- •William shakespeare (1564-1616)
- •Hamlet, prince of denmark
- •Daniel defoe (1661-1731)
- •Robinson grusoe Part I
- •Part II
- •Part IV
- •Jonathan swift (1667-1745)
- •Henry fielding (1707-1754)
- •Walter scott (1771-1832)
- •Robert burns (1759-1796)
- •The main trends in burns' works
- •Lake school
- •Percy bysshe shelley (1792-1822)
- •John keats (1795 - 1821)
- •George gordon byron (1788-1824)
- •Critical realism in england
- •19Th century
- •Charles dickens (1812-1870)
- •Dickens and education
- •William m. Thackeray (1811 – 1863)
- •Charlotte bronte (1816-1855)
- •Oscar wilde (1854-1990)
- •The devoted friend
- •Bernard shaw (1856-1950)
- •John galsworthy (1867-1933)
- •The forsyte saga
- •Herbert wells (1866-1946)
- •William somerset maugham
- •The moon and sixpence
- •Boynton priestley (1894-1984)
- •An inspector calls
- •Part II american literature historicai background
- •Benjamin franklin (1706-1790)
- •Romanticism
- •Washington irving (1783-1859)
- •First Period of Writing
- •Second Period of Writing
- •Third Period of Writing
- •The adventure of my aunt
- •James fenimore cooper (1789—1851)
- •The last of the mohicans
- •Edgar allan poe (1809-1849)
- •The purloined letter
- •Henry wadsworth longfellow (1807-1882)
- •The song of hiawatha
- •Critical realism
- •Lost generation
- •Depression realism
- •Escapism and war
- •Postwar voices
- •Mark twain (1835-1910)
- •Twain's masterpiece: huckleberry finn
- •Is he living or is he dead?
- •O. Henry (1862 – 1910)
- •Lost on dress parade
- •Jack london (1876-1916)
- •Short stories
- •Nonfiction and autobiographical memoirs
- •Jack london credo
- •Martin eden Part I
- •Part II
- •Part III
- •Theodore dreiser (1871-1945)
- •An american tragedy Part I
- •Part II
- •Part III
- •Francis s. K. Fitzgerald (1896-1940)
- •The great gatsby
- •Ernest hemingway (1899 - 1961)
- •In another country
- •William faulkner (1897-1962)
- •The snopes trilogy The Hamlet
- •Jerome david salinger (born 1919)
- •Eugene o'neill (1888-1953)
- •The hairy ape (1922) a comedy of ancient and modern life Scene Two
- •Contents english literature
- •American literature
Second Period of Writing
The following seventeen years Irving travelled and worked in various European countries. Though he remained true to the rational trend of thought, Irving, with an ironical smile, retreated from the present into the romantic past. His love of the past was a sort of rest from the cares of life. At first he thought of describing American picturesque landscapes. But this did not satisfy Irving.
When Irving retold his various anecdotes of the past, his mind was on contemporary America and the problems American people had to cope with after the Revolution. He knew what calamity the "almighty dollar" had brought and he hated the greed of the bourgeoisie. By restoring anecdotes of the past he wanted to cure the world by wisdom.
Irving did not feel a stranger in Britain. He met the poets Coleridge and Byron, both of whom delighted in his "Knicker-bocker". Walter Scott invited him to his home, in Abbotsford. He acquainted Irving with the works by German romantic writers. Irving was a lover pf pageantry and he liked the gay world of the theatre. Ever cheerful, gentle, cordial, modest and sincere, Irving was popular in ali circles, even in political circles.
It was during this European period of his life that Irving wrote books which brought him international fame. In these were his famous essays and romances. With the help of Walter Scott he published in 1819 the first collection of his writings "The Sketch Book", in 1822 "Bracebridge Hall”, and in 1824 "Tales of a Traveller". This collection ends with a very famous tale "Rip Van Winkle". It is the story of a "simple good-natured fellow" who falls asleep in the mountains and wakes up 20 years later. All the changes which Rip finds in the mountains on his awakening describe America after the Revolution In an entertaining way.
Irving had studied German, Italian and French. In 1824, he travelled on the continent. He collected tales and legends in all the villages and towns of Europe in which he happened to stop. He won the confidence of every old woman who had tales to tell. For elderly gentlemen, he was a tale-telling traveller because he liked to relate his stories to willing listeners, to judge their effect on people before he printed them. Irving picked up stories of all kinds: robber tales, tales of ghosts, horror stories with mysterious footsteps in the night and the like.
Some of Irving's works of this European period were written in Spain. In 1826 Irving went to Madrid as a member of an American diplomatic mission. His post gave him access to old Spanish documents. Having collected enough material, he wrote a “History of Life and Voyages of Christopher Columbus" (1828), and "The Conquest of Granada" (1829). In Spain, he met Prince Dolgorukov who was Attache to the Russian Ambassador. Irving made friends with him.
Irving wrote as much for America as for Europe. In Europe his books were enjoyed for their humour, beautiful style.
Third Period of Writing
After seventeen years abroad, Irving returned to America wishing to portray his country again. In “A Tour of the Prairies” (1833) he showed sympathy for the Indians.
Irving, jealous of his freedom, refused to run for Mayor of New York. He made his home in a place in his beloved valley of the Hudson River, where he wrote "Life of George Washington". He died in 1859.
