Sacred all works composed before 1825

Compline, lost; Cor mundum crea, F, 2 solo vv, org, in Pubblicazione periodica di musica sacra sotto gli auspici della S.C. di Propaganda Fide, ii/2 (Rome, 1879), also in Cronache musicali, i (Rome, 1900), no.28; Credo, C, 4vv, orch; Cum sanctis, I-Nc*; De torrente, Nc*; Dixit Dominus, solo vv, 4vv, orch, inc. Nc*, facs. of pt.iii, Tecum principium, in Vincenzo Bellini: Composizioni giovanili inedite (Rome, 1941); Domine Deus, Nc*

Gallus cantavit, ?autograph I-CATc; Gratias agimus, C, solo S, orch; Juravit, Nc*; Ky, Nc*; Laudamus te, Nc*; Litanie pastorali in onore della B.V., 2S, org; Mag, 4vv, orch, frag. F-Pn*; Mass, a–A, S, A, T, B, 4vv, orch, inc. I-CATm* (Milan, 1843); Mass (Ky–Gl), D, SSTB, orch, dated 1818, Nc*; Mass (Ky–Gl), G, SSTB, orch; Mass, g, solo vv, vv, orch, frags. CATm*, Nc*

Pange lingua, 2vv, org, CATm*; Qui sedes, Nc*; Qui tollis, Nc*; Quoniam, Nc*; Quoniam, T, vv, orch, F-Pn*; Quoniam and Cum sanctis, I-Nc*; Salve regina, A, 4vv, orch, CATm*, facs. in Vincenzo Bellini: Composizioni giovanili inedite (Rome, 1941); Salve regina, f–F, solo B, org (Milan, 1862); 4 Tantum ergo and Genitori: B , solo S, orch, E , solo S, orch, vs (Florence and Rome, n.d.), F, 2S [Genitori, 4vv], orch, G, 4vv, orch

5 Tantum ergo: F, solo S, orch, vs (Florence and Rome, n.d.), D, solo A, orch, I-Nc* dated 1823 (Milan, 1862), E, S, A, T, B, vv, orch, Nc* dated 1823 (Milan, 1862), F, solo A, T, orch, Nc* dated 1823 (Milan, 1862), G, solo S, orch, Nc* dated 1823 (Milan, 1862); 2 TeD, C, E , 4vv, orch; Versetti da cantarsi il Venerdì Santo, 2T, orch, autograph in private collection Marusia Manzella, Rome, mentioned in F. Pastura: ‘Le tre ore di agonia’, Rivista del Comune di Catania (1953); Virgam virtutis, Nc*

Other vocal composed after 1825 for 1v, pf, unless otherwise stated

6 ariette da camera (Milan, 1829 [Ricordi]; Naples, n.d. [Clausetti]; Paris, ?1831 [Launer, no copy found]; Naples, n.d. [Girard]) [A]

Bellini per camera: raccolta completa delle sue ariette (Naples, n.d.) [the Girard edn. of 6 ariette da camera, enlarged by 8 additional nos.] [B]

Brezze dell’Etna: 26 ispirazioni del cigno catanese (Naples, n.d.) [all 26 nos. probably not pubd] [C]

Soirées musicales: Sammlung beliebter Arietten und Romanzen (Vienna, 1839 [Mechetti]) [D]

3 ariette inedite (Milan, 1837–8 [Ricordi]) [E]

Composizioni da camera (Milan, 1935, 2/1948 [Ricordi]) [F]

Principal MS sources, some autograph: F-Pn, I-CATm, Fn, Mc, Nc, Rsc, US-NYpm, Wc

A palpitar d’affanno, romanza, no.270 in Aurora d’Italia e di Germania (Vienna, n.d.), also in Prima ed ultima composizione di Bellini (Turin, n.d.)

L’abbandono, romanza, B, C, D, F; as L’ultima veglia (Milan, 1836); as La mammoletta (Paris, n.d.)

L’allegro marinaro, ballata (Milan, 1844), B, C, F

Almen se non poss’io (Metastasio), arietta, A, B, C, D, F

Bella Nice che d’amore, arietta, A, B, C, D, F

Chi per quest’ombre (Giudiccione), free canon, 4vv, unacc., 15 Aug 1835, facs. in Gazette musicale de Paris, ii (Oct 1835), also in A. Pougin: Bellini: sa vie, ses oeuvres (Paris, 1868), following p.228

Dalla guancia scolorita, free canon, 2vv, pf, 1835, in Strenna letteraria artistica musicale del giornale ‘Il pirata’ (Bologna, 1872), also in La musica popolare, ii (1883), following p.145

Dolente immagine di Fille mia, arietta (Naples, c1824; Paris, n.d.), B, C, D, E, F, orch pts. I-Nc*

E nello stringerti a questo core, aria, 1v, orch, before 1825, Nc*

La farfalletta, canzoncina, ?1813, F

Il fervido desiderio, arietta, B, C, E, F

Imene, wedding cantata, S, T, T, vv, orch, ?1824, frags. I-CATm*, US-NYpm*, trio [Ombre pacifiche] pubd (Florence and Rome, n.d.)

Malinconia, ninfa gentile (I. Pindemonte), arietta, A, B, C, D, F

Ma rendi pur contento (Metastasio), arietta, A, B, C, D, F

No, traditor, non curo, aria, S, pf, before 1825, I-CATm [probably orig. with orch]

O souvenir: pagina d’album, arietta (Florence and Rome, n.d.)

Per pietà, bell’idol mio (Metastasio), arietta, A, B, C, D, F

Quando incise su quel marmo, aria, S, orch, before 1825, Nc*, with pf acc. (Milan, 1836), also as no.269 in Aurora d’Italia e di Germania (Vienna, n.d.), B, C, F [incl. introductory recit]

Guarda che bianca luna, romanza, ?Palermo, 1832

La ricordanza (C. Pepoli), 1834, US-Wc*

Si, per te, gran nume eterno, cavatina, S, orch, before 1825, I-Nc*

Sogno d’infanzia, romanza (Milan, 1835), B, C, D, F

T’intendo, si, mio cor (Metastasio), 4S, unacc., c1824, US-NYpm*

Torna, vezzosa Fillide, romanza, I-Mc, F

Vaga luna che inargenti, arietta, no.246 in Aurora d’Italia e di Germania (Vienna, n.d.), B, C, E, F

Vanne, o rosa fortunata, arietta, A, B, C, D, F

Lost: Amore, Malinconia, La speranza (C. Pepoli), 3 sonnets, 1834–5; Alla luna (Pepoli), 1834–5; Numi, se giusti siete (P. Metastasio), romanza, announced on title-page of C; Scena ed aria di Cerere, erroneously said by Weinstock, 1971, to be in I-Nc; Arietta, Milan, for Lady Christina Dudley-Stuart, 1828; Cavatina, Milan, for album of Duchess Litta

Spurious and doubtful: Ah, non pensar = section of Introduzione of Beatrice di Tenda; Era felice undì = transcr. with notable changes of a cavatina by Mercadante; Se il mio nome (Berlin, n.d.), D = Rossini: Il barbiere di Siviglia; Tu che al pianger, B, actually by F. Florimo; Le dernier soir, romanza (Paris, 1841) [authenticity very doubtful]