
- •Teacher’s book unit one
- •Interdental
- •Interdental
- •Intonation
- •Intonation group
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit two
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit three
- •Intonation
- •Intonation group
- •The raven and the jug
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit four
- •The fox and the grapes
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit five
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •The ant and the dove
- •Unit six
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit seven
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit eight
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit nine
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Rumpelstiltskin
- •Unit ten
- •Sound Practice
- •Intonation practice
- •Comprehension Practice
- •Written Practice
- •Cinderella
- •Unit eleven
- •Sound Practice
- •Intonation practice
- •Comprehension Practice
- •Written Practice
- •The princess and the pea
- •Unit twelve
- •Sound Practice
- •Intonation practice
- •Little red riding hood
- •Comprehension Practice
- •Written Practice
- •The gingerbread man
- •Unit thirteen
- •Sound Practice
- •Intonation practice
- •Comprehension Practice
- •Written Practice
- •The elves and the shoemaker
- •Unit fourteen
- •Goldilocks
- •Sound Practice
- •Intonation practice
- •Comprehension Practice
- •Written Practice
- •The hare and the tortoise
- •Unit fiftteen
- •Sleeping beauty
- •The three wishes
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
Written Practice
A. Write down the infinitives of the verbs used in the fable in the Past Simple.
B. Analyse grammatical means of expressing the future action, as in example: As long as you agree to.gether no enemy can overcome you, if you quarrel, you will fall an easy prey. Formulate the rule. Find as many examples as possible (not less than 15) from your textbook and the book for your individual reading to illustrate you understand the phenomenon. Do it in writing.
C. Find in the text the reason the farmer decided to give his sons an object lesson. Write it down.
D. Comment on the moral of the fable which teaches that only together people can overcome difficulties. Do it in writing.
E. Write down your own story which proves the moral of the fable.
F. Read the beginning of the fable attentively. Finish the fable. Entitle it.
A hen found some serpent’s eggs, which she hatched by carefully sitting on them and keeping them warm. A swallow, which had watched her, said...
G. Fill in the questionnaire and evaluate your work during the first term:
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Questions |
Answers |
1. |
What does pronunciation include? |
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2. |
How have you learned English pronunciation so far? |
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3. |
What have you found easy /difficult? |
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4. |
What are the main differences between the pronunciation of English and that of your language? |
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5. |
How important do you think pronunciation is, why? |
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6. |
How well would you like to pronounce English? |
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7. |
What can you do to improve you pronunciation? |
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8. |
How do you evaluate your pronunciation? |
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Unit nine
Task 1. Listen to the recorded words. Write them in the alphabetical order. Transcribe them. Practise their pronunciation.
Crèche
kindergarten
nursery
comprehensive
private
independent
comprehension
schooling
education
tertiary
docent
swat
slave
loathe
qualifications
experience
eligible
diploma
miserable
inquiries
doctorate
professor
diligently
assiduously
behaviour
inaugural
requirements
sapless
applicant
fidgety
discipline
reluctantly
briefly
restore
inconsistent
staff
awkwardly
versatile
varied
awkwardly
pedagogics
psychology
tutorial
emphasis
expel
priority
cheat
lenient
flustered
courage
enroll
primarily
exhausted
skiver
truant
assess
insomnia
conquer
linger
participate
knowledgeable
research
acquire
nervously
colours
competitive
Task 2. Listen to the words in Task 1. Put them in the right column according to the number of syllables they contain.
Monosyllabic words |
Disyllabic words |
Three-syllable words |
Four-syllable words |
Polysyllabic words |
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Task 3. Listen to the words in Task 1. Group them according to the type of a stressed syllable. Note: a) the Ist syllable type is called open (see, Pete, tune, etc.); b) the 2nd syllable type is known as closed (set, system, syntagm, supper, etc.); c) the IIId syllable type is represented by a vowel followed by the letter “r” (verb, short, partly, dirty, etc.); in case the vowel is followed by the doubled “rr” it is read according to the 2nd syllable type (marry, sorry, Harry); d) the IVth syllable type contains a stressed vowel followed by the combination of letters “r” and “e” as in prepare, sphere, secure, explore, tired, lyre (exceptions: a + re = // as in are; e + re = //, // as in there, where, were ; u+re = // as in sure).
