- •Module I. Styles of speech and their prosodic characteristics Unit 1. Correlation between Extralinguistic and Linguistic Variation Explanation
- •1. Formal:
- •2. Informal:
- •Задания для самостоятельной работы студентов
- •1.1. Teacher to students in a classroom
- •1.2. Teacher to teacher at school
- •2.1. Teacher to head-master at school
- •2.2. Mother to daughter at home
- •3.1. Mr. Higgins to Head of the committee in an office
- •3.2. Mr. Higgins to his colleague in an office
- •1.1. Two friends about the exams
- •1.2. Two friends about the theatre
- •2.1. Two friends about the studies
- •2.2. Two friends talking in a cafe
- •1. Teacher at school introducing new material in a geometry class
- •2. A lecture to college students
- •Unit 2. Prosodic Peculiarities of Formal and Informal Speech Explanation
- •Задания для самостоятельной работы студентов
- •II. Note the difference in the placement and type of pauses, as well as the number and length of intonation-groups in reading an extract of fiction and spontaneous speech.
- •IV. Note the difference in the degree and in the devices of expressiveness used in formal and informal speech varieties.
- •Practice Activities
- •I. Choose the appropriate response (a, b) for the given stimulus-utterances according to the speech situation.
- •II. Act out the following conversations using prosodic patterns appropriate to the speech situation.
- •Practice in Reading and Memory Work
- •Informal Ordinary
- •Informal Familiar
- •Practical material
- •Задания для самостоятельной работы студентов
- •Practical material
- •Unit 2. Speech Typology Explanation
- •Intonational Styles and Speech Typology Correlation
- •Practical material
- •Module III. Functional styles by m. A. Sokolova Unit 1. Informational (Formal) Style Explanation
- •Задания для самостоятельной работы студентов
- •Practical material
- •Unit 2. Scientific (academic) style Explanation
- •Задания для самостоятельной работы студентов
- •Practical material
- •Unit 3. Declamatory style Explanation
- •Задания для самостоятельной работы студентов
- •Practical material
- •Unit 4. Publicistic style Explanation
- •Задания для самостоятельной работы студентов
- •Practical material
- •Unit 5. Familiar (Conversational) style Explanation
- •Задания для самостоятельной работы студентов
- •Practical material
- •Module IV. Practical tasks in reading and role-playing
- •1. Advantages of Phonetics ♫
- •3. Uk Elections ♫
- •4. Bedtime story ♫
- •5. A Picnic ♫
- •6. Peter Parker ♫
- •7. Roman Architecture ♫
- •9. Holiday plans ♫
- •10. Conversation ♫
- •10. Election Night Victory ♫
- •11. Red Riding Hood ♫
- •12. Local News ♫
- •13. Linguistic Tolerance ♫
- •14. Conversation ♫
- •15. King Henry IV (Act III, Scene I) ♫
- •16. A Date for the Theatre ♫
- •17. A New Chief for the Securities and Exchange Commission ♫
- •18. Cinderella ♫
- •19. Monologue ♫
- •Practical material
- •Module V. Listening comprehension talking english
- •Программа зачета по практической фонетике английского языка для студентов 2 курса, специальность «теория и практика межкультурной коммуникации»
- •Трудоемкость дисциплины
- •Обеспеченность дисциплины учебным материалом
- •Самостоятельная работа студентов
- •Pattern 1. Low fall only
- •Pattern 3. High pre-head
- •Tone-group 3
- •Pattern 1. High fall only
- •Tone-group 4
- •Tone-group 6
- •Tone-group 7
- •Tone-group 9
- •Методические материалы, обеспечивающие возможность контроля преподавателем результативности изучения дисциплины
- •1. The Growth of Asia and Some Implications for Australia ♫
- •2. Stonehenge ♫
- •3. Conversation ♫
- •4. The Suspect ♫
- •5. Allowance Helps Children Learn About Money ♫
- •6. The American Novel Since 1945 ♫
- •7. American Educators Consider Later High School Start Times ♫
- •8. Sunflowers ♫
- •9. North Sea Oil ♫
- •10. Statement
- •11. Conversation ♫
- •12. Introduction to Psychology ♫
- •13. The Weather Forecast
Intonational Styles and Speech Typology Correlation
Speech typology
Intonational Styles
|
Varieties of language |
Forms of communication |
Degree of speech preparedness |
Number of participants
|
The character of relationship of participants |
|||||
Spo- ken |
Writ ten |
Mono-logue |
Dia-logue |
Pre-pared |
Spon-taneous |
Pub-lic |
Non-public |
For-mal |
Infor-mal |
|
Informational style |
– |
+ |
+ |
+ |
+ |
+ |
+ |
+ |
+ |
– |
Scientific style |
+ |
+ |
+ |
+ |
+ |
+ |
+ |
+ |
+ |
+ |
Declamatory style |
+ |
+ |
+ |
+ |
+ |
+ |
+ |
– |
+ |
– |
Publicistic style |
+ |
+ |
+ |
+ |
+ |
+ |
+ |
+ |
+ |
– |
Familiar style |
+ |
– |
+ |
+ |
– |
+ |
– |
+ |
– |
+ |
QUESTIONS:
What does speech typology embrace?
