Individual operas

A. Coeuroy: La ‘Tosca’ de Puccini. Étude historique et critique, et analyse musicale (Paris, 1922)

R. Mariani: ‘Prodromi pucciniani: Le villi e Edgar’, Musica d’oggi (n.p., 1958), 218–25; repr. in Verismo in musica e altri studi (Florence, 1976), 28–34

L’avant-scène opéra, no.11 (1977) [Tosca issue]

J. Smith: ‘A Metamorphic Tragedy’, PRMA, cvi (1978–80), 105–14

J. Smith: ‘Madame Butterfly: the Paris Première of 1906’, Werk und Wiedergabe Musiktheater exemplarisch interpretiert, ed. S. Wiesmann (Bayreuth, 1980), 229–38

L’avant-scène opéra, no.20 (1979) [La bohème issue]

L’avant-scène opéra, no.33 (1981) [Turandot issue]

M. Girardi: ‘Turandot: il futuro interrotto del melodramma italiano’, RIM, xvii (1982), 155–81

L’avant-scène opéra, no.56 (1983) [Madama Butterfly issue]

S. Döhring: ‘Musikalischer Realismus in Puccinis Tosca’, AnMc, xxii (1984), 249–96

L’avant-scène opéra, no.82 (1985) [Gianni Schicchi issue]

M. Carner, ed.: Giacomo Puccini: Tosca (Cambridge, 1985)

D. Goldin: ‘Drammaturgia e linguaggio della Bohème di Puccini’, La vera fenice: libbrettisti e libretti tra Sette e Ottocento (Turin, 1985), 335–74

A. Groos and R. Parker, eds.: Giacomo Puccini: La bohème (Cambridge, 1986)

J. Maehder: ‘Paris-Bilder: zur Transformation von Henry Mürgers Roman in den “Bohème” – Opern Puccinis und Leoncavallos’, JbO, ii (1986), 109–76

A. Groos: ‘Lieutenant F.B. Pinkerton: Problems in the Genesis of an Operatic Hero’, Italica, lxiv (1987), 654–75

J. Budden: ‘The Genesis and Literary Source of Giacomo Puccini's First Opera’, COJ, i/1 (1989), 79–85

G. Dotto: ‘Opera, Four Hands: Collaborative Alterations in Puccini's Fanciulla’, JAMS, xlii (1989), 604–24

A. Groos: ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’, COJ, i/2 (1989), 167–94

S. Scherr: ‘Editing Puccini's Operas: the Case of Manon Lescaut’, AcM, lxii (1990), 62–81

W. Ashbrook and H. Powers: Puccini’s Turandot: the End of the Great Tradition (Princeton, NJ, 1991)

A.W. Atlas: ‘Newly Discovered Sketches for Puccini's Turandot at the Pierpont Morgan Library’, COJ, iii/2 (1991), 173–93

A. Groos: ‘Madame Butterfly: the Story’, COJ, iii/2 (1991), 125–58

M. Girardi: ‘Il finale de La fanciulla del West e alcuni problemi di codice’, Opera & Libretto, ii (1993), 417–37

D. Burton: An Analysis of Puccini’s ‘Tosca’: a Heuristic Approach to the Unifying Elements of the Opera (Ann Arbor, 1995)

L’avant-scène opéra, no.165 (1995) [Fanciulla del West issue]

K.M. Lo: ‘Turandot’ auf der Opernbühne (Frankfurt, 1996)

S. Nicassio: Tosca’s Rome: the Opera and the Play in Historical Perspective (Chicago, 1998)