
- •Teacher’s book unit one
- •Interdental
- •Interdental
- •Intonation
- •Intonation group
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit two
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit three
- •Intonation
- •Intonation group
- •The raven and the jug
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit four
- •The fox and the grapes
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit five
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •The ant and the dove
- •Unit six
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit seven
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit eight
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Unit nine
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
- •Rumpelstiltskin
- •Unit ten
- •Sound Practice
- •Intonation practice
- •Comprehension Practice
- •Written Practice
- •Cinderella
- •Unit eleven
- •Sound Practice
- •Intonation practice
- •Comprehension Practice
- •Written Practice
- •The princess and the pea
- •Unit twelve
- •Sound Practice
- •Intonation practice
- •Little red riding hood
- •Comprehension Practice
- •Written Practice
- •The gingerbread man
- •Unit thirteen
- •Sound Practice
- •Intonation practice
- •Comprehension Practice
- •Written Practice
- •The elves and the shoemaker
- •Unit fourteen
- •Goldilocks
- •Sound Practice
- •Intonation practice
- •Comprehension Practice
- •Written Practice
- •The hare and the tortoise
- •Unit fiftteen
- •Sleeping beauty
- •The three wishes
- •Sound Practice
- •Intonation Practice
- •Comprehension Practice
- •Written Practice
Comprehension Practice
Listen to the fable. State whether the sentences you hear after the text are true or false. Correct the false sentences. Do it in writing.
The manger had some food in it. (F);
One day a dog ran into a stable and jumped into the manger. (T):
When the horse and cow wanted to eat their hay, the dog let them do it. (F);
The cow and the horse wanted to eat the hay (T);
It was the dog’s dinner. (F);
The dog didn’t let them eat the hay because it didn’t like to see somebody eat what it couldn’t eat. (T);
So the horse and the cow didn’t go away hungry. (F);
Stop others having what you don’t need. (F).
B. Listen to the fable again. Write down your answers to the following questions revealing the plot of the fable.
a) Where did a dog run into one day?
b) What is manger?
c) What was there in the manger?
d) Who came to eat the hay?
e) What did the horse and cow say when the dog didn’t let them eat the hay?
f) Why did the horse and cow have for their dinner?
What didn’t the dog let the horse and cow eat the hay ?
Why did the horse and cow have to go away hungry?
h) What is the moral of the fable?
C. Listen to the text, divide it into communicative blocks, entitle them.
D. Listen to the fable, find the logical centre of each communicative block and of the whole text. Write them down.
E. Listen to the jumbled sentences and put them in the right order to complete the fable.
“You don’t eat hay, so you don’t need it,” said the cow.
It is our dinner,” said the horse.
The manger had some hay in it.
Do not stop others having what you don’t need.
One day a dog ran into a stable and jumped into the manger.
“Because I don’t like to see you eat what I can’t eat too,” said the dog. “Go away!”
When the horse and cow wanted to eat their hay, the dog would not let them.
“Why?” asked the horse.
“We want the hay.
But the dog said, “If I can’t eat it, then I shall not let you eat it either!”
“Why?” asked the cow.
So the horse and the cow had to go away hungry.
It is ours.
Written Practice
A. Rewrite the fable changing direct speech into reported. Retell the fable in reported speech.
B. Find in the text the reason the dog didn’t let the horse and cow eat their dinner. Write it down.
C. Comment on the moral of the fable describing such a behaviour of the dog. What do you think the author’s attitude towards the dog’s behaviour is? Give your interpretation of the dog’s behaviour? Do it in writing.
D. Write down your own story which proves the moral of the fable.
Unit eight
Task 1. Listen to the recorded words and word combinations. Write them in transcription. Practise their pronunciation.