Why is it important to take into account speech typology when analyzing intonational styles?
How is each intonational style manifested from the point of view of speech typology?
Practical material
King Richard II (Act III, Scene 3) ♫
ˈWhat ˙must the ˙King ˙do \now? ˌMust he sub’mit?
The ˈKing shall \do it. ˌMust he be de’posed?
The ˈKing shall be con\sented. ˈMust he ˙lose
The ‘name of ˙King? O ˈGod’s \name, ˈlet it \go.
I’ll ˈgive my ‘jewels│for a ˈset of \beads,
My ˈgorgeous ‘palace│for a \hermitage,
My ˈgay ap’parel│for an \almsman’s ˌgown,
My ˈfigured ‘goblets│for a ˈdish of \wood,
My ˇsceptre│for a ˈpalmer’s \walking-ˌstaff,
My ‘subjects│for a ˈpair of ˙carved \saints,
And my ˈlarge ‘kingdom│for a ˌlittle \grave,
A \little, ˈlittle \grave, an obs\cure ˌgrave; –
ˈOr I’ll be ‘buried in the ˈking’s \highway,
Some ˈway of ˌcommon \trade, where ˈsubjects’ ‘feet
May ˈhourly \trample on their ˈsovereign’s \head;
For ˈon my ‘heart they ˌˌtread \\now│ˌwhilst I \live,
And ‘buried ˙once, why ˈnot upon my ‘head?
W. Shakespeare (1564-1616)
Module III. Functional styles by m. A. Sokolova Unit 1. Informational (Formal) Style Explanation
Informational (formal) style is characterized by predominant use of intellectual intonation patterns. It occurs in formal discourse where the task set by the sender of the message is to communicate information without giving it any emotional or volitional evaluation. This intonational style is used, for instance, by radio or television announcers when reading weather forecasts, news, or in various official situations. It is considered to be stylistically neutral.
When using informational the speaker is primarily concerned that each sentence type, such as declarative or interrogative, command or request, dependent or independent, is given an unambiguous intonational identity. The sender of the message consciously avoids giving any secondary values to utterances. It might interfere with the listener’s correct decoding the message and with inferring the principal point of information in the sentence. So in most cases the speaker sounds dispassionate.
The characteristic feature of informational style is the use of (Low-Pre-head + ) Falling Head + Low Fall (Low Rise) ( + Tail), normal or slow speed of utterance and regular rhythm. Less frequently the Stepping Head (characterized by an even, unchanged pitch level over each of the stress-groups) may be used instead of the Falling Head. In certain cases the Fall-Rise occurs, with the falling part of the tune indicating the main idea and the rising part making some addition to the main idea.
In informational style intonation never contrasts with lexical and grammatical meanings conveyed by words and constructions. Internal boundaries placement is semantically predictable, that is, an intonation group here always consists of words joined together by sense. Besides, it is important to note that intonation groups tend to be short, duration of pauses varies from medium to long. Short pauses are rather rare.
The following examples illustrate the use of informational style.
(A) The speech of a radio announcer during news coverage:
ANNOUNCER: … ↘Early ˈyesterday ‚morning │ the ↘engine ˈdepot at ‚Rouen│was the ↘target of ˈsaboteurs. ║ The → heavy ma\chine ˌshops│were → totally \gutted│and e↘leven ˈloco\motives│com→ pletely des\troyed.
(B) At a Bank
A: ↘Do you ˈthink you could ˈchange my ‚note for me, please?
B: → How shall I \give it to you?
A: ↘Notes and ˈlarge \silver, please.
B: ↘Was there ˈanything ˌelse?
A : \Yes, ↘could you ˈtell me my ‚balance?
