
- •Contents
- •Before the Anglo-Saxons
- •Anglo-Saxon England
- •Early Anglo-Saxon Life
- •Cultural Influences key idea Early Anglo-Saxon literature reflected a fatalistic worldview, while later works were influenced by rapidly spreading Christianity. The Spread of Christianity
- •The Development of English: Old English (450-1150)
- •Unit 2. The medieval period
- •Historical Context key idea With the Norman Conquest, England entered the medieval period, a time of innovation in the midst of war.
- •The Monarchy
- •Conflict and Plague
- •The Development of English: Middle English (1150-1500)
- •Indulgences
- •Royalty and the People
- •Ideas of the Age key ideas This period became known as the Age of Reason, because people used reason, not faith, to make sense of the world. The Age of Reason
- •A Changing Language: Restoration English
- •War with France
- •A Changing Language: Late Modern English
- •Monarchy in the Modern Style
- •Progress, Problems, and Reform
- •Cultural Influences key ideas Writers clashed over Britain’s expanding imperialism. British Imperialism
- •A Changing Language: The Birth of Standard English
- •Old English Poetry
- •Early Authors: Histories and Sermons
- •Literature Focus II. The Epic and the Epic Hero
- •French Romance
- •Reading Check
- •The Age of Chaucer
- •The Beginnings of Drama
- •Literature Focus II. The Ballad Tradition
- •Literature Focus III. Miracle and Morality Plays
- •Renaissance Drama
- •The Rise of Humanism
- •Spiritual and Devotional Writings
- •Metaphysical and Cavalier Poetry
- •Literature Focus II. The Sonnet
- •Literature Focus III. Shakespearean Drama Shakespeare’s Influence
- •Shakespeare’s Theater
- •Shakespearean Tragedy
- •Literature Focus IV. The Metaphysical Poets
- •Literature Focus V. The Cavalier Poets
- •I could not force an artificial dew [tears]
- •If it prove fair weather.”
- •The Age of Johnson
- •Literature Focus II. Nonfiction of the 18th Century
- •Other Forms of Nonfiction
- •Literature Focus III. Satire a History of Mockery
- •Characteristics of Satire
- •I sing— . . .
- •Romanticism Evolves
- •The Late Romantics
- •Literature Focus II. Romantic Poetry
- •Romantic Poetry’s Defining Features
- •Literature Focus III. Form and Meaning in Poetry
- •Literature Focus IV. The Byronic Hero
- •Characteristics of the Byronic Hero
- •The Legacy of the Byronic Hero
- •Realism in Fiction
- •Victorian Viewpoints
- •Victorian Viewpoints
- •Literature Focus II. The Growth and the Development of Fiction
- •The Novel Comes of Age
- •New Forms Emerge
- •Reading comprehension Reading Assessment I. Anglo-Saxon and Medieval Poetry
- •Comprehension
- •Written response
- •Comprehension
- •Written response
- •Reading Assessment II. Anglo-Saxon Prose
- •Comprehension
- •Reading Assessment III. Renaissance poetry
- •Sonnet 97 by William Shakespeare
- •Comprehension
- •Written response
- •Reading Assessment IV. Renaissance prose
- •From “Of Cunning” by Sir Francis Bacon
- •Comprehension
- •Reading Assessment V. Restoration prose
- •From “The Battle of the Books” by Jonathan Swift
- •Comprehension
- •From “The Poor and Their Betters” by Henry Fielding
- •Comprehension
- •Written response
- •Reading Assessment VI. Romantic literature
- •From “a Vindication of the Rights of Woman” by Mary Wollstonecraft
- •Comprehension
- •From “The Prelude, Book VI” by William Wordsworth
- •From “Hymn to Intellectual1 Beauty” by Percy Bysshe Shelley
- •Comprehension
- •Written response
- •Reading Assessment VII. Victorian literature
- •From “The New Railway” from “Dombey and Son” by Charles Dickens
- •Comprehension
- •Neutral Tones by Thomas Hardy
- •From “Adam Bede” by George Eliot
- •Comprehension
- •Written response
Comprehension
Directions Answer these questions about the excerpt from “The Prelude.”
1. The contradictory image of “woods decaying, never to be decayed” in line 5 suggests
A harmony and discord
B perfection and imperfection
C change and permanence
D solitude and companionship
2. In lines 6–8, assonance and consonance help to convey the sounds of
A water and wind
B birds and people
C hooves and people’s feet
D echoes and whispers in the pass
3. Which phrase in the poem presents an image of freedom?
A “stationary blasts” (line 6)
B “giddy prospect” (line 13)
C “unfettered clouds” (line 14)
D “blossoms upon one tree” (line 17)
4. Which phrase presents an image of conflicting forces?
A “gloomy Pass” (line 2)
B “immeasurable height” (line 4)
C “Winds thwarting winds” (line 8)
D “torrents shooting” (line 9)
5. Wordsworth’s use of personification and onomatopoeia in lines 10–11 helps to
A create a humorous image
B convey a sense of harmony
C emphasize that nature is alive
D illustrate the beauty of nature
6. A characteristic of romanticism that is evident in lines 4–15 is the poet’s use of
A supernatural experiences to explain human feelings
B descriptions of common people and their daily lives
C natural phenomena to find solutions to society’s problems
D images that exalt the creative and destructive forces of nature
7. The similes in lines 16–20 express the belief that
A all of nature’s variety stems from a single, timeless source
B nature is like the mind of a dangerous criminal
C ancient texts reveal the true meaning of the laws of nature
D the course of friendship is similar to a journey through the mountains
Directions Answer these questions about the excerpt from “Hymn to Intellectual Beauty.”
8. Which image in the first stanza is a metaphor for the “intellectual beauty” of the title?
A “The awful shadow”
B “This various world”
C “summer winds”
D “piny mountain”
9. Reread lines 1–4. Which quality is Shelley attributing to intellectual beauty in the simile “with as inconstant wing / As summer winds that creep from flower to flower”?
A gentleness
B ordinariness
C unpredictability
D cheerfulness
10. In line 8, the simile that compares the shadow to “hues and harmonies of evening” appeals to the senses of
A sight and touch
B taste and smell
C hearing and taste
D sight and hearing
11. The alliteration in “Like memory of music fled” (line 10) mimics the quality of
A speed, as when someone runs away
B loss, as when life changes over time
C a musical note, as when someone hums
D irony, as when something is appreciated only after it is gone
12. In the first stanza, the poet has created images and similes that describe
A an idealized summer day in a “various world”
B the nature of the “shadow of some unseen Power”
C the troubles that he will suffer in his “human heart”
D how people respond to the “grace” and “mystery” of life
13. Which type of figurative language is used in lines 13–15 when the speaker mournfully questions the “Spirit of Beauty”?
A simile
B metaphor
C apostrophe
D personification
14. The alliteration in “This dim vast vale of tears, vacant and desolate” (line 17) helps convey an image of
A a meaningless world
B overwhelming emptiness
C a severe rainstorm
D the darkness of winter
15. “Hymn to Intellectual Beauty” is characteristic of romantic poetry because Shelley
A writes about subjective experiences of the individual
B stresses reason and common sense
C conveys a witty and refined view of his world
D comments on human interactions with institutions
Directions Answer this question about both poems.
16. Which statement describes a characteristic of Romanticism that is exhibited in both poems?
A The poets recount emotional responses to life in clear, simple language.
B All forces of nature are connected to the poets’ religious beliefs.
C The celebration of love above all other emotions is central to the poem.
D Both poets draw extensively on nature and their imaginations to convey their ideas.