
- •Contents
- •Before the Anglo-Saxons
- •Anglo-Saxon England
- •Early Anglo-Saxon Life
- •Cultural Influences key idea Early Anglo-Saxon literature reflected a fatalistic worldview, while later works were influenced by rapidly spreading Christianity. The Spread of Christianity
- •The Development of English: Old English (450-1150)
- •Unit 2. The medieval period
- •Historical Context key idea With the Norman Conquest, England entered the medieval period, a time of innovation in the midst of war.
- •The Monarchy
- •Conflict and Plague
- •The Development of English: Middle English (1150-1500)
- •Indulgences
- •Royalty and the People
- •Ideas of the Age key ideas This period became known as the Age of Reason, because people used reason, not faith, to make sense of the world. The Age of Reason
- •A Changing Language: Restoration English
- •War with France
- •A Changing Language: Late Modern English
- •Monarchy in the Modern Style
- •Progress, Problems, and Reform
- •Cultural Influences key ideas Writers clashed over Britain’s expanding imperialism. British Imperialism
- •A Changing Language: The Birth of Standard English
- •Old English Poetry
- •Early Authors: Histories and Sermons
- •Literature Focus II. The Epic and the Epic Hero
- •French Romance
- •Reading Check
- •The Age of Chaucer
- •The Beginnings of Drama
- •Literature Focus II. The Ballad Tradition
- •Literature Focus III. Miracle and Morality Plays
- •Renaissance Drama
- •The Rise of Humanism
- •Spiritual and Devotional Writings
- •Metaphysical and Cavalier Poetry
- •Literature Focus II. The Sonnet
- •Literature Focus III. Shakespearean Drama Shakespeare’s Influence
- •Shakespeare’s Theater
- •Shakespearean Tragedy
- •Literature Focus IV. The Metaphysical Poets
- •Literature Focus V. The Cavalier Poets
- •I could not force an artificial dew [tears]
- •If it prove fair weather.”
- •The Age of Johnson
- •Literature Focus II. Nonfiction of the 18th Century
- •Other Forms of Nonfiction
- •Literature Focus III. Satire a History of Mockery
- •Characteristics of Satire
- •I sing— . . .
- •Romanticism Evolves
- •The Late Romantics
- •Literature Focus II. Romantic Poetry
- •Romantic Poetry’s Defining Features
- •Literature Focus III. Form and Meaning in Poetry
- •Literature Focus IV. The Byronic Hero
- •Characteristics of the Byronic Hero
- •The Legacy of the Byronic Hero
- •Realism in Fiction
- •Victorian Viewpoints
- •Victorian Viewpoints
- •Literature Focus II. The Growth and the Development of Fiction
- •The Novel Comes of Age
- •New Forms Emerge
- •Reading comprehension Reading Assessment I. Anglo-Saxon and Medieval Poetry
- •Comprehension
- •Written response
- •Comprehension
- •Written response
- •Reading Assessment II. Anglo-Saxon Prose
- •Comprehension
- •Reading Assessment III. Renaissance poetry
- •Sonnet 97 by William Shakespeare
- •Comprehension
- •Written response
- •Reading Assessment IV. Renaissance prose
- •From “Of Cunning” by Sir Francis Bacon
- •Comprehension
- •Reading Assessment V. Restoration prose
- •From “The Battle of the Books” by Jonathan Swift
- •Comprehension
- •From “The Poor and Their Betters” by Henry Fielding
- •Comprehension
- •Written response
- •Reading Assessment VI. Romantic literature
- •From “a Vindication of the Rights of Woman” by Mary Wollstonecraft
- •Comprehension
- •From “The Prelude, Book VI” by William Wordsworth
- •From “Hymn to Intellectual1 Beauty” by Percy Bysshe Shelley
- •Comprehension
- •Written response
- •Reading Assessment VII. Victorian literature
- •From “The New Railway” from “Dombey and Son” by Charles Dickens
- •Comprehension
- •Neutral Tones by Thomas Hardy
- •From “Adam Bede” by George Eliot
- •Comprehension
- •Written response
How
would you compare medieval knights with Anglo-Saxon warriors?Reading Check
The Age of Chaucer
T
The Age of
Chaucer
• Geoffrey
Chaucer is “the father of English literature.”
• Chaucer’s
The
Canterbury Tales reflected
his society and led to an appreciation for English as a literary
language.
• Ballads
are narrative songs relating the lives of common folk.
The Canterbury Tales, Chaucer’s best-known work, displays his ability as a storyteller, his keen sense of humor, and his sharp eye for detail. A collection of tales ranging from irreverent to inspirational, it is held together by a frame story about a group of pilgrims who pass time on their journey to the shrine of Thomas а Becket by telling stories. The pilgrims’ characters are revealed through the stories they tell and their reactions to one another’s tales. Though Chaucer apparently intended to have each of the 30 pilgrims tell 4 stories apiece, he died having completed only 24 of the tales.
Chaucer lived during a time of change and turmoil in England. He was born just a few years after the outbreak of the Hundred Years’ War and was still a small child when the bubonic plague hit Europe. The Black Death, as it was known, greatly reduced the population, which led to a shortage of laborers. In turn, serfs realized their new value and left the land to work in towns and on neighboring estates. This shift led to the decline of feudalism and the growth of a new middle class, to which Chaucer’s family belonged. In addition, the war with France had spurred the re-emergence of the English language among the ruling class. With its cast of characters ranging across British society, from the “perfect gentle Knight” to a common miller, and its use of everyday English rather than elevated Latin or French, The Canterbury Tales reflected all of these developments.
C
haucer
was not the only poet of his time to compose in English or to write
about ordinary people; William
Langland did
both in his masterpiece Piers
Plowman,
as did writers of the popular ballads
of
the day—narrative songs telling of the lives of common folks or of
characters and events from folklore. The combination of Chaucer’s
literary gifts and social status, however, led to a new appreciation
of English as a language that, while useful in everyday life, was
elegant and poetic as well.
The Beginnings of Drama
E
nglish
drama developed from enactments of biblical stories during church
services on such feast days as Palm Sunday and Easter. These plays
sometimes drew on stories from the Old Testament of the Christian
Bible, but most focused on the life and death of Christ.
Such plays became popular as a source of both religious instruction and entertainment. Following a papal edict in 1210 that forbade the clergy to act on the public stage, performance of these plays was taken over by trade guilds known as “mysteries” (at that time, the word mystery meant “trade” or “craft”). Named after these guilds, the mystery plays evolved over time, deepening character development and adding scenes not found in the Bible. Eventually, these plays were moved from the church to the outdoors, where the tradesmen presented them on movable platforms in the streets and town squares. Similar but less realistic dramas called morality plays also became popular at this time. These plays serve to teach a moral lesson and feature allegorical characters that represent good, evil, and other abstract qualities. The most famous morality play is Everyman, written at the end of the 1400s. Typically, in a morality play, a character that can be taken as a representative of humankind undergoes difficulty and imparts a lesson to the audience.
Morality and mystery plays, poems, and romances all evidenced the powerful revival of the English language and English literature by the end of the Middle Ages. Distinguished writers such as Chaucer and Malory showed how the language could be wielded to express creative vision in great works of art.