
- •Contents
- •Before the Anglo-Saxons
- •Anglo-Saxon England
- •Early Anglo-Saxon Life
- •Cultural Influences key idea Early Anglo-Saxon literature reflected a fatalistic worldview, while later works were influenced by rapidly spreading Christianity. The Spread of Christianity
- •The Development of English: Old English (450-1150)
- •Unit 2. The medieval period
- •Historical Context key idea With the Norman Conquest, England entered the medieval period, a time of innovation in the midst of war.
- •The Monarchy
- •Conflict and Plague
- •The Development of English: Middle English (1150-1500)
- •Indulgences
- •Royalty and the People
- •Ideas of the Age key ideas This period became known as the Age of Reason, because people used reason, not faith, to make sense of the world. The Age of Reason
- •A Changing Language: Restoration English
- •War with France
- •A Changing Language: Late Modern English
- •Monarchy in the Modern Style
- •Progress, Problems, and Reform
- •Cultural Influences key ideas Writers clashed over Britain’s expanding imperialism. British Imperialism
- •A Changing Language: The Birth of Standard English
- •Old English Poetry
- •Early Authors: Histories and Sermons
- •Literature Focus II. The Epic and the Epic Hero
- •French Romance
- •Reading Check
- •The Age of Chaucer
- •The Beginnings of Drama
- •Literature Focus II. The Ballad Tradition
- •Literature Focus III. Miracle and Morality Plays
- •Renaissance Drama
- •The Rise of Humanism
- •Spiritual and Devotional Writings
- •Metaphysical and Cavalier Poetry
- •Literature Focus II. The Sonnet
- •Literature Focus III. Shakespearean Drama Shakespeare’s Influence
- •Shakespeare’s Theater
- •Shakespearean Tragedy
- •Literature Focus IV. The Metaphysical Poets
- •Literature Focus V. The Cavalier Poets
- •I could not force an artificial dew [tears]
- •If it prove fair weather.”
- •The Age of Johnson
- •Literature Focus II. Nonfiction of the 18th Century
- •Other Forms of Nonfiction
- •Literature Focus III. Satire a History of Mockery
- •Characteristics of Satire
- •I sing— . . .
- •Romanticism Evolves
- •The Late Romantics
- •Literature Focus II. Romantic Poetry
- •Romantic Poetry’s Defining Features
- •Literature Focus III. Form and Meaning in Poetry
- •Literature Focus IV. The Byronic Hero
- •Characteristics of the Byronic Hero
- •The Legacy of the Byronic Hero
- •Realism in Fiction
- •Victorian Viewpoints
- •Victorian Viewpoints
- •Literature Focus II. The Growth and the Development of Fiction
- •The Novel Comes of Age
- •New Forms Emerge
- •Reading comprehension Reading Assessment I. Anglo-Saxon and Medieval Poetry
- •Comprehension
- •Written response
- •Comprehension
- •Written response
- •Reading Assessment II. Anglo-Saxon Prose
- •Comprehension
- •Reading Assessment III. Renaissance poetry
- •Sonnet 97 by William Shakespeare
- •Comprehension
- •Written response
- •Reading Assessment IV. Renaissance prose
- •From “Of Cunning” by Sir Francis Bacon
- •Comprehension
- •Reading Assessment V. Restoration prose
- •From “The Battle of the Books” by Jonathan Swift
- •Comprehension
- •From “The Poor and Their Betters” by Henry Fielding
- •Comprehension
- •Written response
- •Reading Assessment VI. Romantic literature
- •From “a Vindication of the Rights of Woman” by Mary Wollstonecraft
- •Comprehension
- •From “The Prelude, Book VI” by William Wordsworth
- •From “Hymn to Intellectual1 Beauty” by Percy Bysshe Shelley
- •Comprehension
- •Written response
- •Reading Assessment VII. Victorian literature
- •From “The New Railway” from “Dombey and Son” by Charles Dickens
- •Comprehension
- •Neutral Tones by Thomas Hardy
- •From “Adam Bede” by George Eliot
- •Comprehension
- •Written response
Comprehension
Directions Answer these questions about the excerpt from The Ecclesiastical History of the English People by the Venerable Bede
1. According to Bede, what caused the lack of an active youth in Britain?
A. The youth had gone to sea.
B. The youth had been killed in battles with the Scots and Picts.
C. The people were destitute.
D. The people were afraid to fight.
E. Tyrants took them away.
2. For what reason does Bede claim that the Scots and Picts were “foreign nations”?
A. They lived in a remote part of the island.
B. They were invaders.
C. They were from outside Britain.
D. They were not Christian.
E. They were Nordic raiders.
3. Which of the following was an immediate effect of the first invasion of Britain described in the passage?
A. The Picts and Scots were slaughtered.
B. The Britons sent messengers to Rome.
C. The Romans abandoned the Britons.
D. The Romans were forced to flee.
E. A defensive wall was built to defend the Britons.
4. According to the context, what does the word slew, in line 9, mean?
A. chased
B. killed
C. overran
D. frightened
E. removed
5. According to Bede, what caused the Scots and Picts to return?
A. The defensive wall was never built.
B. The Britons were unable to defend themselves.
C. There were too few resources in their own countries.
D. They realized that the Romans had departed.
E. They wished to join the Romans.
6. According to the context, what does the word imploring, in line 16, mean?
A. refusing
B. expecting
C. issuing
D. begging
E. remembering
7. According to the context, what does the word deterred, in line 21, mean?
A. frightened
B. ashamed
C. restrained
D. amused
E. reassured
8. Why did the Scots and Picts become “more confident than they had been before”?
A. They had overcome Roman defenses.
B. They knew that the Romans would not return.
C. They had captured the northernmost part of the island.
D. The Britons had abandoned their cities.
E. The Britons had demonstrated their inability to fight.
9. To what does Bede compare the Scots and Picts?
A. Britons
B. Romans
C. wild beasts
D. lambs
E. the natives
10. According to Bede, how did some Britons save themselves?
A. They joined the Scots and Picts.
B.They robbed other Britons.
C. They fled to Rome.
D. They defeated the invaders.
E. They built a defensive wall.
11. From the context, what do you conclude that the word calamities, in line 30, means?
A. wars
B. friendships
C. illnesses
D. deaths
E. disasters
12. Which group or individual is the main protagonist in this passage?
A. the Romans
B. the Picts
C. the Scots
D. the Britons
E. Bede
13. Which of the following best describes the main external conflict represented in this passage?
A. man against man
B. man against nature
C. man against society
D. man against fate
E. man against the divine
14. What is the overall tone of this passage?
A. angry
B. ironic
C. authoritative
D. skeptical
E. sarcastic
15. From this selection, what do you conclude the author’s main purpose was?
A. to inform
B. to persuade
C. to instruct
D. to entertain
E. to tell a story