
- •Iris murdoch 1919-1999
- •The canon of the dystopian genre. G. Orwell’s 1984. A Clockwork Orange by Anthony Burgess as a cult exploration of the nature of evil.
- •George orwell 1903-1950
- •Anthony burgess 1917-1993
- •The canon of post-war science fiction. John Wyndham’s and Arthur Clarke’s novels.
- •John wyndham 1903-1969
- •Arthur clarke 1917-2008
- •The canon of the modern fantasy literature. Christian symbolism in the works by John Ronald Reuel Tolkien and Clive Staples Lewis.
- •John Ronald Reuel Tolkien as the father of modern fantasy literature.
- •The Lord of the Rings: Synopsis
- •The Christian fantasy by Clive Staples Lewis.
- •Agatha christie 1890-1976 (cozy detective fiction)
- •James Hadley Chase 1906-1985 (hard-boiled detective fiction)
- •John Le Carré 1931- (spy detective fiction)
John Le Carré 1931- (spy detective fiction)
John Le Carré is a pseudonym of David John Moore Cornwell. He is an English writer known for disillusioned, suspenseful spy novels based on a wide knowledge of international espionage. Le Carré's famous hero is George Smiley, a Chekhovian character and shadowlike member of the British Foreign Service. In his works the author has explored the moral problems of patriotism, espionage, and ends versus means. Le Carré's style is precise and elegant, and his novels are noted for skillful plotting and witty dialogue. Familiarity with intelligence agents connects le Carré to the long tradition of spy/writers from Christopher Marlowe, Ben Johnson and Daniel Defoe to the modern day writers, such as Graham Greene, John Dickson Carr, Somerset Maugham, Alec Waugh, and Ted Allbeury.
Major works: Call for the Dead (1961), A Murder of Quality (1962), Looking Glass War (1965), The Russia House (1989).
The Spy Who Came in from the Cold is the story of a frustrated British agent, Alec Leamas, whose life is far from the glamour of James Bond's world: he has a love affair with a lonely, unpaid librarian, not with a fashion model. After his sub-agents in East Germany have been killed, Leamas travels behind the Iron Curtain to destroy the head of the East German Intelligence, who has directed the killings. Soon he finds out that his own people had framed him in order to frame Fiedler, an East German. In the world of double-crossing, Leamas has no way out - he is used and destroyed by his superiors. "We have to live without sympathy, don't we? That's impossible of course. We act it to one another, all this hardness; but we aren't like that really, I mean... one can't be out in the cold all the time; one has to come in from the cold... d'you see what I mean?" (from The Spy Who Came in from the Cold). The novel was filmed in 1966. The harshly photographed black and white film was directed by Martin Ritt, starring Richard Burton, Claire Bloom, and Oskar Werner.