Ist type |
IInd type |
IIId type |
IVth type |
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Task 4. Listen to the words in Task 1. Put them in the right column according to the part of speech they belong to.
Nouns |
Verbs |
Adjectives |
Adverbs |
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Task 5. Compare the sets of English and Ukrainian consonants. Describe the differences in their pronunciation. Enumerate the consonants which are foreign to the Ukrainian consonantal system. Explain the differences in the pronunciation of consonants in the following pairs of English and Ukrainian words. Do it in writing.
Стіл — steel
Бруд — brood
Франт — front
Леза — leather
Цент — cent
Брід — breathe
Сам — some
Сто — store
Кат — cut
Гей — hay
Син — thin
Рід — read
Тент — tent
Task 6. Listen to the following dialogues carefully, sentence by sentence. Write them down. Lay stresses and tone marks. Concentrate on the intonation of replies, give their tonograms. Define the speaker’s attitude. Establish the intonation patterns of the words and expressions that make the listener more comfortable, less worried. Practise reading the dialogues using the proper intonation to reassure the listener. Give graphical presentation of intonation of the utterances conveying reassurance.
Thompson P.19-21.
1) Alan: Sorry to keep you waiting, Sarah.
Sarah: |That’s all /right.
Alan: I couldn’t get any real orange juice – only synthetic stuff.
Sarah: \Well, | that’s |better than /nothing.
Alan: The trouble is – the shops are shut tomorrow.
Sarah: |Never /mind. [Thompson:19]
Now Harriet wants to tell you a secret. She is anxious. Try to put her mind at rest.
2) Harriet: There’s something I’d like to tell you, Jo, only I’m afraid someone’s listening.
Jo: |No one’s /listening.
Harriet: Are you sure? The other thing is – I’m afraid you’ll tell someone.
Jo: I |won’t /tell .anyone.
Harriet: Or you might laugh at me.
Jo: I |won’t /laugh at you.
Harriet: Well, in that case I’ll tell you. You see, the other day I was at a party... [Thompson:20]
Task 7. Read the text given below. Make sure you understand what it is about. Divide each sentence into syntagms, lay stresses and tone marks, practise your reading technique. While reading the text, make use of the note below. Record your reading. Note: a) the term elision means the omission of both consonants and vowels in connected speech, e.g. boys ’n’ girls, cup ‘o’ tea, camera //, twelfths / or; b) slip-shod means careless, not exact, e.g. the slip-shod pronunciation.
Style to Samuel Wesley was “the dress of thought”; to Jonathan Swift it was “proper words in proper places”; to W.B. Yeats, it was “high breeding in words and in argument”. And so we could continue through several hundred definitions and characterisations.
It means that we do not always speak in the same manner. Sometimes, especially among friends, we speak rather fast and carelessly; at other times, especially if we wish to be solemn or severe we adopt a much slower and more deliberate way of speaking.
Paul Christophersen distinguishes several styles of pronunciation: 1) Formal Style with fewer assimilations and elisions and more strong forms than in ordinary conversation; 2) Slower Colloquial style, an intermediate style which may safely be used for most purposes; 3) Familiar (or Rapid Colloquial) style characterised by more assimilations, elisions and weak forms than the other styles.
The style described below is viewed by P.Christophersen as Conversational or Slower Colloquial; it contains many assimilations, elisions and weak forms; but it is not careless as the Familiar Style. It will do for any kind of conversation, whether with superior or an equal; it will serve even formal occasions. Naturally we are not all alike; some of us are more formal in our personality than others. While some educated people seldom use the somewhat slip-shod Familiar Style, others never use the formal Style. But the Slower Colloquial is widely used by all educated people. This, therefore, is the style that a learner should imitate.
Task 9. Exercises based on the text of the fairy-tale.