- •William shakespeare (1564-1616)
- •Hamlet, prince of denmark
- •Daniel defoe (1661-1731)
- •Robinson grusoe Part I
- •Part II
- •Part IV
- •Jonathan swift (1667-1745)
- •Henry fielding (1707-1754)
- •Walter scott (1771-1832)
- •Robert burns (1759-1796)
- •The main trends in burns' works
- •Lake school
- •Percy bysshe shelley (1792-1822)
- •John keats (1795 - 1821)
- •George gordon byron (1788-1824)
- •Critical realism in england
- •19Th century
- •Charles dickens (1812-1870)
- •Dickens and education
- •William m. Thackeray (1811 – 1863)
- •Charlotte bronte (1816-1855)
- •Oscar wilde (1854-1990)
- •The devoted friend
- •Bernard shaw (1856-1950)
- •John galsworthy (1867-1933)
- •The forsyte saga
- •Herbert wells (1866-1946)
- •William somerset maugham
- •The moon and sixpence
- •Boynton priestley (1894-1984)
- •An inspector calls
- •Part II american literature historicai background
- •Benjamin franklin (1706-1790)
- •Romanticism
- •Washington irving (1783-1859)
- •First Period of Writing
- •Second Period of Writing
- •Third Period of Writing
- •The adventure of my aunt
- •James fenimore cooper (1789—1851)
- •The last of the mohicans
- •Edgar allan poe (1809-1849)
- •The purloined letter
- •Henry wadsworth longfellow (1807-1882)
- •The song of hiawatha
- •Critical realism
- •Lost generation
- •Depression realism
- •Escapism and war
- •Postwar voices
- •Mark twain (1835-1910)
- •Twain's masterpiece: huckleberry finn
- •Is he living or is he dead?
- •O. Henry (1862 – 1910)
- •Lost on dress parade
- •Jack london (1876-1916)
- •Short stories
- •Nonfiction and autobiographical memoirs
- •Jack london credo
- •Martin eden Part I
- •Part II
- •Part III
- •Theodore dreiser (1871-1945)
- •An american tragedy Part I
- •Part II
- •Part III
- •Francis s. K. Fitzgerald (1896-1940)
- •The great gatsby
- •Ernest hemingway (1899 - 1961)
- •In another country
- •William faulkner (1897-1962)
- •The snopes trilogy The Hamlet
- •Jerome david salinger (born 1919)
- •Eugene o'neill (1888-1953)
- •The hairy ape (1922) a comedy of ancient and modern life Scene Two
- •Contents english literature
- •American literature
Jerome david salinger (born 1919)
Salinger has become a classic because of his real understanding of American youth.
Jerome David Salinger was born in 1919 in New York. His father was a prosperous importer of ham and cheese. The boy grew up with a sister who was eight years older than he. He was said to be friendly with other children, but he always wanted to do unconventional things: for hours no one in the family knew where he was or what he was doing; he only showed up for meals. He seldom joined other boys in a game.
Salinger did not do well at school, so his parents enrolled him in a military academy. There at night, tenting a blanket over his head, Salinger wrote his first short stories. Literature had been the only subject he had really liked at school.
On graduating from the Valley Forge Academy he told his family that he wanted to become a writer. His father thought that was not the career for him. So Salinger was sent to Poland to learn the ham business. Some time later he returned to America.
Salinger tried to attend college but soon found that academic programme was of no avail to him. The first story he published was "The Young Men" (1940).
During the Second World War he spent four years in the army and was sent to Europe. In 1943, while Salinger was still in France, the American magazine "Saturday Evening Post" published his story "The Varioni Brothers". Sergeant Salinger sent the money he earned to the editor of the magazine "Story" to help other young writers.
In 1944, Salinger met Ernest Hemingway. Hemingway had read Salinger's stories and said that the young man had "a helluva talent" (a hell of a talent). Some other stories of his, published in 1946 in a very respectable literary magazine, brought him fame as a writer.
Salinger's short novel "The Catcher in the Rye" appeared in the summer of 1951. The book became popular with its readers and was admired by many writers, too. Salinger uses an original form of narration. The story is told by a teen-ager in funny schoolboy slang. The tone is intimate and friendly. He seems to be full of laughter. But through the boy's artless humorous talk his tragic attitude towards life becomes soon visible:
The extract from the novel describes the talk between Holden and his sister Phoebe whom he loves. Holden tells her of his troubles. The conversation Holden has with Phoebe carries out the main idea of Salinger. Here is part of the conversation:
"Phoebe says: 'You don't like anything that's happening’
"It made me even more depressed when she said that.
"Yes, I do. Yes, I do. Sure I do. Don't say that. Why the hell do you say that?'
"Because you don't. You don't like any schools. You don't like a million things. You don V
"I do! That's where you're wrong—that's exactly where you're wrong! Why the hell do you have to say that? Boy, was she depressing me?'
"Because you don't,' she said. 'Name one thing.”
"One thing? One thing I like?' I said 'Okay.”
"The trouble was, I couldn't concentrate too hot. Sometimes it's hard to concentrate.
"One thing I like a lot you mean?” I asked her.
"She didn't answer me, though. She was in a cockeyed position way the bell over the other side of the bed. Sfce was about a thousand miles away. 'C'mon, answer me,' I said. One thing I like a lot, or one thing and just like?”
"You like, a lot.”
"All right,' I said. But the trouble was I couldn't concentrate. ... There was this one boy at Elkton Hills, named James Castle, that wouldn't take back something he said about this very conceited boy, Phil Stabile. James Castle called him a very conceited guy, and one of Stabile's lousy friends went and squealed him to Stabile. So Stabile, with about six other dirty bastards, went down to James Castle's room and went in and locked the goddam door and tried to make him take tack what he said, but he wouldn't do it. So they started in on him... but he still wouldn't take it back, old James Castle. And you should have seen him. He was a skinny little weak-looking guy, with wrists about as big as pencils. Finally, what he did, instead of taking back what he said, he jumped out of the window. I was in the shower and all, and even I could hear him land outside. But I just thought something fell out of the window, a radio or a desk or something, not a boy or anything. Then I heard everybody running through the corridor and down the stairs, so I put on my bathrobe and I ran downstairs too, and there was old James Castle lying right on the stone steps and all. He was dead, and his teeth, and blood were all over the place, and nobody would even go near him...
"That was about all I could think of, though..."
Questions and tasks
1. Describe Jerome David Salinger's family and childhood.
2. Why was he put into a military academy?
3. When was his first story published?
4. What did Salinger do during the Second World War?
5. Speak about Salinger's works.
6. What can you say about the main character of the novel "The Catcher in the Rye".
7. Did Holden understand what had happened to James Castle?
