- •Suggestions and invitations
- •2. We could… / You could…
- •5. What about…-ing? / How about …-ing?
- •6. Fancy …-ing?
- •Invitation clichés. Then act it out.
- •Language use
- •Language use and communication
- •Grammar
- •If You Go To Rome
- •Language use and communication
- •Grammar
- •Reading, speaking and language use
- •Stunts and make-up
- •Language use
- •Language use and writing
- •Film terms and communication
- •Reproduce the dialogue. Try to mention its main points and use the highlighted words.
- •Начало формы reading and speaking
- •Writing
- •First, study several different film posters and answer the questions:
- •Writing and communication
- •Film terms
- •Complete the table with information about 3 more films.
Начало формы reading and speaking
Exercise 48. Read the article about a famous drama and say what makes it one of the
greatest films of all times.
Autumn Sonata
“Autumn Sonata”, a psychological drama, was shot by an iconic Swedish director Ingmar Bergman in 1978.
He didn’t only direct the film, but also wrote the script. Two brilliant actresses played the main parts in the movie. One of them was Ingrid Bergman, certainly one of the most beautiful women to ever appear in a film, but that is not the source of her mysterious appeal. There is something there, in that voice and those eyes and in the way her mouth thinks words before she says them in the movies. It took Ingmar Bergman thirty-five years to finally cast her, and then, in her fortieth year as an actress, Ingrid Bergman called “Autumn Sonata” her last film. It was “Autumn Sonata” that paired the two celebrated Sweden's film artists for their only joint effort; and Ingrid gave nothing less than the performance of her lifetime.
Ingrid
Bergman performs opposite Liv Ullmann, who is herself good enough to
meet her on the same very high level. They play mother and daughter
and the plot focuses on their relationship. The mother, Charlotte
(Ingrid Bergman) is a world famous pianist. She last saw her daughter
Eva (Liv Ullmann) seven years ago. She's too busy and always
travelling and booked up almost every night of the week and … ,
it’s small wonder she’s terrified of coming face to face with her
daughter. There are, in fact, two daughters: the one played by
Ullmann, who is serious and introspective, filled with guilt, blame
and love; and then, the other daughter Helena (Lena Nyman), who lives
with her, and who suffers from a degenerative nerve disease. The
mother's solution to this daughter's illness was to place her in a
“home”; Eva took her out of the institution two years ago and is
taking care of her at home. So, one day in early autumn when the
mother arrives for her visit, she has no idea that the sick daughter
is going to be there. Her response, when she learns about it, is
dismay. She realizes she can’t deal with the illness and in fact
she can’t be a mother at all. She doesn't merely reject the
responsibility; she flees from it.
The action of “Autumn Sonata” takes place over one long day and painful night in which the pleasantries of the opening hours give way to deeper and deeper terror and guilt, accusations and renunciations, cries and whispers. And Ingmar Bergman, detaching himself from this material refuses to come up with any solutions. He only depicts two people, each demanding love from the other, each doomed by the past to lose the ability to love. This is very difficult material. Ingrid Bergman and Liv Ullmann address it with courage and skill that are astonishing. Besides, it was very important to Ingrid Bergman to play in her native language for the first time and to work with one of the most outstanding film directors. It is not just that “Autumn Sonata” was Ingrid Bergman's last film. It's that she knew she had to make it before she died.
Exercise 49. Make a presentation of your favourite film using Exercises 44 and 46 as
samples.
