
- •Contents
- •Before the Anglo-Saxons
- •Anglo-Saxon England
- •Early Anglo-Saxon Life
- •Cultural Influences key idea Early Anglo-Saxon literature reflected a fatalistic worldview, while later works were influenced by rapidly spreading Christianity. The Spread of Christianity
- •The Development of English: Old English (450-1150)
- •Unit 2. The medieval period
- •Historical Context key idea With the Norman Conquest, England entered the medieval period, a time of innovation in the midst of war.
- •The Monarchy
- •Conflict and Plague
- •The Development of English: Middle English (1150-1500)
- •Indulgences
- •Royalty and the People
- •Ideas of the Age key ideas This period became known as the Age of Reason, because people used reason, not faith, to make sense of the world. The Age of Reason
- •A Changing Language: Restoration English
- •War with France
- •A Changing Language: Late Modern English
- •Monarchy in the Modern Style
- •Progress, Problems, and Reform
- •Cultural Influences key ideas Writers clashed over Britain’s expanding imperialism. British Imperialism
- •A Changing Language: The Birth of Standard English
- •Old English Poetry
- •Early Authors: Histories and Sermons
- •Literature Focus II. The Epic and the Epic Hero
- •French Romance
- •Reading Check
- •The Age of Chaucer
- •The Beginnings of Drama
- •Literature Focus II. The Ballad Tradition
- •Literature Focus III. Miracle and Morality Plays
- •Renaissance Drama
- •The Rise of Humanism
- •Spiritual and Devotional Writings
- •Metaphysical and Cavalier Poetry
- •Literature Focus II. The Sonnet
- •Literature Focus III. Shakespearean Drama Shakespeare’s Influence
- •Shakespeare’s Theater
- •Shakespearean Tragedy
- •Literature Focus IV. The Metaphysical Poets
- •Literature Focus V. The Cavalier Poets
- •I could not force an artificial dew [tears]
- •If it prove fair weather.”
- •The Age of Johnson
- •Literature Focus II. Nonfiction of the 18th Century
- •Other Forms of Nonfiction
- •Literature Focus III. Satire a History of Mockery
- •Characteristics of Satire
- •I sing— . . .
- •Romanticism Evolves
- •The Late Romantics
- •Literature Focus II. Romantic Poetry
- •Romantic Poetry’s Defining Features
- •Literature Focus III. Form and Meaning in Poetry
- •Literature Focus IV. The Byronic Hero
- •Characteristics of the Byronic Hero
- •The Legacy of the Byronic Hero
- •Realism in Fiction
- •Victorian Viewpoints
- •Victorian Viewpoints
- •Literature Focus II. The Growth and the Development of Fiction
- •The Novel Comes of Age
- •New Forms Emerge
- •Reading comprehension Reading Assessment I. Anglo-Saxon and Medieval Poetry
- •Comprehension
- •Written response
- •Comprehension
- •Written response
- •Reading Assessment II. Anglo-Saxon Prose
- •Comprehension
- •Reading Assessment III. Renaissance poetry
- •Sonnet 97 by William Shakespeare
- •Comprehension
- •Written response
- •Reading Assessment IV. Renaissance prose
- •From “Of Cunning” by Sir Francis Bacon
- •Comprehension
- •Reading Assessment V. Restoration prose
- •From “The Battle of the Books” by Jonathan Swift
- •Comprehension
- •From “The Poor and Their Betters” by Henry Fielding
- •Comprehension
- •Written response
- •Reading Assessment VI. Romantic literature
- •From “a Vindication of the Rights of Woman” by Mary Wollstonecraft
- •Comprehension
- •From “The Prelude, Book VI” by William Wordsworth
- •From “Hymn to Intellectual1 Beauty” by Percy Bysshe Shelley
- •Comprehension
- •Written response
- •Reading Assessment VII. Victorian literature
- •From “The New Railway” from “Dombey and Son” by Charles Dickens
- •Comprehension
- •Neutral Tones by Thomas Hardy
- •From “Adam Bede” by George Eliot
- •Comprehension
- •Written response
The Rise of Humanism
D
Humanism
• Humanists
were so called because they studied the humanities (art, history,
philosophy, literature).
• Christian
humanists criticized society.
• A
reverence for the classics and pride in the English language led to
distinguished translations.
• Humanists
disagreed on religious issues.
Humanists were often devout Christians—one, in fact, became Pope Pius II—and they tried to reconcile the new ideas with their religious beliefs. In northern Europe, Christian humanists led by the Dutch monk Erasmus studied ancient Greek and Hebrew so they could read not just the classics but also the Bible and other sacred writings in the original. Naturally, reading the words of history’s greatest thinkers gave Erasmus and his followers high ideals, and they sharply criticized European society, and especially the church, for falling short.
English Humanists Erasmus traveled widely throughout Europe, writing and teaching, and made many friends, among them the artist Hans Holbein the Younger and English writer and scholar Sir Thomas More. Like Erasmus, More saw much to criticize in the way the world was being run and believed humans could do better. In 1516, he published his book called Utopia (from the Greek for “no place”), about a perfect society on an imaginary island. In Utopia, there was no poverty or greed—not even private property; everything was shared, and everyone was equal. War and competition were unknown, and people were governed by reason.
Humanists were concerned with classical learning. One of their aims was to educate the sons of nobility to speak and write in Latin, the language of diplomacy and all higher learning. For humanist writers, however, reverence for the classics created a conflict: should they write their own works in Latin or English? Although many wrote in the classical Latin, others urged scholars to improve English by writing ambitious works in it. In any case, the humanist reverence for classics combined with a pride in the English language led to many distinguished translations throughout the period, including the Earl of Surrey’s translation of Virgil’s Aeneid and George Chapman’s translations of Homer’s Iliad and Odyssey.
Interestingly, the humanists reflected a fact of life during the Renaissance period—religion was a subject dear to most but agreed upon by few. From the outset, humanism was concerned with Christianity; but while early humanists, such as Sir Thomas More, a Catholic, primarily attacked Luther and the Protestants, later humanists, such as Roger Ascham, were earnest Protestants who attacked a more secular humanism coming out of Italy. These men went on to influence later Christian writers, such as the great John Milton.
Reading
Check
1. According
to Sidney, how does poetry fulfill a moral purpose?
2.
What
details tell you that the tone of Sidney’s essay is serious?