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- •Illyria. Towards the end of Shakespeare's Festive Comedy, Barber states that
- •Identifies as integral to becoming sexed: the irreversible melancholic incorporation of the
- •14Zoia Alexanian
- •165). To begin with, Viola's "enveloping" is inside-out: she becomes the undigested self,
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- •Identities are frequently changed or disguised: Rosalind as Ganymede surrenders the gifts
- •Indeed, wasn't. As Valerie Traub points out, "Bypassing a purely scopk economy, As
- •42Zoia Alexanian
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- •It is a statement that Shakespeare's audience was unwilling to argue, for to argue
- •53Zoia Alexanian
- •54Z01a Alexanian
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- •57The fake mustache
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Traub, Valerie. "The Homoerotics of Shakespearean Comedy" in Shakespeare,
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