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3.4. Find the synonyms:

1. company

1. brand

2. to manufacture

2. customer

3. trademark

3. to produce

4. consumer

4. corporation

5. to establish

5. income

6. to unveil

6. to found

7. revenue

7. to announce

8. to demonstrate

8. to mix with smb

9. to keep in touch with smb

9. to begin

10. previous

10. to show

11. to return

11. interoperation

12. to start

12. former

13. to achieve

13. constantly

14. permanently

14. to reach

15. compatibility

15. to come back

IV. Grammar in Focus:

4.1 Translate the sentences with the Object Clauses:

  1. In 2011 Jobs announced that he would take the medical leave for an indefinite period.

  2. I do not understand what I must do now.

  3. They want to know when you’ll be here again.

  4. I asked if she saw the key.

  5. I thought you were his friend.

  6. She knows where she left the phone.

  7. I have forgotten whom I gave the book.

8. The family decided that the elder son should become a lawyer.

9. Do you know if any changes have been made in your time- table?

10. I’m glad you are with us again.

4.2. Translate the sentences with the Attribute Clause:

1. The same year Jobs founded NeXT Inc. which had no significant success.

2. Is there anything you want to have?

3. The waters of the lake which is twenty miles in circumference were burnished by the setting sun.

4. Most houses are lighted by electricity which is very convenient and cheap.

5. There are times when everyone feels a little sad.

6. I heard of it from my wife who had heard of it from a friend of hers.

7. I have done all I could.

8. We went to the hotel which was located in the centre of the city.

9. Tom’s brother who lives in Moscow is an engineer.

10. Life has a purpose that must be fought for.

V. Speaking

5.1*. The Apple logo is one of the most famous logos in the world. There are many theories about this logo and many of them are vaguely accurate. Read the interview with Rob Janoff, the designer of the original Apple logo. Say what was the real version of creating the Apple logo? What other questions would you ask Rob Janoff?

Reporter: When did you design the original Apple logo with the colourful stripes?

Rob Janoff: Early 1977. The agency got the account (Apple) sometime January. The logo was introduced with the new product Apple II in April of that year.

R.: Were you working for an agency at the time?

R.J.: Yes, I was working for an advertising and public relations agency called Regis McKenna and I was an art director.

R.: Have you met Steve Jobs?

R.J.: Sure. It was before he was getting his company started. So they were just Steve Jobs, Steve Wozniak and Mike Markkula. Mike was the elder guy who controlled these young entrepreneurs. And I think it’s because Mike Markkula is how the account wound up at our agency. He was a friend of my boss, Regis McKenna.

R.: Did you get a brief from them?

R.J.: Really there was no brief. But the really funny thing was the only direction we got from Steve Jobs is: «don’t make it cute». There were briefs on subsequent jobs. First there was the logo, then there was an introductory ad and a sales brochure for the upcoming introduction. But it was pretty lose at that time. There was a previous logo to my logo. It was a logo done by Ron Wayne who was a very brief partner of Steve . He later took a buy-out, because he was a little concerned about the financial obligations he might have. He had a young family and the other guys didn’t. Ron did a pen and ink drawing of Sir Isaac Newton sitting under an apple tree with a poem all around the border. And, I think when Steve Jobs started to get serious about the Apple II and getting a prototype for the design of the shell he realized that logo would not do. So he needed a new logo.

R.: How many versions did you do for the presentation?

R.J.: We presented two versions of the logo. One with and one without the bite. Just in case he thought the bite was too cute. Striped version, solid colour version, metallic version. All those with the same shape.

R.: So even then you knew you needed a solid colour version and a metallic version?

R.J.: When you’re doing printing of either one or two colour you need to have some way to go and I realized that the stripes would not always get it. The stripes really didn’t work as a greyscale halftone.

R.: Do the colours represent the hippy culture, which was in fashion at the time?

R.J.: Partially it was a really big influence. Both Steve and I came from that place, but the real solid reason for the stripes was that the Apple II was the first home or personal computer that could reproduce images on the monitor in colour. So it represents colour bars on the screen. Also, it was an attempt to make the logo very accessible to everyone, especially to young people so that Steve could get them into schools.

R.: At the time most logos were single colour or 2 colour logos. Anybody fought against the colour stripes?

