- •I. Major patterns of sound arrangement
- •Patterns of sound arrangement:
- •1. Versification
- •2. Sound instrumenting
- •1. Versification
- •Types of rhymes
- •1. According to the position of the stress
- •2. According to the structure:
- •II. Sound-instrumentation
- •1. Alliteration
- •2. Assonance
- •I shall clasp a sainted maiden, whom the angels name Lenore.
- •Onomatopoeia
- •Vroom vroom, brrrrm brr
- •Stylistic effects and functions of Phonological sd:
- •III. Sound symbolism
- •Pope: “The sound must seem an echo of sense”.
- •Is motivated by associations
- •The 'phonaesthetic fallacy’
- •Graphical stylistics
- •This is just to sa y
- •I have eaten the plums that were in the icebox
- •Stylistic effects and functions
- •It clearer war just isn’t what
- •Is used to reflect different idiosyncrasies of speech
- •A means of characterization morphological stylistics Morphological em and sd
- •Transposition of the categories of different parts of speech
- •It is most mad and moonly
- •Is deeper than the sea
- •It is most sane and sunly
Transposition of the categories of different parts of speech
Adjectives – degree of comparison
"Ferrari" is the most Italian car which you can meet in this remote corner of the world;
The orangemostest drink in the world.
He is the most married man I’ve ever met
Pronouns – in low colloquial speech: body instead of one =
“…. And it fetched us a dollar a day apiece – more than body could tell what to do with”. (M.Twain)
Gin a bogy meet a body
Coming thro’ the rye,
Gin a body kiss a body,
Need a body cry? R.Burns
love is more thicker than forget
more thinner than recall
more seldom than a wave is wet
more frequent than to fail
It is most mad and moonly
and less it shall unbe
than all the sea which only
Is deeper than the sea
love is less always than to win
less never than alive
less bigger than the least begin
less littler than forgive
It is most sane and sunly
and more it cannot die
than all the sky which only
is higher than the sky e e cummings