
- •I. Major patterns of sound arrangement
- •Patterns of sound arrangement:
- •1. Versification
- •2. Sound instrumenting
- •1. Versification
- •Types of rhymes
- •1. According to the position of the stress
- •2. According to the structure:
- •II. Sound-instrumentation
- •1. Alliteration
- •2. Assonance
- •I shall clasp a sainted maiden, whom the angels name Lenore.
- •Onomatopoeia
- •Vroom vroom, brrrrm brr
- •Stylistic effects and functions of Phonological sd:
- •III. Sound symbolism
- •Pope: “The sound must seem an echo of sense”.
- •Is motivated by associations
- •The 'phonaesthetic fallacy’
- •Graphical stylistics
- •This is just to sa y
- •I have eaten the plums that were in the icebox
- •Stylistic effects and functions
- •It clearer war just isn’t what
- •Is used to reflect different idiosyncrasies of speech
- •A means of characterization morphological stylistics Morphological em and sd
- •Transposition of the categories of different parts of speech
- •It is most mad and moonly
- •Is deeper than the sea
- •It is most sane and sunly
PHONOGRAPHICAL STYLSITICS
“People understand each other not just because they hear; on the contrary, they hear because they understand.” (O.Sirotinina)
I. Major patterns of sound arrangement
- no EM on the phonological level
- only SD (combinations and alterations of sounds in their syntagmatic succession)
Patterns of sound arrangement:
1. Versification
2. Sound instrumenting
1. Versification
Versification = art of writing verses - was created precisely to be spoken
a poem:
- rhyme
- rhythm
- special sound effects
- a special kind of language
- imagery
Rhyme =
- a coincidence of acoustic impressions in final words of parallel lines
- a sound organizer uniting lines into stanzas
fact - attract, mood - intrude; news - refuse
Types of rhymes
1. According to the position of the stress
- male (masculine/single):
dreams—streams
- female (feminine / double):
duty-beauty
berry-merry
Bicket - kick it
- dactylic (triple):
tenderly – slenderly; battery — flattery
2. According to the structure:
- simple rhymes (single words):stone-alone-own
- compound rhymes (word-group):bucket- pluck it favourite - savour it
- eye-rhyme - the endings are pronounced quite differently, but the spelling of the endings is similar
Farewell to the forests and wild-hanging woods,
Farewell to the torrents and loud-pouring floods. R. Burns
The source of the eye-rhyme is to be searched for in the remote past when many of the modrn homographs were also homophones. Many words that never sounded alike came to be used as eye-rhymes due to analogy: home-come, now - grow
- inner / internal rhyme - the final word rhymes with a word inside the line
I am the daughter of earth and water. (Shelley)
- blank verse - rhymeless verse (Shakespeare’s tragedies)
Should you ask me whence these stories,
Whence these legends and traditions
With the ordor of the forest,
With the dew and damp of meadows… (H.W. Longfellow)
Rhythm = an even alternation of stressed and unstressed syllables in lines
metre = a strict regularity of stressed and unstressed syllables ( patterns)
foot = a combination of one stressed and one or two unstressed syllables in lines (a unit of metre)
types
1. Trochee
2. Iambus
3. Dactyl
4. Amphibrach
5. Anapaest
II. Sound-instrumentation
Instrumentation
- the art of selecting and combining sounds in order to make utterances expressive and melodic
- type of phonetic foregrounding
1. Alliteration
- a stylistically motivated repetition of consonants (at the beginning of words)
“You, lean, lanky lath of a lousy bastard! “ ( S. O’Casey)
- in advertising: slogans
Dior
Dune – the moment, the memory, the dream. (Vogue)
- in titles of books:
Posthumous Papers of the Pickwick Club (Ch. Dickens)
Sense and Sensibility, Pride and Prejudice (Jane Austen)
- in set expressions:
last but not least, forgive and forget, good as gold, dead as a doornail, cool as a cucumber, still as a stone