R.J.: Steve liked the idea, because he liked things that were outside the box. And, it’s not so revolutionary now, but it was a little different then. However I got a lot of opposition from one of the higher account executives at agency. He was sort of working against me on the meeting where I presented the work to Steve. He made a comment that if this new company went ahead and produced stationary in all these colours they will go bankrupt before they start the business. That was kind of the attitude that I was facing from the agency. But Steve liked it right off. He’s a perceptive guy as we later learned and he liked the uniqueness of it as well.

R.: What does the bite in the apple represent? Is it a reference to a computing term byte? Is it a reference to the biblical event when Eve bit into the forbidden fruit? Is the fruit itself referencing the discovery of gra-vity by Newton when an apple fell on his head while sitting under the tree?

R.J.: They are really interesting, but I’m afraid it didn’t have a thing to do with it. From a designer’s point of view and you probably experienced this, one of the big phenomena is having the experience of designing a logo for whatever reasons you design it, and years later you find out supposedly why you did certain things.

R.: Is it possible you were influenced subconsciously by these stories?

R.J.: Well, I’m probably the least religious person, so Adam and Eve didn’t have anything to do with it. The bite of knowledge sounds fabulous, but that’s not it. And, there is a whole lot of other lure about it. Anyway, I explain the real reason why I did the bite. I designed it with a bite for scale, so people get that it was an apple not a cherry. Also it was kind of iconic about taking a bite out of an apple. It goes across cultures. If anybody ever had an apple he probably had bitten into it. It was after I designed it, that my creative director told me: «Well, you know, there is a computer term called byte». And I was like: «You’re kidding!» So, it was like perfect, but it was coincidental that it was also a computer term. At the time I had to be told everything about basic computer terms.

R.: You obviously didn’t design the logo on computer?

R.J.: At that time computers couldn’t really do that for me. It was only years later till the Mac was designed, developed and refined that I even start working on a computer. At the time it was all pencil and paper, glue and cut paper, pens and all that stuff.

R.: How does it feel to see your logo everywhere?

R.J.: It’s a real unique experience. It’s kind of a personal thing. It’s kind a like having a kid. I am very proud of it.

R.: Do you like the changes Apple made to your original design over the years?

R.J.: Yes, I do. The stripes served their purpose and they are definitely dated. I think it’s very important that a product like Apple keeps very up-to-date and the company has fabulous designers working for him in industrial design and graphic design. I feel great that it’s still the same basic silhouette even though it went through lots and lots of changes. The apple shape changed slightly from my original design in the early 80’s. The design firm Landor & Associates made the changes. They brightened the colours, they made the shapes much more symmetrical, much more geometric.

R.: Do you use Macs today? Do you still work?

R.J.: I’d really like to retire, but in this economy I really can’t. I do work on a Mac, it’s all I ever worked on. I would not know what to do with a left click and a right click. Been brand loyal all the way, even though the products cost a little bit more. I wouldn’t think of using anything else. Plus, for graphics and design Apple has it all over Microsoft.

R.: Can you tell me a favourite logo of yours that is not designed by you?

R.J.: There is a lot. I really do like other classic designs. Volkswagen because it's very clear what it is and it’s been around for so long. I’m trying to think of other logos that incorporated the multicolour and I thought of NBC logo. I like logos with a relationship with positive and negative spaces, where something is revealed.

R.: Thank you so much for the interview!

5.2.* Introduce a gadget you would like to have.

5.3.* Make up the presentations on the topic «Non-governmental organizations». Use tips given in the appendix 1.

VI. LISTENING

6.1. Listen to the text Smart Phones on http://www.esl-lab.com

6.2. Do the tasks given to this text.

SUPPLEMENTARY TASKS

1. Translate the sentences paying attention to the Gerund,

Participle and Infinitive:

1. Working with him was a pleasure.

2. It is necessary to solve this problem.

3. It is no use crying over spilt milk.

4. She began crying.

5. He must have gone away.

6. The only way out is to tell him the truth.

7. He did not want to be seen.

8. She insisted on speaking English.

9. There are a lot of books to choose from.

10. He came here to take the photo.

11. He left without saying a word.

12. On seeing the child's drawing he smiled.

13. Having worked all day she was tired.

14. Feeling tired he decided to have a rest.

15. Walking along the street he noticed his friend.