- •Theoretical Grammar: Introduction into Grammar Theories
- •Introduction (00:05:45 – 00:13:37)
- •1. Grammar as rules (00:13:37 – 00:18:09)
- •Vocabulary:
- •2. Grammar as structures (00:18:10 – 00:22:42)
- •Vocabulary:
- •3. Grammar as mathematics (00:22:43 – 00:29:16)
- •Vocabulary:
- •4. Grammar as algorithms (00:29:17 – 00:34:02)
- •Vocabulary:
- •5. Grammar as texture (00:34:02 -- 00:39:11)
- •Vocabulary:
- •1. Comment on the idea of the quote:
- •6. Grammar as collocation (00:39:12 – 00:48:01)
- •Vocabulary:
- •1. Comment on the idea of the quote:
- •5. Comment on the idea of the quote:
- •7. Grammar as an emergent phenomenon (00:48:03 – 00:55:27)
- •Vocabulary:
- •1. Comment on the idea of the quote:
- •3. Comment on the idea of the quote:
- •Vocabulary:
1. Comment on the idea of the quote:
“There is no boundary between lexis and grammar: lexis and grammar are interdependent.” Stubbs, M. (1996). Text and Corpus Analysis. Oxford: Blackwell, p. 36
2. How is the language corpus data used for collocation studies?
3. Why can grammar be described as based on collocation principle?
4. What’s the link between routinising grammar structures and expectations in perceiving oral / written speech?
5. Comment on the idea of the quote:
“What we think of as grammar is the product of the accumulation of all the lexical primings of an individual’s lifetime.” Hoey, M. (2005) Lexical Priming. London: Routledge, pp.160-161.
7. Grammar as an emergent phenomenon (00:48:03 – 00:55:27)
Vocabulary:
Emergence – (букв. «возникновение», «появление нового») «системный эффект», в теории систем — наличие у какой-либо системы особых свойств, не присущих её подсистемам и блокам, а также сумме элементов, не связанных особыми системообразующими связями; несводимость свойств системы к сумме свойств её компонентов
emergent phenomenon – term borrowed from sciences studying natural systems
a shoal of fish
“sedimentary rock” metaphor
to become grammatised
futurity
Points to discuss:
1. Comment on the idea of the quote:
“Language is not fixed, but is rather a dynamic system. Language evolves and changes... [it] grows and organises itself from the bottom up in an organic way, as do other complex systems.” Larsen-Freeman, D. 2006. The emergence of complexity, fluency, and accuracy in the oral and written production of five Chinese learners of English. Applied Linguistics, 27/4, 558-589.
2. How do the quotes below help to understand the grounds for metaphoric representation of grammar as a sedimentary structure?
a ) “We say things that have been said before. Our speech is a vast collection of hand-me-downs that reaches back in time to the beginnings of language”. Hopper, P.J. 1998. Emergent language. In Tomasello, M. (ed.) The New Psychology of Language: Cognitive and Functional Approaches to Language Structure. Mahwah, NJ.: Lawrence Erlbaum. 155-175.
b) “Grammar is seen as … the set of sedimented conventions that have been routinized out of the more frequently occurring ways of saying things…” (Hopper, op. cit)
3. Comment on the idea of the quote:
“Language is the way it is because of the way it has been used.” Larsen-Freeman, D., and Cameron, L. (2008). Complex Systems and Applied Linguistics. Oxford: Oxford University Press, p. 115.
Conclusions (00:55:28 – 01:01:05)
Vocabulary:
corpus linguistics
psycholinguistics
a chunk = “a portion of information”
to misconstrue (a pattern) – to get the meaning of a pattern in the wrong way
Points to discuss:
What the function of the “pattern recognition device” that the speaker claims the human brain
contains? How does it work?
Is grammar a prerequisite or a by-product of communication?
Wallace Stevens
Thirteen Ways of Looking at a Blackbird
I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
О thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you:
VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connectkut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-lirnbs.
