Other literature

E. Viebig: ‘Alban Bergs “Wozzeck”: ein Beitrag zum Opernproblem’, Die Musik, xv (1922–3), 506–10

F.H. Klein: ‘Die Grenzen der Halbtonwelt’, Die Musik, xvii (1924–5), 281–91

K. Blaukopf: ‘Autobiographische Elemente in Alban Bergs “Wozzeck”’, ÖMz, ix (1954), 155–8

J. Russell: Erich Kleiber: a Memoir (London, 1957/R)

G. Perle: Serial Composition and Atonality (Berkeley, 1962, 6/1991)

M. DeVoto: ‘Some Notes on the Unknown Altenberg Lieder’, PNM, v/1 (1966–7), 37–74

A. Peryne: ‘Alban Berg und die Zahlen’, SM, ix (1967), 141–61

B. Archibald: ‘The Harmony of Berg's “Reigen”’, PNM, vi/2 (1967–8), 73–91

G. Kassowitz: ‘Lehrzeit bei Alban Berg’, ÖMz, xxiii (1968), 323–30

W. Stroh: ‘Alban Berg's Constructive Rhythm’, PNM, vii (1968–9), 18–31

D. Jarman: ‘Dr. Schön's Five-Strophe Aria, some Notes on Tonality and Pitch Association in Berg's Lulu’, PNM, viii/2 (1969–70), 23–48

D. Jarman: ‘Some Rhythmic and Metric Techniques in Alban Berg's Lulu’, MQ, lvi (1970), 349–66

N. Chadwick: ‘Berg's Unpublished Songs in the Österreichische Nationalbibliothek’, ML, lii (1971) 123–40

N. Chadwick: ‘Franz Schreker's Orchestral Style and its Influence on Alban Berg’, MR, xxxv (1974), 29–46

H. Knaus: ‘Studien zu Alban Bergs Violinkonzert’, De ratione in musica: Festschrift Erich Schenk, ed. T. Antonicek, R. Flotzinger and O. Wessely (Kassel, 1975), 255–74

L. Treitler: ‘“Wozzeck” et l’Apocalypse’, SMz, cvi (1976), 249; Eng. trans. in Critical Enquiry, iii (1976–7), 251–70, and The Garland Library of the History of Western Music, ed. E. Rosand (New York, 1985), xii, 307–26; repr. in Music and the Historical Imagination (Cambridge, 1989), 242–63

D. Green: ‘Berg’s De Profundis: the Finale of the Lyric Suite’, International Alban Berg Society Newsletter, no.5 (1977), 13–23

D. Green: ‘The Allegro misterioso of Berg's Lyric Suite: Iso- and Retrorhythms’, JAMS, xxx (1977), 507–16

G. Perle: Twelve-Tone Tonality (Berkeley, 1977/R)

G. Perle: ‘The Complete “Lulu”’, MT, cxx (1979), 115–20

E. Berg: ‘Eine naturlicher Tochter: zur Biographie Alban Berg’, Frankfurter Allgemeine Zeitung (21 May 1979)

E. Berg: ‘Bergiana’, SMZ, cxx (1980), 147–9

C. Ayrey: ‘Berg's “Scheideweg”: Analytical Issues in Op.2/ii’, MAn, i (1982), 189–202

D. Jarman: ‘The “Lost” Score of the Symphonic Pieces from Lulu’, International Berg Society Newsletter, xii (1982), 14–16

D. Jarman: ‘Alban Berg: the Origins of a Method’, MAn, vi (1987), 273–88

J. Bard and C. Hailey: ‘Further Berg–Schoenberg Correspondence’, Journal of the Arnold Schoenberg Institute, xii/2 (1989), 133–74

G. Perle: The Listening Composer (Berkeley, 1990)

A. Ashby: ‘Of Modell-Typen and Reihenformen: Berg, Schoenberg, F.H. Klein and the Concept of Row Derivation’, JAMS, xlviii (1995), 67–105

D. Jasman: ‘“Correcting” Berg: some Observations on Analysis and Editorial Responsibility’, International Journal of Musicology, iv (1995), 155–67

G. Perle: The Right Notes (Stuyvesant, NY, 1995)