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6. The notion of foregrounding

Prague Linguistic Circle

Foregrounding

- the ability of a verbal element to obtain extra significance;

- involves a stylistic distortion of some sort;

Shklovsky's Russian term otsranenie, a method of 'defamiliarisation' in textual composition.

- a technique for 'making strange' in language

When I was a young man - two wives ago, 250,000 cigarettes ago, 3,000 quarts of booze ago.

Foregrounding refers to a form of textual patterning which is motivated specifically for literary-aesthetic purposes. Capable of working at any level of language, foregrounding typically involves a stylistic distortion of some sort

7. The notion of em and sd

EM =

- phonetic, morphological, lexical, syntactical forms which exist in the language-as-a-system for the purpose of intensification of the utterance ( I.Galperin)

- marked members of stylistic oppositions, which have their invariant meaning in language (Morokhovsky)

A red-head Velma was. Cute she was.” Velma was red-head. She was cute.

We buddy-buddied together.

SD =

- an intentional change of a fixed (usual) distribution of language units in speech.

- a conscious and intentional intensification of some typical structural and/or semantic property of a language unit

- formed in speech thanks to linear, syntagmatic relations between speech units in a text:

In Arthur Calgary's fatigued brain the word seemed to dance on the wall. Money! Money! Money! (a. Christie)

convergence ( M.Riffaterre ) = an accumulation ('a bundle') of SDs that perform the same stylistic function

We went over to the bar. The customers, by ones and twos and threes, became quiet shadows that drifted soundless across the floor, soundless through the doors at the head of the stairs. Soundless as shadows on grass. They didn’t even let the doors swing. (R. Chandler)

8. The notion of image

image =

- a certain picture of the objective world

- a verbal subjective description of a person, event, etc.

YOU'RE A PIG

His smile was as stiff as a frozen fish. His long fingers made movements like dying butterflies. (R. Stout)

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