
- •1. Content-factual (cfi)
- •2. Content-conceptual (cci)
- •3. Content-subtextual (csi)
- •Concept-forming factors in the text
- •1. Implicit information
- •Types of implication:
- •1. An implicit title
- •3. Implicit detail
- •Degrees of implicates:
- •If you go on like this …
- •Allusion, reminiscence, ethno cultural implicates
- •Acad. Vinogradov -
- •From the “author” or from “I”?
Acad. Vinogradov -
author’s image =
- the expression of the essence of the text
- the cementing force uniting all stylistic elements into a comprehensive verbal structure
- an internal core around which the whole system of imagery is grounded
- a certain point of view, a position or a stand
idea point of view author’s image
M. Brandes - aspects of the category of the image of the author:
internal = a point of view, writer’s attitude
- a point of view of the author
a point of view of a character
2. external = types of speech/ narration
types of narration and narrators:
1. in the 3rd person (objective, neutral, uninvolved)
the unnamed author = narrator is outside the textual world
omniscient author (implied author, external narrator)
She pressed him closer to herself. Her voice was so weak that it seemed to come already from a great distance. The child did not answer, but smiled comfortably. He was very happy in the large, warm bed, with those soft arms about him. He tried to make himself smaller still as he cuddled against his mothers, and he kissed her sleepily. W. S. Maugham
2. in the 1st person (personal, subjective, involved)
the narrator-personage is one of the characters
entrusted / internal narrator
Sara was a shot in the arm; she brought you alive one way or another; the very idea of Sara could always make me swear or jump or dance or sweat. Because of her damned independence and hypocrisy. When you knew Sara, you knew womankind, and no one who doesn’t know womankind knows anything about the nature of Nature. But Rozzie was only a female and she never stirred anything in me but love and pity. Sara was a menace and a tonic, my best enemy; Rozzie was a disease, my worst friend. Sara made a man of me and damn nearly a murderer; Rozzie might have turned me into a lop-eared crooner. J. Cary
From the “author” or from “I”?
Ф. Достоевский «Подросток»
«От Я – оригинальнее и больше любви, и художественности более требуется, и ужасно смело, и короче, и легче расположение, и яснее характер подростка как главного лица. Но не надоест ли эта оригинальность читателю? И главное, основные мысли романа – могут ли быть натурально и в полноте выражены 20-летним писателем?»
« От Я, от Я, от Я! Не напрасно я сел писать, я посветлел духом и теперь ярче и вернее чувствую …»
M. Twain The Adventures of Huckleberry Finn
You don’t know about me without you have read a book by name of “The Adventures of Tom Sawyer”; but that ain’t no matter. That book was named by Mr. Mark Twain, and he told the truth mainly.
Types of narrative perspective (NP)
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unlimited NP external focalisation |
limited NP internal focalisation |
time |
all the temporal dimensions of the story |
limited to the “present” of the characters |
space |
the panoramic the close up the middle planes
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the view of one limited observer |
cognition |
his knowledge is unlimited
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his knowledge is restricted
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