ritual mastery, like the culturatly defined mastery of theorica! practice, reveats a specific object-unity characteristic of ritualization as a particular mode of practice. Specifically, its relationship of
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seeing to not-seeing is the production of agents embodying a sense of ritua] constituted by and expressed in particular schemes of rituahzation. These schemes act as instruments for knowing and ap propriating the wortd. The deptoyment of these schemes both structures experience of the world and molds dispositions that are effective in the wortd so experienced. These structured and struc turing experiences of the world appear to guarantee the reality and value of their underlying schemes by means of the sense of fit or coherence between the instincts of the socialized body and the en vironment in which it acts. And yet ritualization does not simply act, unseeingly, to bring the social body, the community, and the largest image of reality into some reassuring configuration of co herent continuity. More fundamentally, it also appropriates this coherence in terms of the interests of persons or groups. The co herence is rendered and experienced as redemptive for those em powered by the schemes of the ritual.
The distinctive strategies of practices of ritualization— their ob- iect-unitv, blindness and insight, mastery and misrecogni tion— must lie beyond the reach of a logical theoretical articulation. The frustration of theorists attempting to grasp the principle of this efficacy is evident in Maurice Bloch's exasperated wail: "H ow does ritual actually do what we say it does?'""" Bloch pushes this ques tion, pointing out, for example, that despite the dominance and endurance of Durkheim's analysis of ritual there is still no expla nation of /?ow ritual makes collective representations come to ap pear as external to the individual.'"' He similarly critiques Geertz's description of the poetics of power in the Balinese wegara, arguing that Geertz never really explains M^y the ritual has the power with which he credits it.'"* Bloch himself contributes two valuable an swers, "formalization" in one context and the interrelationship of local and central rites in another context.'"' His answers point to important strategies of ritualization but not to their distinctive ob- ject-unity. Nor does Bloch's rather functional question ("How does ritual do what we say it does?") adequately allow for the nature of practice. We might better ask, How is it that ntna/ activities are seen or judged to be the appropriate thing to do? This second question gets closer to the dynamics of the 'sense of ritual' and the choice of ritualization strategies over other ways of acting in a given situation.
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Nonethetess, using the approach to ritua) graduaHy devetoped Hthis chapter, Bloch's question can be answered in part.^Ritual bes what it does through the priviteged differentiations and de- ?rred resolutions by which the ritua!ized body structures an enironment, an environment that in turn impresses its high)y uanced structure on the bodies of those invotved in the rite, trategies, signification, and the experience of meaningfutness are )und in the endless circularity of the references mobilized, durtg the course of which some differentiations come to dominate [hers. Rituat mastery is the ability— not equaHy shared, desired, r recognized— to (1^ take and remake schemes from the shared tilture that can strategically nuance, privilege, or transform, eploy them in the formulation of a privileged ritual experience, hich in turn (3^ impresses them in a new form upon agents tyle to deploy them in a variety of circumstances beyond the cirlmference of the rite itself.}
In response to the revised question asked above, it can be said \at ritualization is perceived to be the most effective type of action * take in two overlapping circumstances: first, when the relation- ^ps of power being negotiated are based not on direct claims but '1 indirect claims of power conferred; and second, when the he- ^monic order being experienced must be rendered socially reSmptive in order to be personally redemptive. For example, !tualization is the way to construct power relations when the power ' claimed to be from God, not from military might or economic ^iperiority; it is also the way for people to experience a vision of Community order that is personally empowering.
