
- •Lecture 2 literature of the middle ages
- •Lecture 3 geoffrey chaucer
- •Three periods in chaucer's writing
- •Lecture 4 william shakespeare
- •Lecture 5 daniel defoe
- •Lecture 6 Jonathan Swift
- •Lecture 7 samuel richardson
- •Lecture 8 tobias smollett
- •Lecture 9 richard brinsley sheridan
- •Lecture 10 robert burns
- •Lecture 11 walter sсотт
- •Lecture 12 George Gordon byron
- •Lecture 13 charles dickens
- •Lecture 14 george Bernard Shaw
- •Lecture 15 Jerome k. Jerome
- •Lecture 16 arthur conan doyle
- •Lecture 17 herbert George wells
- •Лекция 18 john galsworthy
- •Lecture 19 william somerset maugham
- •Lecture 20 james aldridge
- •American literature
- •11Th form [55]
- •Introduction
- •Lecture 1 the beginning of literature in america
- •Lecture 2 washington irving
- •Lecture 3 james fenimor cooper
- •Lecture 4 edgar allan poe
- •Lecture 5 henry wadsworth longfellow
- •Lecture 6 harriet beecher stowe
- •Lecture 7 herman melville
- •Lecture 8 walt whitman
- •Lecture 10 karl sandburg
- •Lecture 11 john reed
- •Mark twain
- •Lecture 13 о.Henry
- •Theodore dreiser
- •Lecture 15
- •Lecture 16 ernest hemingway
- •Lecture 17 langston hughes
- •Lecture 18 john steinbeck
- •Лекция 19 robert penn warren
- •Lecture 20 jerome david salinger
- •Literature Vocabulary
- •Figurative and descriptive language means Изобразительно-выразительные средства языка
- •Tropes тропы
- •§ 1. Epithets • Эпитет
- •§ 2. Simile • Сравнение
- •2. State how the similes in the following sentences are expressed.
- •§ 3. Metaphor • Метафора
- •3. State the basis of each of the italicized examples of metaphoriс usage in the following sentences:
- •§ 4. Metonymy • Метонимия
- •4. Indicate the basis of each of the italicized examples of metonymical usage in the following sentences:
- •§ 5. Synecdoche • Синекдоха
- •5. Point out the examples of synecdoche in the following sentences:
- •§ 6. Hyperbole and Litotes • Гипербола и литота
- •6. Point out the examples of hyperbole and litotes in the following sentences:
- •§ 7. Irony • Ирония
- •§ 8. Allegory • Аллегория
- •§ 9. Personification • Олицетворение
- •§ 10. Periphrasis • Перифраза
- •7. Compose several examples of periphrasis to express the following:
- •Stylistic devices стилистические приемы
- •§ 11. Anaphora and Epiphora • Анафора и эпифора
- •§ 12. Antithesis • Антитеза
- •§ 13. Gradation • Градация
- •§ 14. Inversion • Инверсия
- •8. Point out the cases of inversion and their stylistic rolein the following sentences:
- •§ 15. Ellipsis • Эллипсис
- •9. State the stylistic function of the following elliptical sentences:
- •§16. Preterition • Умолчание
- •§ 17. Rhetorical Allocution • Риторическое обращение
- •§ 18. Rhetorical Question • Риторический вопрос
- •§ 19. Polysyndeton and Asyndeton Многосоюзие и бессоюзие
- •10.(Revision.) State the descriptive and expressive language means used in Maxim Gorky's "Песня о Буревестнике" [Song of the Stormy Petrel]:
- •I. Литература англии
- •II. Американская литература
- •Список литературы
Lecture 8 tobias smollett
1721-1771
Tobias George Smollett, a novelist and a journalist, was born in Dunbartonshire, in Western Scotland. After a grammar-school education, he became a Glasgow surgeon's apprentice, at the age of 15 and attended medical lectures at the University, where he acquired a local reputation as a writer of earthy satires. When he was 18 he sat off for London to try his hand at literature: his stock in trade was the manuscript of a tragedy. The Regicide, which he found, did not excite the London theatre managers. The outbreak of the naval war with Spain in 1739 created a sudden need for ship's doctors and Smollett, momentarily discouraged with literature sailed on Chichester as a surgeon's second mate. After participating in the bloody battle at Cartagena in 1741-1742, he was released where he remained for some time. He returned to England in 1744 with ambitious plans for a medical career, but although he practised for several years both in London and in the neighboring village of Chelsea, he was not a great success as a doctor. Thus he drifted gradually back into literature. In his first novel, "Roderick Random'" (1748), he transformed his naval experiences into vigorous picaresque fiction - the novel was intended, he explained, as "a satire upon mankind": "Peregrine Fickle", another lusty satiric novel, followed in 1751.
The work is a series of episodes concerning the adventures of rascally hero, Peregrine Pickle, on the Continent and in England. Smollett's humor and satiric skill are very much evidence, but the principal merit of the book is in its excellent characterization.
A rapid writer with a family to support. Smollett laboured for the next 12 years as a journalist and publisher's hack. [23] He was a proprietor and editor of "The Critical Review', and produced a hasty four-volume "History of England". In addition he was responsible for the translation of the writings of Voltaire, a geographical reference work, and several digests of travels.
In 1771 his masterpiece appeared, "The Expedition of Humphry Clincer", a satiric novel in epistolary form, presenting the peripatetic-search for health of an irascible Welsh invalid, Matthew Bramble, who is accompanied on his travels by a comical retinue of relatives and servants. It is primarily Humphry Clinker, that has secured Smollett a permanent place among the other eighteen century masters of fiction, Defoe, Richardson. Fielding and Sterne.
Answer the following questions
1. When and where was Tobias Smollett born?
2. What education did he get first?
3. Where did he acquire a local reputation as a writer of earthy satire? How old was he?
4. When and where did Smollett try his hand in literature?
5. What was his stock in trade?
6. Why did Smollett sail on Chichester as a surgeon's mate?
7. How long and where did he work as a doctor after the war?
8. Did his dream about a medical career come true?
9. What kind of fiction was his first novel? What is the title of it?
10. What was he busy with for the next 12 years?
11. When did Smollett's masterpiece appear? What was it about?
12. Who secured Smollett's permanent place among the other eighteen-century masters of fiction? [24]