Hors dóeuvre
zander in aspic
mayonnaise
gourmet
fastidious
nourishing
whipped cream
broth
cocoa
biscuits
ginger
parsnip
artichoke
asparagus
cauliflower
spinach
broccoli
aubergines
turkey
venison
trout
flavoured
barbecue
caviar
scalloped fish
crucian carp
prunes
salmon
sardine
oyster
spaghetti
prawn
shrimp
stewed
cuisine
bay leaves
herbs
parsley
almond
cinnamon
grind
knead
impromptu
fabulous
marvellous
diet
sausage
porridge
raisins
squeeze
skewer
braise
sauté
recipe
ingredient
vermicelli
ravioli
poultry
Task 2. Listen to the words (Task 1). Put them in the right column:
-
Vegetables
Courses
Herbs
Type of Eater
Cooking food
Pasta
Food / Dishes
Desserts
Fish / sea food
Meat
Others
Aubergines
Parsnip
Artichoke
Asparagus
Cauliflower
Spinach
Broccoli
Hors- d’oeuvre
Cinnamon
Ginger
Bay leaves
Herbs
Almond
Parsley
Gourmet
Fastidious
Grind
Knead
Squeeze
Skewer
Braise
Sauté
Spaghetti
Vermicelli
Ravioli
Whipped cream
Scalloped fish
Broth
Barbecue
Zander in aspic
Mayonnaise
Flavoured
Sausage
Porridge
Stewed
Cocoa
Raisins
Biscuits
Prunes
Trout
Caviar
Crucian carp
Salmon
Sardine
Oyster
Prawn
Shrimp
Venison
Turkey
Poultry
Impromptu
Fabulous
Marvellous
Diet
Recipe
Task 3. Match pairs of words that rhyme:
Fish – dish
Peaches – beaches
Carp – harp
Dill – bill
Spice – rice
Mustard – custard
Dip – snip
Food – mood
Sage – cage
Corn – born
Brussels – muscles
Beer – dear
Honey – money
egg – beg
Cake – bake
Tin – bin
Packet – racket
Pack – back
Roll – bowl
Leek – seak
Peas – keys
Pumpkin – bumpkin
Milk – silk
Cherry – berry
Marrow – sparrow
Eel – meal
Sauce – course
Crumpy – dumpy
Jug – mug
Pike – bike
Jar – bar
Cod – knod
Jelly – belly
Bread – red
Glass – grass
Spoon – moon
Crush – brush
Oil – boil
Frying – drying
Task 4. Look through the words in Task 3; group them according to the type of a vowel in a stressed syllable.
Task 5. Listen carefully to the following conversational situations. Write them down. Concentrate on the intonation of replies. Mark the type of the nuclear tone they take. Define the attitude rendered in the replies. Listen to them again, pronounce them, make them sound non-final, non-categoric(al), soothing, sympathetically interested, reassuring, encouraging, calmly patronizing, friendly, puzzled.
a) - Tell me, doctor, is he badly hurt?
- Nothing at all /serious. Just a few /bruises. (soothing, reassuring)
b) - I don’t think I’ll ever do it.
- You /will. It’s just a matter of /practice. (reassuring)
c) - I’m going to do some shopping.
- Can I come /too? (interested)
d) - I’m afraid they’ve gone out.
- How soon will they be back? (sympathetically interested)
e) - I really must be off.
- Don’t let me detain you then. (calmly patronizing)
f) - I’m just going.
- Have a good time. (encouraging)
g) - Alice is on the phone.
- Who does she want to speak to? (interested, puzzled)
h) - Are you quite well prepared for your exam?
- Not quite. (noncategoric)
i) - Shall we write a dictation tomorrow?
- I believe so. (noncategoric)
j) - I’m sorry but I can’t go to the cinema with you.
- Are you very busy today? (interested).
Task 6. Listen to the following dialogues and exercises. Write down the sentences containing tag-questions (disjunctive questions), lay stresses and tone marks, give their tonograms. Establish the intonation patterns of expressing certainty/uncertainty. Define the speakers’ social status (equal, superiour, inferiour) and the degree of formality (formal, informal) of the conversations. Do it in writing. Practise reading the dialogues.
Thompson P. 79-86 (Ex.82-89)
1) Harriet: It’s cold today, isn’t it?
David: Well, remember it’s November.
Harriet: Yes, but last November wasn’t cold, was it?
David: Well, last November was exceptionally warm, so they say.
Harriet: We didn’t wear overcoats, did we?
David: Not in the first week, certainly.
Harriet: Oh, yes, it got cooler later, didn’t it?
David: Quite a bit cooler – but not this cold.
Harriet: There’s been snow, hasn’t there? [Thompson:79]
2) Mr W.: It’s the 14th today, isn’t it?.
Miss R.: That’s it.
Mr W.: I haven’t opened my letters yet, have I?
Miss R.: Not yet, Mr Watkins, no.
Mr W.: You said it was March, didn’t you?
Miss R.: No, Mr Watkins. It’s February. [Thompson:82]
Task 7. Read the text given below. Make sure you understand what it is about. Divide each sentence into syntagms, lay stresses and tone marks, practise your reading technique. Record your reading.
Phonetics, to people who know very little about it, usually means a lot of funny characters which make ordinary English words look most strange and barbarous. Although this is not a correct description of phonetics, it is true that in writing about speech sounds we often find it useful to refer to them by means of a phonetic alphabet. No student of English can fail to notice that English spelling is not always a reliable guide to pronunciation. If we compare the words cough, enough, bough, though, through, and ought, we see that the same spelling ough is used to represent widely varying sounds; on the other hand, in the words seed, beam, field, key, and these, we see different spellings all representing the same sound. Therefore, a special alphabet is used in which each letter or symbol stands for one and only one sound wherever it occurs. A word written in phonetic symbols can be read aloud correctly by anyone familiar with phonetics and phonetic transcription.
Task 8. Exercises based on the text of the fable.