, To complete this description of ritualization as a cultural sixth 'tnse' for the production of schemes that afford the forging of an ^perience of redemptive hegemony, it is necessary to explore not 6 actual contexts of ritualization— that would be a matter of '^cific cultural communities in history— but at least a more ac hate if abstract scope for ritualization, namely, the context of "storical traditions and spatiotemporal ritual systems. Few prac- *^s of ritualization are effective outside such contexts. While in- ;pensab!e as context for any act of ritualization, such traditions 'd systems of ritualized practices are secondary in an analytical jjise, since they are themselves constituted by the further play of 5 strategies of ritualization already discussed. Nonetheless, most
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ritua! activity not on!y p!ays off contrasts with nonritua!ized be havior; it a!so p!ays off other forms and instances of ritua! activity. Thus, the "rituatized ritua!" that Dougtas sees as defining tradition is a strategic systemization of rituat schemes to afford a priviteged differentiation of whote institutions and bodies of activities.'^
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Ritualization invokes dynamics of contrast with other forms of culturat activity and, inevitabty, with other rituatized acts as wet). Indeed, one cannot adequatety portray the futt dynamics of rituatization except in the targer context of rituat traditions and systems. Severat interretated dimensions of this context can be provisionatty distinguished: first, a historicat dimension in the sense of tradition ary rituatized activities thought to have been handed down from previous generations; second, territoriat and catendricat dimensions that inctudc annua) cyctes of regiona) rituat activities invotving over tapping groups from the domestic to the nationa); and third, an organizationa) dimension provided by the presence of ritua] experts, their standardization of ritua) activities, codification of texts, and e)aboration of a discourse on ritua).
The Construction o f Tradition
Many theoretica] approaches to the notion of 'tradition.' particu- )ar)y in retation to ritua) activities, are structured around the familiar probtem of continuity and change. Ctearty some things remain suf ficiently consistent over time to give people a sense of continuity with what are believed to be precedents; but it is equally clear that traditions change in structure, details, and interpretation and such changes are not always fulty recognized by those who tive them. Many scholars designate as 'tradition' that which does not change; others attempt to combine change and continuity within the notion
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of tradition. Taking the tatter position, Paut Mus, Tambiah, and J. C. Heesterman have at! advanced an understanding of tradition as constituted by a paradox, an "inner conf!ict" so to speak, between an idea! atempora! order (unchanging structure) on the one hand and the profane wor!d of tempora! change and compromise (chang ing history) on the other. Heesterman, for one, identifies the Vedic sacrifice as the idea! and perfect order of ritua!, represented by the brahmin. The brahmin is inevitabty !ocked in strugg!e with the king, who represents the !ess than idea! order of the tempora! wor!d. Each is differentiated from but dependent upon the other.'"* How ever. it js hard to see how this anatysis of tradition amounts to more than an impressive titerary and interpretive device by which theory creates a diatectic of categories by means of which, in this case, structure consistenttv appropriates history.
Hobsbawn and Terence Ranger atso exptore the ramifications of tradition as a set of fixed activities and vatues inherited from the past and scrupulously preserved. But they specifically distinguish tradition from 'custom.' Custom, associated with oral cultures, re mains inherently flexible and pragmatic, whereas tradition, by vir tue of the rote of written records, is a matter of invariant and often impractical routines and conventions.'"" tn the spirit of Goody's research on orality and literacy, Hobsbawn and Ranger point to the importance of literacy to any notion of unchanging tradition as wett as to the value given 'fixity' as a form of tegitimation. "The pastness of the past," Goody and tan Watt state," . . . depends upon a historica) sensibitity which can hardly begin to operate without permanent written records.'""? Similarly, the traditional Western distinction between taw and custom is one that arises when literacy leads to the distinct fixity of law in contrast to the inherent flexibility of custom— as in ritual, myth, and oratory— in oral cultures.'""
Rappaport implicitly rejects the typology of literate/tradition and ora!/custom. On the one hand it is obvious that literate societies with fixed traditions of law atso possess customs transmitted orally. On the other hand, Rappaport argues, even in ora) cultures every rite contains some percentage of traditional or unchanging material. He distinguishes these "canonical messages," as he calls them, which derive from the past and do not refer to the current situation in any way, from "indexical" e!ements, which are shaped by the current context of the rite. Some activities wilt be primarily can